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Surfacing
(1997)
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Sarah McLachlan
Surfacing was released as the first Lilith Fair tour hit the road, and Sarah McLachlan benefited enormously from the timing. As the organizer of Lilith Fair, McLachlan was on the cover of magazines across America and Canada, which helped Surfacing debut at number two on the U.S. charts -- a particularly remarkable feat since its predecessor, ...
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Paint the Sky with Stars: The Best of Enya
(1997)
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Enya
Paint the Sky with Stars: The Best of Enya is an excellent 16-song overview of Enya's career, containing 14 selections from The Celts, Watermark, Shepherd Moon, and The Memory of Trees -- including "Caribbean Blue," "Anywhere Is," "Marble Halls," "Book of Days," and, of course, "Orinoco Flow" -- as well as two previously unreleased songs ("Only If ...
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Heavier Things
(2003)
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John Mayer
Don't take the title of John Mayer's Heavier Things literally. Mayer offers nothing heavy on the follow-up to his breakthrough hit, Room for Squares -- nothing heavy in the music and nothing heavy in the lyrics. No, Mayer is smooth, slick, and streamlined on his second or third album (it all depends if you count his 1999 debut, Inside Wants Out, ...
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American Idiot
(2004)
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Green Day
It's a bit tempting to peg Green Day's sprawling, ambitious, brilliant seventh album, American Idiot, as their version of a Who album, the next logical step forward from the Kinks-inspired popcraft of their underrated 2000 effort, Warning, but things aren't quite that simple. American Idiot is an unapologetic, unabashed rock opera, a form that ...
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X&Y
(2005)
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Coldplay
After Radiohead stubbornly refused to accept the mantle of "world's biggest and most important rock band" by releasing the willfully strange rocktronica fusion Kid A in 2000, Coldplay stepped up to the plate with their debut, Parachutes. Tasteful, earnest, introspective, anthemic, and grounded in guitars, the British quartet was everything ...
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Echoes, Silence, Patience & Grace
(2007)
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Foo Fighters
It's not quite right to say that the Foo Fighters only have one sound, but why does it always feel like the group constantly mines the same sonic vein? Even on 2007's Echoes, Silence, Patience & Grace -- their sixth album and first with producer Gil Norton since their second, 1997's The Colour and the Shape -- the Foos feel familiar, although ...
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Nevermind
(1991)
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Nirvana
Nevermind was never meant to change the world, but you can never predict when the zeitgeist will hit, and Nirvana's second album turned out to be the place where alternative rock crashed into the mainstream. This wasn't entirely an accident, either, since Nirvana did sign with a major label, and they did release a record with a shiny surface, no ...
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A Rush of Blood to the Head
(2002)
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Coldplay
After touring in support of their debut album, Parachutes, Coldplay was personally and professionally exhausted. Frontman Chris Martin insisted he was dry; by the time they closed their European tour in summer 2001, he hadn't written a song in months. The U.K. music press immediately pounced on the idea of Coldplay calling it quits, but somewhere ...
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Room for Squares
(2001)
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John Mayer
Two years after his full-length debut, Inside Wants Out, singer/songwriter and guitarist John Mayer recorded this sophomore offering, Room for Squares. The album was produced by John Alagía. The producer had worked with artist Dave Matthews on a few albums first and those influences show through clearly on this recording, taking it in a somewhat ...
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Jagged Little Pill
(1995)
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Alanis Morissette
It's remarkable that Alanis Morissette's Jagged Little Pill struck a sympathetic chord with millions of listeners, because it's so doggedly, determinedly insular. This, after all, plays like an emotional purging, prompted by a bitter relationship -- and, according to all the lyrical hints, that's likely a record executive who took advantage of a ...
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MTV Unplugged in New York
(1994)
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Nirvana
If In Utero is a suicide note, MTV Unplugged in New York is a message from beyond the grave, a summation of Kurt Cobain's talents and pain so fascinating, it's hard to listen to repeatedly. Is it the choice of material or the spare surroundings that make it so effective? Well, it's certainly a combination of both, how the version of the Vaselines' ...
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Hopes and Fears
(2004)
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Keane
The English music press can never let anyone be. They're always quick to hail the next big thing and, in this case, the next big Coldplay is Keane. Lowgold briefly held that title upon its debut release in 2001, but U.K. critics rushed to give that crown to someone else just because that's what they like to do. Keane didn't ask for it, but perhaps ...
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Plans
(2005)
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Death Cab for Cutie
For your consideration: a wildly successful indie rock band with a legion of followers on an equally successful, highly credible independent label makes the jump to major-label powerhouse Atlantic, leading to much chagrin and speculation among its fans as they awaited with bated breath for what would happen to the group. The result was For Your ...
