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A Love Supreme

A Love Supreme (1964) more music like this

by John Coltrane

Easily one of the most important records ever made, John Coltrane's A Love Supreme was his pinnacle studio outing that at once compiled all of his innovations from his past, spoke of his current deep spirituality, and also gave a glimpse into the next two and a half years (sadly, those would be his last). Recorded at the end of 1964, Trane's ...

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Head Hunters

Head Hunters (1973) more music like this

by Herbie Hancock

Head Hunters was a pivotal point in Herbie Hancock's career, bringing him into the vanguard of jazz fusion. Hancock had pushed avant-garde boundaries on his own albums and with Miles Davis, but he had never devoted himself to the groove as he did on Head Hunters. Drawing heavily from Sly Stone, Curtis Mayfield, and James Brown, Hancock developed ...

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The Very Best of John Coltrane [Rhino]

The Very Best of John Coltrane [Rhino] (2000) more music like this

by John Coltrane

Released in 2000, The Very Best of John Coltrane is hardly the first best-of collection by the seminal saxophonist, and you can bet certain that it won't be the last. Focusing on 'Trane's influential Atlantic output of the late '50s and early '60s, this CD shouldn't be confused with previous Best of John Coltrane collections from Pablo/Fantasy ...

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Sunday at the Village Vanguard [1992 Bonus Tracks]

Sunday at the Village Vanguard [1992 Bonus Tracks] (1992) more music like this

by Bill Evans Trio

Sunday at the Village Vanguard is the initial volume of a mammoth recording session by the Bill Evans Trio, from June 25, 1961 at New York's Village Vanguard documenting Evans' first trio with bassist Scott LaFaro and drummer Paul Motian. Its companion volume is Waltz for Debby. This trio is still widely regarded as his finest, largely because of ...

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The Best of Ken Burns Jazz

The Best of Ken Burns Jazz (2000) more music like this

by Various Artists

In conjunction with documentary filmmaker Ken Burns' ten-part 2000 PBS special, Columbia/Legacy and Verve teamed up to issue a special series of reissues covering much of the history of 20th century jazz. The central release of this program was the five-CD box set Ken Burns Jazz: The Story of America's Music, which was augmented by no less than 22 ...

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Speak No Evil

Speak No Evil (1964) more music like this

by Wayne Shorter

On his third date for Blue Note within a year, Wayne Shorter changed the bands that played on both Night Dreamer and Juju and came up with not only another winner, but also managed to give critics and jazz fans a different look at him as a saxophonist. Because of his previous associations with McCoy Tyner, Elvin Jones, and Reggie Workman on those ...

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The Best of Herbie Hancock: The Blue Note Years

The Best of Herbie Hancock: The Blue Note Years (1988) more music like this

by Herbie Hancock

Mirroring his onetime boss and mentor Miles Davis' own protean output, Herbie Hancock has explored hard bop, soul-jazz, fusion, funk-rock, soundtracks, hip-hop-inflected pop ("Rockit"), and many permutations in between. His early work for Blue Note, though, offers the best entrée for newcomers. Compiled from five of his albums for the label and ...

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Waltz for Debby [Bonus Tracks #2]

Waltz for Debby [Bonus Tracks #2] (1990) more music like this

by Bill Evans

Recorded at the Village Vanguard in 1961, shortly before Scott LaFaro's death, Waltz for Debby is the second album issued from that historic session, and the final one from that legendary trio that also contained drummer Paul Motian. While the Sunday at the Village Vanguard album focused on material where LaFaro soloed prominently, Waltz for Debby ...

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Kind of Blue

Kind of Blue (1959) more music like this

by Miles Davis

Kind of Blue isn't merely an artistic highlight for Miles Davis, it's an album that towers above its peers, a record generally considered as the definitive jazz album, a universally acknowledged standard of excellence. Why does Kind of Blue posses such a mystique? Perhaps because this music never flaunts its genius. It lures listeners in with ...

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Maiden Voyage [Jamey Aebersold]

Maiden Voyage [Jamey Aebersold] (2000) more music like this

by Various Artists

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Conversations with Myself

Conversations with Myself (1963) more music like this

by Bill Evans

A classic of its kind. For this Verve project, Conversations With Myself, Bill Evans recorded three piano parts via overdubbing. Aptly titled, the music on this CD reissue has a surprising amount of spontaneity, with Evans constantly reacting to what he had just recorded, and the results are sometimes haunting. The highlights include "How About ...

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Kind of Blue [Columbia Jazz Masterpieces]

Kind of Blue [Columbia Jazz Masterpieces] (1987) more music like this

by Miles Davis

Kind of Blue isn't merely an artistic highlight for Miles Davis, it's an album that towers above its peers, a record generally considered as the definitive jazz album, a universally acknowledged standard of excellence. Why does Kind of Blue posses such a mystique? Perhaps because this music never flaunts its genius. It lures listeners in with ...

