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Come Away with Me
(2002)
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Norah Jones
Norah Jones' debut on Blue Note is a mellow, acoustic pop affair with soul and country overtones, immaculately produced by the great Arif Mardin. (It's pretty much an open secret that the 22-year-old vocalist and pianist is the daughter of Ravi Shankar.) Jones is not quite a jazz singer, but she is joined by some highly regarded jazz talent: ...
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Feels Like Home
(2004)
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Norah Jones
It may be far too obvious to even mention that Norah Jones' follow-up to her 18-million-unit-selling, eight-Grammy-winning, genre-bending, super-smash album Come Away With Me has perhaps a bit too much to live up to. But that's probably the biggest conundrum for Jones: having to follow up the phenomenal success of an album that was never designed ...
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Not Too Late
(2007)
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Norah Jones
Recoils from fame usually aren't as subdued as Norah Jones' third album, Not Too Late, but such understatement is customary for this gentlest of singer/songwriters. Not Too Late may not be as barbed or alienating as either In Utero or Kid A -- it's not an ornery intensification of her sound nor a chilly exploration of its furthest limits -- but ...
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Genius Loves Company
(2004)
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by
Ray Charles
Genius Loves Company is the last studio album Ray Charles completed before his death in June 2004. Prior to this, the last studio album he released was Strong Love Affair in 1996, which was a stab at modern pop, filled with new songs and given an adult contemporary sheen. It was not one of his most distinctive efforts, even when judged against his ...
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Anthology
(1988)
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by
Ray Charles
Perhaps the best single CD collection of Ray Charles' '60s and '70s ABC-Paramount material. They've also been issued on two separate anthologies, but for someone who only wants the essential items, this disc has them all over its 20 tracks. ~ Ron Wynn, All Music Guide
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The Best of Ray Charles: The Atlantic Years
(1994)
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Ray Charles
Taking one of the most interesting bodies of work in the history of American music and trying to narrow it down to one 20-song compact disc would seem to be the sort of project that's doomed to failure, and there's little arguing that this collection of Ray Charles's classic Atlantic Records sides merely skims the surface of some of the most ...
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Groovin' at Small's Paradise, Vols. 1-2 [CD]
(1999)
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by
Jimmy Smith
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Spice of Life
(1969)
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by
Marlena Shaw
Marlena Shaw's penchant for stylistic variety is certainly evident on this, her sophomore release. Cut for the Cadet label in 1969, Spice of Life ranges from soul and proto-funk to jazz and MOR-hued material. Shaw shines throughout, showing her power on politically charged, Aretha-styled cuts like "Woman of the Ghetto" and "Liberation Conversation ...
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'Round About Midnight [Bonus Tracks]
(1956)
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by
Miles Davis
The reissue of 'Round About Midnight is the definitive presentation of one of Miles Davis' greatest recordings. As is Legacy's wont, once an anthology box set is issued -- in this case The Complete Columbia Recordings: Miles Davis & John Coltrane -- the individual recordings are released with bonus tracks. This reissue features the original album ...
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Interplay
(2007)
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by
John Coltrane
When the Concord Music Group took ownership of the Fantasy catalog that included labels like Riverside, Prestige, Milestone, and New Jazz, there was great trepidation as to what they would actually do with that historically treasured store of some of the most important music in the jazz canon. One of the first things they did was to issue a box ...
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Allison Wonderland: Anthology
(1994)
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by
Mose Allison
Only Dave Frishberg and possibly Mark Murphy can rival Mose Allison when it comes to creative use of irony in lyric writing, and neither compares as an instrumentalist. He's a fine bop pianist able to play challenging instrumentals and eclectic enough to integrate country blues and gospel elements into his style. Allison's unique mix of down-home ...
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Hope Waits
(2007)
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Hope Waits
No relation to Tom (although she does perform a killer version of his "Get Behind the Mule"), Hope Waits wraps her deep, slinky, sultry voice around a dozen bluesy/jazzy tracks on this striking debut. Although her styling and singing hint at a combination of Joan Osborne and Maria Muldaur, Waits is no mere imitator. She shifts from torchy ...
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Atlantic Rhythm & Blues 1947-1974 [Box]
(1991)
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by
Various Artists
This eight-CD set should be a part of any collection that presumes to take American music -- not just rock & roll or rhythm & blues -- seriously. Atlantic Records was one of dozens of independent labels started up after the war by neophyte executives and producers, but it was different from most of the others in that the guys who ran it were ...
