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Kind of Blue
(1959)
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Miles Davis
Kind of Blue isn't merely an artistic highlight for Miles Davis, it's an album that towers above its peers, a record generally considered as the definitive jazz album, a universally acknowledged standard of excellence. Why does Kind of Blue posses such a mystique? Perhaps because this music never flaunts its genius. It lures listeners in with ...
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A Love Supreme
(1964)
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by
John Coltrane
Easily one of the most important records ever made, John Coltrane's A Love Supreme was his pinnacle studio outing that at once compiled all of his innovations from his past, spoke of his current deep spirituality, and also gave a glimpse into the next two and a half years (sadly, those would be his last). Recorded at the end of 1964, Trane's ...
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The Köln Concert
(1975)
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by
Keith Jarrett
Recorded in 1975 at the Köln Opera House and released the same year, this disc has, along with its revelatory music, some attendant cultural baggage that is unfair in one sense: Every pot-smoking and dazed and confused college kid -- and a few of the more sophisticated ones in high school -- owned this as one of the truly classic jazz records, ...
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We Live Here
(1994)
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by
Pat Metheny
The first Pat Metheny Group recording in five years is a bit unusual in two ways. The band uses "contemporary" pop rhythms on many of their selections but in creative ways and without watering down the popular group's musical identity. In addition Metheny for the first time in his recording career sounds a bit like his early influence Wes ...
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Saxophone Colossus
(1956)
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by
Sonny Rollins
Sonny Rollins recorded many memorable sessions during 1954-1958, but Saxophone Colossus is arguably his finest all-around set. Joined by pianist Tommy Flanagan, bassist Doug Watkins, and drummer Max Roach, Rollins debuts and performs the definitive version of "St. Thomas," tears into the chord changes of "Mack the Knife" (here called "Moritat"), ...
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The Black Saint and the Sinner Lady
(1963)
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by
Charles Mingus
The Black Saint and the Sinner Lady is one of the greatest achievements in orchestration by any composer in jazz history. Charles Mingus consciously designed the six-part ballet as his magnum opus, and -- implied in his famous inclusion of liner notes by his psychologist -- it's as much an examination of his own tortured psyche as it is a ...
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Night and Day: The Cole Porter Songbook
(1952)
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by
Various Artists
With their vast back catalog of classic vocal sides, the Verve label has been releasing a seemingly endless line of songbook collections featuring a who's who of jazz greats. Irving Berlin, Gershwin, Ellington, and Rodgers & Hart have all been feted. Now it's Cole Porter's turn. Over the course of the 17 chestnuts heard here, the likes of Fred ...
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Cosmic Messenger
(1978)
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by
Jean-Luc Ponty
Cosmic Messenger is more elegant, European-flavored jazz-rock from the French virtuoso Jean-Luc Ponty, and pretty much in the same mold as his previous Atlantic albums but with gradually tightening control over every parameter of performance. Ponty's analog-delay special effects on the title track are spectacular, and the album is loaded more than ...
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Girl from Ipanema: The Antonio Carlos Jobim Songbook
(1962)
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by
Antonio Carlos Jobim
The first of several tribute albums issued just after Antonio Carlos Jobim's death, this one generally sticks to his most famous songs as interpreted by several Brazilian and American artists from PolyGram's archives. Jobim himself appears on such obvious choices as the best-selling Stan Getz, Joăo Gilberto, and Astrud Gilberto hit "The Girl from ...
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Ken Burns Jazz: The Story of America's Music
(2000)
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by
Various Artists
In conjunction with documentary filmmaker Ken Burns' ten-part 2000 PBS special, Columbia/Legacy and Verve teamed up to issue a special series of reissues covering much of the history of 20th century jazz. The central release of this program is the five-CD box set Ken Burns Jazz: The Story of America's Music, its 94 selections covering the history ...
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The Best of Ken Burns Jazz
(2000)
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by
Various Artists
In conjunction with documentary filmmaker Ken Burns' ten-part 2000 PBS special, Columbia/Legacy and Verve teamed up to issue a special series of reissues covering much of the history of 20th century jazz. The central release of this program was the five-CD box set Ken Burns Jazz: The Story of America's Music, which was augmented by no less than 22 ...
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Simple Pleasures
(1988)
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by
Bobby McFerrin
This CD will always be remembered for including Bobby McFerrin's surprise hit "Don't Worry, Be Happy." Actually, overall, this album is not quite up to the level of his previous two, for instead of taking unaccompanied vocals, the remarkable singer overdubbed his voice many times, which reduces the miraculous nature of his talents. However, ...