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Miles Smiles

Miles Smiles (1966) more music like this

by Miles Davis

With their second album, Miles Smiles, the second Miles Davis Quintet really began to hit their stride, delving deeper into the more adventurous, exploratory side of their signature sound. This is clear as soon as "Orbits" comes crashing out the gate, but it's not just the fast, manic material that has an edge -- slower, quieter numbers are ...

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Ken Burns Jazz

Ken Burns Jazz (2000) more music like this

by John Coltrane

In conjunction with the release of Ken Burns' ten-part, 19-hour epic PBS documentary Jazz, Columbia issued 22 single-disc compilations devoted to jazz's most significant artists, as well as a five-disc historical summary. Since the individual compilations attempt to present balanced overviews of each artist's career, tracks from multiple labels ...

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Ivey-Divey

Ivey-Divey (2004) more music like this

by Don Byron

Clarinetist Don Byron once again mixes post-bop, swing, and funk into a unique concoction on Ivey-Divey. Just like Bug Music wasn't necessarily '30s swing and A Fine Line: Arias and Lieder wasn't exactly a classical album, Ivey-Divey isn't truly a straight-ahead, mainstream jazz album, although purists and avant-garde fans alike should find much ...

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My Favorite Things

My Favorite Things (1960) more music like this

by John Coltrane

Although seemingly impossible to comprehend, this landmark jazz recording was made in less than three days. All the more remarkable is that the same sessions which yielded My Favorite Things would also inform a majority of the albums Coltrane Plays the Blues, Coltrane's Sound, and Coltrane Legacy. It is easy to understand the appeal that these ...

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Jazz: Red, Hot and Cool

Jazz: Red, Hot and Cool (1954) more music like this

by Dave Brubeck

Recorded during three different stays at New York's Basin Street, Jazz: Red, Hot and Cool is making its first appearance in the U.S. on CD. It documents -- with the addition of two additional performances that were previously unissued -- the original Brubeck quartet in its final years. In 1956 Joe Morello would replace Joe Dodge, and in 1958 ...

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Love Songs

Love Songs (1999) more music like this

by Miles Davis

Nine examples of Miles Davis caressing a ballad at a slow tempo are included on this 1999 CD, Love Songs. All of the music is easily available elsewhere, but it is interesting to hear the different approaches that the trumpeter could employ in sticking close to a lyrical melody. There are two numbers ("My Ship" and "I Loves You, Porgy") from Davis ...

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Nefertiti

Nefertiti (1967) more music like this

by Miles Davis

Nefertiti, the fourth album by Miles Davis' second classic quintet, continues the forward motion of Sorcerer, as the group settles into a low-key, exploratory groove, offering music with recognizable themes -- but themes that were deliberately dissonant, slightly unsettling even as they burrowed their way into the consciousness. In a sense, this ...

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Karma

Karma (1969) more music like this

by Pharoah Sanders

Pharoah Sanders' third album as a leader is the one that defines him as a musician to the present day. After the death of Coltrane, while there were many seeking to make a spiritual music that encompassed his ideas and yearnings while moving forward, no one came up with the goods until Sanders on this 1969 date. There are only two tracks on Karma, ...

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JuJu

JuJu (1964) more music like this

by Wayne Shorter

Fulfilling the potential promised on his Blue Note debut, Night Dreamer, Wayne Shorter's Ju Ju was the first really great showcase for both his performance and compositional gifts. Early in his career as a leader Shorter was criticized as a mere acolyte of John Coltrane, and his use of Coltrane's rhythm section on his first two Blue Note albums ...

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Meditations

Meditations (1965) more music like this

by John Coltrane

This CD reissues what was arguably the finest of the John Coltrane-Pharoah Sanders collaborations. On five diverse but almost consistently intense movements ("The Father and the Son and the Holy Ghost," "Compassion," "Love," "Consequences," and "Serenity"), the two tenor saxophonists, pianist McCoy Tyner, bassist Jimmy Garrison, and both Elvin ...

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Inner Urge

Inner Urge (1964) more music like this

by Joe Henderson

This early recording by Joe Henderson is not only one of the finest of all of his fine recordings, but is also a high point for 1960s jazz. At this point in his career, Henderson was a full-time member of Horace Silver's combo and did not yet have a steady band in his hire. He is joined on Inner Urge by veterans of other combos: McCoy Tyner and ...

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Black Fire [RVG Edition]

Black Fire [RVG Edition] (1963) more music like this

by Andrew Hill

Black Fire, Andrew Hill's debut record for Blue Note, was an impressive statement of purpose that retains much of its power decades after its initial release. Hill's music is quite original, building from a hard bop foundation and moving into uncharted harmonic and rhythmic territory. His compositions and technique take chances; he often sounds ...

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On Green Dolphin Street

On Green Dolphin Street (1959) more music like this

by Bill Evans

This obscure Bill Evans trio set (with bassist Paul Chambers and drummer Philly Joe Jones) went unissued until the mid-'70s when the pianist decided that it was worth releasing as a fine example of bassist Chambers' work. Very much a spontaneous set (recorded after the rhythm section made part of a record accompanying trumpeter Chet Baker), the ...

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