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Weezer (Blue Album)
(1994)
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Weezer
Even if you lived through it, it's hard to fathom exactly why Weezer were disliked, even loathed, when they released their debut album in the spring of 1994. If you grew up in the years after the heyday of grunge, it may even seem absurd that the band were considered poseurs, hair metal refugees passing themselves off as alt-rock by adapting a few ...
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In Utero
(1993)
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Nirvana
Nirvana probably hired Steve Albini to produce In Utero with the hopes of creating their own Surfer Rosa, or at least shoring up their indie cred after becoming a pop phenomenon with a glossy punk record. In Utero, of course, turned out to be their last record, and it's hard not to hear it as Kurt Cobain's suicide note, since Albini's stark, ...
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The Joshua Tree
(1987)
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U2
Using the textured sonics of The Unforgettable Fire as a basis, U2 expanded those innovations by scaling back the songs to a personal setting and adding a grittier attack for its follow-up, The Joshua Tree. It's a move that returns them to the sweeping, anthemic rock of War, but if War was an exploding political bomb, The Joshua Tree is a journey ...
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Black Holes and Revelations
(2006)
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Muse
Naysayers listen up. Teignmouth, England's Muse refuse to be the "next" Radiohead. Since forming in 1997, this alternative rock trio has continuously battled comparisons to the famed Oxford group while ambitiously creating a sound of their own. British fans have praised the group for years, despite Americans taking until Absolution to discover ...
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Mellon Collie and the Infinite Sadness
(1995)
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The Smashing Pumpkins
The Smashing Pumpkins didn't shy away from making the follow-up to the grand, intricate Siamese Dream. With Mellon Collie and the Infinite Sadness, the band turns in one of the most ambitious and indulgent albums in rock history. Lasting over two hours and featuring 28 songs, the album is certainly a challenging listen. To Billy Corgan's credit, ...
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Kid A
(2000)
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Radiohead
Instead of simply adding club beats or sonic collage techniques, Radiohead strive to incorporate the unsettling "intelligent techno" sound of Autechre and Aphex Twin, characterized by its skittering beats and stylishly dark sonic surfaces, for Kid A. To their immense credit, Radiohead don't sound like carpetbaggers, because they share the same ...
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Ten
(1991)
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Pearl Jam
Nirvana's Nevermind may have been the album that broke grunge and alternative rock into the mainstream, but there's no underestimating the role that Pearl Jam's Ten played in keeping them there. Nirvana's appeal may have been huge, but it wasn't universal; rock radio still viewed them as too raw and punky, and some hard rock fans dismissed them as ...
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Gorillaz
(2001)
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Gorillaz
It's tempting to judge Gorillaz -- Damon Albarn, Tank Girl creator Jamie Hewlett, and Dan "The Automator" Nakamura's virtual band -- just by their brilliantly animated videos and write the project off as another triumph of style over substance. Admittedly, Hewlett's edgy-cute characterizations of 2-D, Gorillaz' pretty boy singer (who looks a cross ...
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Rage Against the Machine
(1992)
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Rage Against the Machine
The first album to successfully merge the amazingly disparate sounds of rap and heavy metal, Rage Against the Machine's self-titled debut was groundbreaking enough when it was released, and many would argue that its importance and influence remains unchallenged and unsurpassed to this day. The living embodiment of this culture clash, guitar wizard ...
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The Reminder
(2007)
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Feist
When Leslie Feist released her breakthrough Let It Die, almost instantly she became an indie icon. Her pretty, sometimes melancholic love songs, her clear, campfire voice, her vaguely jazz- and disco-influenced arrangements (highlighted no better than with her cover of the Bee Gees' "Inside and Out"), and her association with darlings Broken ...
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Demon Days
(2005)
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Gorillaz
Damon Albarn went to great pains to explain that the first Gorillaz album was a collaboration between him, cartoonist Jamie Hewlett, and producer Dan the Automator, but any sort of pretense to having the virtual pop group seem like a genuine collaborative band was thrown out the window for the group's long-awaited 2005 sequel, Demon Days. Hewlett ...
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The Bends
(1995)
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Radiohead
Pablo Honey in no way was adequate preparation for its epic, sprawling follow-up, The Bends. Building from the sweeping, three-guitar attack that punctuated the best moments of Pablo Honey, Radiohead create a grand and forceful sound that nevertheless resonates with anguish and despair -- it's cerebral anthemic rock. Occasionally, the album ...
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