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Travels
(1982)
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by
Pat Metheny Group
Now well into its gliding Brazilian-tinged mode, the Pat Metheny Group hits the road, as this two-CD set catches the band live in Dallas, Philadelphia, Hartford, Sacramento, and Nacogdoches, TX. Percussionist Naná Vasconcelos is still listed as a "special guest," but ever since Wichita Falls, he had not only been a part of the group, he was the ...
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As Falls Wichita, So Falls Wichita Falls
(1980)
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by
Pat Metheny & Lyle Mays
The regrettable title aside, this joint solo effort by Metheny and regular pianist and collaborator Lyle Mays is an impressive outing. In the process of stretching out away from the confines of the quartet setting of prior albums, Metheny and Mays presage the sleeker and more ethereal sound of the band's Geffen years on portions of the title track ...
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Pat Metheny Group
(1978)
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Pat Metheny Group
The first recording by the Pat Metheny Group features the innovative guitarist along with keyboardist Lyle Mays, bassist Mark Egan, and drummer Dan Gottlieb. The music is quite distinctive, floating rather than swinging, electric but not rockish, and full of folkish melodies. The best known of these six Metheny-Mays originals are "Phase Dance" and ...
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Speak No Evil
(1964)
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by
Wayne Shorter
On his third date for Blue Note within a year, Wayne Shorter changed the bands that played on both Night Dreamer and Juju and came up with not only another winner, but also managed to give critics and jazz fans a different look at him as a saxophonist. Because of his previous associations with McCoy Tyner, Elvin Jones, and Reggie Workman on those ...
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Romantic Warrior
(1976)
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by
Return to Forever
The most popular and successful lineup of Return to Forever -- Chick Corea, Stanley Clarke, Lenny White, and Al Di Meola -- was coming off the Grammy-winning No Mystery when it recorded its third and final album, Romantic Warrior. It has been suggested that in employing a medieval album cover (drawn by Wilson McLean), using titles like "Medieval ...
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Watercolors
(1977)
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by
Pat Metheny
Pat Metheny emerges on his second album, Watercolors, as an ECM impressionist, generally conforming to the label's overall sound while still asserting his own personality. As the title suggests, there are several mood pieces here that are suspended in the air without rhythmic underpinning, a harbinger for the new age invasion still in the future. ...
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Milestones
(1958)
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by
Miles Davis
What is immediately noticeable upon listening to this delicately and superbly remastered version of Miles Davis classic first -- and only -- album with his original sextet is how deep the blues presence is on it. Though it is true that the album's title cut is rightfully credited with introducing modalism into jazz, and defining Davis' music for ...
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Mingus Ah Um [Remastered]
(1999)
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by
Charles Mingus
Charles Mingus' debut for Columbia, Mingus Ah Um is a stunning summation of the bassist's talents and probably the best reference point for beginners. While there's also a strong case for The Black Saint and the Sinner Lady as his best work overall, it lacks Ah Um's immediate accessibility and brilliantly sculpted individual tunes. Mingus' ...
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Head Hunters
(1973)
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by
Herbie Hancock
Head Hunters was a pivotal point in Herbie Hancock's career, bringing him into the vanguard of jazz fusion. Hancock had pushed avant-garde boundaries on his own albums and with Miles Davis, but he had never devoted himself to the groove as he did on Head Hunters. Drawing heavily from Sly Stone, Curtis Mayfield, and James Brown, Hancock developed ...
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The Blues and the Abstract Truth
(1961)
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by
Oliver Nelson
As Oliver Nelson is known primarily as a big band leader and arranger, he is lesser known as a saxophonist and organizer of small ensembles. Blues and the Abstract Truth is his triumph as a musician for the aspects of not only defining the sound of an era with his all-time classic "Stolen Moments," but on this recording, assembling one of the most ...
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Django [Prestige]
(1953)
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by
The Modern Jazz Quartet
Hailing from a trio of Modern Jazz Quartet (MJQ) sessions, Django (1955) contains some of the earliest sides that Milt Jackson (vibraphone), John Lewis (piano), Percy Heath (bass) and Kenny Clarke (drums) recorded for Prestige Records. Initially, the combo was part of Dizzy Gillespie's influential backing band and after a change in drummers (to ...
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Charles Mingus Presents Charles Mingus
(1960)
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by
Charles Mingus
Charles Mingus has a fascinating way of offering music that is grounded in tradition while remaining startlingly original. The freshness of a disc like Charles Mingus Presents Charles Mingus, has the effect of rendering much of what passes for jazz as tedious. The band is small for Mingus, and includes Eric Dolphy on alto saxophone and bass ...
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Pilgrimage
(2007)
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by
Michael Brecker
Given the heartbreaking context in which this album was released -- this was the final recording by saxophonist Michael Brecker, who died of myelodysplastic syndrome and leukemia only a few months before its release -- there might be a certain temptation to cut it some slack for sentimental reasons. However, leniency is hardly needed. Leading a ...
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