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Not Too Late [Deluxe Edition]
(2007)
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by
Norah Jones
Recoils from fame usually aren't as subdued as Norah Jones' third album, Not Too Late, but such understatement is customary for this gentlest of singer/songwriters. Not Too Late may not be as barbed or alienating as either In Utero or Kid A -- it's not an ornery intensification of her sound nor a chilly exploration of its furthest limits -- but ...
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Genius & Soul: The 50th Anniversary Collection
(1997)
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by
Ray Charles
As the first comprehensive, multi-label box set assembled on Ray Charles, the five-disc, 102-song Genius & Soul: The 50th Anniversary Collection is an extensive overview of one of the greatest musicians of the 20th century. Charles produced a body of work so rich and diverse that even five CDs only scratches the surface of his accomplishments. ...
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Ray Sings, Basie Swings
(2006)
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by
Ray Charles/Count Basie Orchestra
Ray Sings, Basie Swings, huh? Hmm, well, yes and no. You see, the story goes something like this. In 2005, Concord Records exec John Burk, who produced Ray Charles' superb late-career, Grammy-winning Genius Loves Company, found a reel of tape simply labeled "Ray/Basie." Upon further analysis, it was determined that the 1973 recording featured Ray ...
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The Very Best of Ray Charles [Rhino]
(2000)
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by
Ray Charles
This 16-track budget package hits all the high notes of Brother Ray's rise to greatness. Starting in the '50s with classic Atlantic sides like "I've Got a Woman," "Hallelujah I Love Her So," "Night Time (Is the Right Time)," and "What'd I Say," the set also includes his landmark ABC country sides of the '60s ("I Can't Stop Loving You," "Georgia on ...
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Louisiana Spice
(1995)
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by
Various Artists
This CD is a delight for a DJ or party host wanting to serve up a gumbo of Louisiana music. Aptly titled Louisiana Spice, the two-volume set features musical artists from a variety of genres, from R&B to zydeco. The selections are guaranteed to raise the spirits of listeners. Those so inclined will be out on the dancefloor for tunes such as "That ...
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The Word
(2001)
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The Word
This purported one-off "gospel" project involving jazz organist John Medeski (yep, that one), pedal steel guitarist Robert Randolph (of Arhoolie's Sacred Steel series fame), and the North Mississippi Allstars (featuring both Cody and Luther Dickinson -- Jim Dickinson's swamp-brat kids -- as well as bassist Chris Chew) was the most welcome and ...
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Call off the Search
(2003)
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by
Katie Melua
English listeners went mad for Katie Melua with the release of her debut album in late 2003. Issued domestically in June 2004, Call Off the Search posits the lovely Melua pristinely in between pop, adult contemporary, and traditional American musical forms, with savvy marketing handling the finishing touches. (Think Norah Jones.) It's a ...
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The Genius Hits the Road
(1960)
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by
Ray Charles
In keeping with his jazz/pop crossover ambitions, Ray Charles decided to record a concept album of sorts with a dozen songs devoted to various parts of the U.S. -- "Alabamy Bound," "Georgia on My Mind," "Moonlight in Vermont," "California, Here I Come," "Blue Hawaii," and more. The crossover vibe is further heightened by the brassy big-band ...
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The Last of the Blue Devils
(1999)
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by
Jay McShann
When Charlie Parker first came to New York in 1942, he was a sideman in Jay McShann's big band. Every jazz fan knows what happened after that -- Parker changed the world and McShann became a footnote in Parker's biography. That's too bad, and not just for him; if the 1978 session remastered and reissued on this disc is anything to go by, McShann ...
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In Blue
(2002)
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by
Karrin Allyson
Much like Wynton Marsalis' Soul Gestures in Southern Blue trilogy, vocalist Karrin Allyson's In Blue is a celebration of the blues. But where Marsalis focused on original post-bop compositions, Allyson simply performs some of her favorite tunes by composers such as Mose Allison, George & Ira Gershwin, Blossom Dearie, Bonnie Raitt, and others. ...
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Late Night at the Cafe Carlyle
(1992)
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by
Bobby Short
After more than three decades, off and on, Bobby Short moved from Atlantic Records to the audiophile Telarc label, which wisely began the new association by tracking him to his lair, the Cafe Carlyle of the Carlyle Hotel on Manhattan's Upper East Side, where he had been entertaining patrons for a quarter-century. Captured over three nights in June ...
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Soul Junction
(1957)
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by
Red Garland Quintet
Pianist Red Garland's very relaxed, marathon blues solo on the 16-minute "Soul Junction" is the most memorable aspect of this CD reissue. With such soloists as tenor saxophonist John Coltrane and trumpeter Donald Byrd, plus steady support provided by bassist George Joyner and drummer Art Taylor, Garland gets to stretch out on the title cut and ...
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