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La Vida...Es un Ratico
(2007)
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by
Juanes
By the time of his fourth album, La Vida...Es un Ratico, it was difficult to imagine Juanes being any more acclaimed or popular. He'd already won trophy cases of awards, from numerous Grammys to France's highest cultural honor, L'Ordre des Arts et des Lettres, and he'd already topped charts in a diverse range of countries, including not only the ...
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Mi Sangre
(2004)
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by
Juanes
Mi Sangre is the awaited follow-up to the hugely successful Un Día Normal, the multi-Latin Grammy-winning and best-selling Latin album of 2003, which made Juanes a star. Although he has a different background than many Latin stars, now it's hard to tell the difference between him and the rest. His music and words sound more conventional than ever. ...
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La Radiolina
(2007)
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by
Manu Chao
European superstar Manu Chao has long gotten by on writing simple repetitive melodies with simple repetitive lyrics, making it, if nothing else, easy for his international audience to sing along, no matter their native language. So it is not particularly surprisingly he follows the same pattern on his fourth studio full-length, Radiolina, ...
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Limón y Sal
(2006)
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by
Julieta Venegas
A couple years removed from her mainstream breakthrough album, Sí (2002), and its string of perfect pop hits, Julieta Venegas returned with a similar album, Limón y Sal. It's difficult to fault her for doing so. Certainly, her earlier rock en español work -- Aquí (1998) and Bueninvento (2000) -- was critically acclaimed and remains well regarded. ...
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Amar Es Combatir
(2006)
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by
Maná
Arriving a long four years after Revolución de Amor (2002), which had been the band's most accomplished album to date, and a Grammy winner to boot, Amar Es Combatir confirmed Maná's continuing designation as the world's standard-bearing Spanish-language mainstream rock band. Amar Es Combatir's lead single, "Labios Compartidos," was an overnight ...
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Todo Cambió
(2006)
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by
Camila
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Clandestino
(1998)
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by
Manu Chao
The first solo album released by the former frontman of Mano Negra, Clandestino is an enchanting trip through Latin-flavored worldbeat rock, reliant on a potpourri of musical styles from traditional Latin and salsa to dub to rock & roll to French pop to experimental rock to techno. Chao's voice tends to be a bit nasally, but the best songs ( ...
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Secuencia
(2006)
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by
Reik
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Senderos de Traicion
(1990)
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by
Heroes del Silencio
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Ronroco
(1998)
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by
Gustavo Santaolalla
On Ronroco, Gustavo Santaolalla creates a song cycle of original songs in the vein of traditional Argentinian music. Santaolalla infuses Argentinian music with jazz and prog-rock influences, creating a unique hybrid layered with harmonic overtones and complex polyrhythms. He augments his guitar with indigenous instruments, and often trades melodic ...
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Oye
(2006)
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by
Aterciopelados
Oye arrived a full five years after Aterciopelados' previous studio release, and a lot happened in that time. For starters both singer Andrea Echeverri and bassist Héctor Buitrago -- the Colombian band's most potent creative forces -- released well-received solo albums that, rather than serve to push them further out of the band framework, seem to ...
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Un Día Normal
(2002)
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by
Juanes
Recorded in Los Angeles, CA, and co-produced by rock en español expert Gustavo Santaolalla, the second album by Grammy-winning Juanes, highly anticipated following the release of its first single, "A Dios Le Pido," once again delivers his awarded fusion of urban, rock, and Latin American rhythms. A spiritual folk-rock song opens this 12-track ...
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Re
(1994)
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by
Café Tacuba
For Re, Café Tacuba experimented with different styles and sounds, resulting in one of the most wildly varied releases of the '90s. "El Ciclón" is a clavinet-driven funk track that echoes Billy Preston, while "Esa Noche" is a tender ranchero ballad. The raucous "El Borrego," which simultaneously mocks and salutes other Mexican rock acts (Maldita ...
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El Espiritu del Vino
(1993)
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by
Heroes del Silencio
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En Directo
(2004)
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by
Joaquín Sabina y Viceversa
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19 Dias y 500 Noches
(1999)
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by
Joaquin Sabina
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Con el Corazon en La Mano
(2007)
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by
Rojo
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Nil Lara
(1996)
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Nil Lara
Nil Lara accomplishes an innovative lyricism rooted in traditional, Latin rhythms in this self-titled follow-up to his debut album My First Child. His Cuban heritage serving as catalyst, Lara weaves English and Spanish lyrics to communicate universal themes. From the first song, "Money Makes the Monkey Dance," which reflects upon the struggles and ...
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Revolución de Amor
(2002)
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by
Maná
Like English-language rock, the rock en español field has its superstars and its more underground artists. Superstars like los Fabulosos Cadillacs and Shakira can easily fill a huge soccer stadium in Mexico City or Buenos Aires, while the more underground artists perform in Latin America's small clubs. Maná falls into the supergroup category; in ...
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Sueños Liquidos
(1997)
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by
Maná
A harmonically wise and confident band capable of loosely wound Latin pop/rock, Maná has returned with some of their best songs of their career stuck to a midday high-gloss finish. No twitchy tokenism here -- it would be ridiculous to lump this music along with the patronizing Latin pop stars crossing over into America's gaze -- but the album's ...
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Embrace the Chaos
(2001)
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by
Ozomatli
Not many people heard Ozomatli's 1998 debut, but those who did loved its fearless blend of hip-hop, Latin rhythms, jazz, and rock. There was a long wait between that record and its 2001 successor, Embrace the Chaos, and while that prolonged gestation period may have not resulted in a radical new direction for the collective, it did give them time ...
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Esencials: Eclipse
(2003)
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by
Maná
Eclipse is a pretty good collection, featuring most of the highlights from Maná's career. It spans ten years of work, from 1992's Falta Amor through 2002's Revolución de Amor, and includes hits like "Vivir Sin Aire," "No Ha Parado de Llover," "Rayando el Sol," "Hechicera," and "En el Muelle de San Blas." Of course, there are some songs missing, ...
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Cronicas de un Laberinto
(2005)
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by
Jaguares
It's perhaps unfortunate that Jaguares have been given the rock en español tag, since it seems to put them in a ghetto. The real truth is that they're a world-class rock band who just happen to sing in Spanish, and those who can't get past the linguistic barrier are losing out. There's still a darkness to their sound, but as "Bruja Canibal" shows, ...
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Futura
(2006)
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by
Nação Zumbi
After the tragic and premature death of Nação Zumbi's former bandleader, Chico Science, in 1996, most people thought that that would be the end of the band. But after a somewhat hesitant and uncertain start, the new, post-Chico formation of Nação Zumbi found its way and re-emerged as one of the most creative and exciting bands of Brazil. Slick, ...
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Mundo Lite
(2003)
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by
Aleks Syntek
Mexican pop/rock genius Aleks Syntek has recorded a lot of great music in his day, and the songs comprising Mundo Lite are no exception. In fact, they just might be some of the best he's ever assembled on one album. From the album-opening electronic textures and guitar hooks of "Tiempos de Paz," it's hard to deny the music of Mundo Lite. And if ...
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