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Calypso
(1956)
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Harry Belafonte
This is the album that made Harry Belafonte's career. Up to this point, calypso had only been a part of Belafonte's focus in his recordings of folk music styles. But with this landmark album, calypso not only became tattooed to Belafonte permanently; it had a revolutionary effect on folk music in the 1950s and '60s. The album consists of songs ...
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Belafonte at Carnegie Hall
(1959)
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by
Harry Belafonte
The granddaddy of all live albums, this double-LP set captures the excitement of a Harry Belafonte concert at the height of his popularity. Sampled from two consecutive performances of identical material, Belafonte at Carnegie Hall was an anomaly at a time when only comedy albums were recorded outside of the studio environment. It wasn't the first ...
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Only a Fool
(1998)
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by
Mighty Sparrow/Byron Lee
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Very Best of Harry Belafonte [RCA]
(2001)
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Harry Belafonte
RCA's Very Best of Harry Belafonte fulfills the title in fine fashion, compiling 20 of his best-known hits onto a single CD (though it cheats slightly by adding a pair of unreleased tracks, "Bam Bam Bamba" and "Two Brothers"). Fans of his breakout Calypso LP from 1956 will find several tracks here -- the obvious "Banana Boat Song (Day-O)" plus ...
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Hanapepe Dream
(2003)
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Taj Mahal & the Hula Blues
Recorded in the year 2000 in Bremen and in Hawaii, Hanapepe Dream is ethnomusicologist, guitarist, and composer Taj Mahal's own gumbo of Caribbean, Polynesian, African, and American folk roots styles done up in the glorious dress of "song," for anyone who has ears to hear, feet to shuffle, and an ass to shake. Featuring a large band replete with ...
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An Evening with Harry Belafonte & Friends
(1997)
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Harry Belafonte
An Evening With Harry Belafonte & Friends is an album to accompany the live performance of the same shown on PBS television stations in 1997. It is a remarkable album, especially considering Belafonte's longevity. The album contains multiple songs dealing with oppression and freedom, as it is one of Belafonte's major endeavors. There are some ...
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16 Carnival Hits
(1992)
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by
Mighty Sparrow & Lord Kitchener
Two of Trinidad's greatest calypsonians -- both of whom excelled into the age of soca -- on one disc? It's like heaven. After all, these two dominated Trinidad's Carnival Road March from 1956-1972, and a number of those winning songs are here, from Sparrow's "May May" to Kitchener's "Miss Tourist." But simply, there's not a single dud among the 16 ...
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All Time Greatest Hits, Vol. 1
(1978)
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by
Harry Belafonte
All Time Greatest Hits collects most of Harry Belafonte's biggest calypso hits, including "Banana Boat (Day-O)." Stephen Thomas Erlewine, All Music Guide
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The Essential Harry Belafonte
(2005)
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Harry Belafonte
Harry Belafonte's influence on pop music is much more far reaching then many realize, as he was one of the first performers to bring worldbeat rhythms to the U.S. charts in the postwar era. Born in Harlem, but spending a good part of his childhood in his mother's native Jamaica, Belafonte grew up straddling cultures and musical styles, and ...
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Volume One
(2000)
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by
Mighty Sparrow
Well, yes, of course, it's run-don't-walk time. This baker's dozen of songs revealed Sparrow as the greatest calypsonian of the post-WWII era, and arguably of all recorded time -- "Jean and Dinah," "Sparrow Come Back Home" and "Obeah Wedding" are perhaps the biggest gems, but nothing here is less than a diamond of the purest ray serene. John ...
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Hot Like Fire
(1992)
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by
Mighty Sparrow
In a move that brought enough controversy to enliven conversations for the next year, Sparrow re-entered the Monarchy competition in 1992 with "Both of Them" from this album. He won, but that's another story. Gene Scaramuzzo, All Music Guide
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Volume Two
(1992)
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by
Mighty Sparrow
Mighty Sparrow defined modern calypso, completely dominating the scene from the mid-'50s on to the late-'70s arrival of soca, so these Ice compilations of his best songs are pretty much a godsend as a starting point for newcomers. He developed a quintessential Caribbean "long live the living" persona, and Volume 2 is a very strong collection of ...
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Ultimate Collection
(2001)
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by
Harry Belafonte
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Jump Up Calypso
(1961)
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by
Harry Belafonte
Belafonte was an established all-around entertainer and actor by the time of this album, so it could be seen in a sense as a return to "roots" styles. In any case, it's all-out calypso, with backing by the Trinidad Steel Band, and qualifies as one of his most energetic albums, even getting rambunctious at times. Richie Unterberger, All Music ...
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Greatest Hits
(2000)
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by
Harry Belafonte
Digitally remastered in 2000, RCA's triple-disc package Greatest Hits is a stellar overview of Harry Belafonte's career, covering 53 tracks spanning the years 1952-1972. While Belafonte is, of course, best known for popularizing calypso music, Greatest Hits doesn't place a disproportionate emphasis on that aspect of his career; instead, the ...
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Paradise in Gazankulu
(1988)
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by
Harry Belafonte
In 1988, Harry Belafonte turned 61 years old. After releasing exactly one album of new material in fifteen years, Belafonte showed the world that he still had enough in him to issue a collection of vital, exciting music with a point of view. The cause that triggered this creative explosion was South Africa's apartheid system. Long an advocate of ...
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My Lord What a Mornin'
(1960)
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by
Harry Belafonte
With this album, Belafonte moved into his most artistically productive period. The albums he made into the mid-60s were all concept albums zeroing in on specific folk music themes. My Lord What A Mornin' was the first of two albums that featured the choir known as the Belafonte Folk Singers, conducted by Bob Corman, who were now recording as a ...
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Pure Gold
(1975)
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by
Harry Belafonte
A straight-up budget reissue of a '70s golden hits package (minus the fake electronic stereo), this brings together all of Harry's early calypso hits. Highlights include "Matilda," "Man Smart (Woman Smarter)," "Jamaica Farewell," and the obligatory "Day-O (Banana Boat Song)." Belafonte was the first great popularizer of calypso music in America, ...
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Peter Was a Fisherman: The 1939 Trinidad Field Recordings of Melville andFrancis Hersko
(1998)
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by
Various Artists
This 34-track CD, culled from 352 songs recorded by the Herkovitzes (mostly in the village of Toco), is the first volume of a projected series drawn from their collection, which has previously only been available to scholars. Although the singers were recorded in extremely basic circumstances -- there's usually nothing but vocals, claps, and maybe ...
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Mento Madness: Motta's Jamaican Mento 1951-1956
(2004)
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by
Various Artists
When Stanley Motta branched off from his electrical appliance repair business in 1951 and began recording local mento performers on a single-track, mono tape recorder, releasing the results on his MRS Records label, he single-handedly jump-started the Jamaican recording industry. These early records were often termed calypso, but they were subtly ...
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Harry Belafonte [BMG]
(2006)
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by
Harry Belafonte
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Belafonte Returns to Carnegie Hall
(1960)
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by
Harry Belafonte
On May 2, 1960, Harry Belafonte returned to Carnegie Hall for what was supposed to be one of the last concerts in the venerable hall's last season. Carnegie was scheduled to be torn down, although this was an edict that was thankfully short-lived. The hall was instead renovated and remains one of New York's premier showplaces. The first Carnegie ...
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Legendary Performer
(1978)
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by
Harry Belafonte
An otherwise fine retrospective of many of Harry Belafonte's best-known performances from the 1950s is spoiled by RCA producer Ethel Gabriel's insistence upon using the disastrous "electronic reprocessing" system (tinny high end on one channel, muffled low end on the other) that destroyed so many reissues in the 1960s and '70s. Although most of ...
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The Many Moods of Belafonte/Ballads, Blues and Boasters
(2004)
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by
Harry Belafonte
Issued in the British Isles, this CD combines the contents of two Harry Belafonte LPs: The Many Moods of Belafonte, released in November 1962, and Ballads, Blues and Boasters, released in September 1964. The two albums were not consecutive releases; in between, Belafonte put out the 1963 collection Streets I Have Walked. The logical question, then ...
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Uncut Roots
(2001)
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by
Funkadesi
Funkadesi's first full-length album opens like a more or less traditional reggae project, with dreadlocked Jamaican frontman Valroy Dawkins singing lines like "play reggae in the mornin' in the noon time praise jah jah praise jah jah" over bouncy Caribbean rhythms. But as the record progresses, the rasta beats are increasingly supplemented and ...
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