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A Love Supreme
(1964)
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by
John Coltrane
Easily one of the most important records ever made, John Coltrane's A Love Supreme was his pinnacle studio outing that at once compiled all of his innovations from his past, spoke of his current deep spirituality, and also gave a glimpse into the next two and a half years (sadly, those would be his last). Recorded at the end of 1964, Trane's ...
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Giant Steps
(1959)
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by
John Coltrane
History will undoubtedly enshrine this disc as a watershed the likes of which may never truly be appreciated. Giant Steps bore the double-edged sword of furthering the cause of the music as well as delivering it to an increasingly mainstream audience. Although this was John Coltrane's debut for Atlantic, he was concurrently performing and ...
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Somethin' Else [RVG Edition]
(1958)
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by
Cannonball Adderley
It isn't too difficult to understand why MFSL considered this album to be a worthy candidate for an Ultradisc reissue -- aside from Cannonball Adderley, you have a lineup that includes Miles Davis, Hank Jones, Sam Jones, and Art Blakey. This is a group that could take on a Barry Manilow number and turn it into a jazz masterpiece. MFSL have done ...
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The Blues and the Abstract Truth
(1961)
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by
Oliver Nelson
As Oliver Nelson is known primarily as a big band leader and arranger, he is lesser known as a saxophonist and organizer of small ensembles. Blues and the Abstract Truth is his triumph as a musician for the aspects of not only defining the sound of an era with his all-time classic "Stolen Moments," but on this recording, assembling one of the most ...
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Ken Burns Jazz: The Story of America's Music
(2000)
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by
Various Artists
In conjunction with documentary filmmaker Ken Burns' ten-part 2000 PBS special, Columbia/Legacy and Verve teamed up to issue a special series of reissues covering much of the history of 20th century jazz. The central release of this program is the five-CD box set Ken Burns Jazz: The Story of America's Music, its 94 selections covering the history ...
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Song for My Father
(1964)
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by
Horace Silver
One of Blue Note's greatest mainstream hard bop dates, Song for My Father is Horace Silver's signature LP and the peak of a discography already studded with classics. Silver was always a master at balancing jumping rhythms with complex harmonies for a unique blend of earthiness and sophistication, and Song for My Father has perhaps the most ...
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Head Hunters
(1973)
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by
Herbie Hancock
Head Hunters was a pivotal point in Herbie Hancock's career, bringing him into the vanguard of jazz fusion. Hancock had pushed avant-garde boundaries on his own albums and with Miles Davis, but he had never devoted himself to the groove as he did on Head Hunters. Drawing heavily from Sly Stone, Curtis Mayfield, and James Brown, Hancock developed ...
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The Best of Ken Burns Jazz
(2000)
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by
Various Artists
In conjunction with documentary filmmaker Ken Burns' ten-part 2000 PBS special, Columbia/Legacy and Verve teamed up to issue a special series of reissues covering much of the history of 20th century jazz. The central release of this program was the five-CD box set Ken Burns Jazz: The Story of America's Music, which was augmented by no less than 22 ...
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Mingus Ah Um [Remastered]
(1959)
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by
Charles Mingus
Charles Mingus' debut for Columbia, Mingus Ah Um is a stunning summation of the bassist's talents and probably the best reference point for beginners. While there's also a strong case for The Black Saint and the Sinner Lady as his best work overall, it lacks Ah Um's immediate accessibility and brilliantly sculpted individual tunes. Mingus' ...
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The Essential Maynard Ferguson
(2007)
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by
Maynard Ferguson
While this two-CD set does cover a lot of the material Maynard Ferguson recorded between the mid-'50s and late '90s, it suffers from a chronological imbalance that keeps it from living up to its title as the "essential" distillation of his work. It's heavily tilted toward his Columbia output, which is understandable given that Columbia/Legacy is ...
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Thelonious Monk Quartet with John Coltrane - At Carnegie Hall
(2005)
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by
Thelonious Monk/John Coltrane
Larry Appelbaum, the recording lab supervisor at the Library of Congress, came across this tape by accident while transferring the library's tape archive to digital. What a find. Forget the Five Spot recording that sounds like it was recorded inside of a tunnel from the far end. The sound here is wonderfully present and contemporary. More ...
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My Favorite Things
(1961)
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by
John Coltrane
Although seemingly impossible to comprehend, this landmark jazz recording was made in less than three days. All the more remarkable is that the same sessions which yielded My Favorite Things would also inform a majority of the albums Coltrane Plays the Blues, Coltrane's Sound, and Coltrane Legacy. It is easy to understand the appeal that these ...
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Saxophone Colossus
(1956)
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by
Sonny Rollins
Sonny Rollins recorded many memorable sessions during 1954-1958, but Saxophone Colossus is arguably his finest all-around set. Joined by pianist Tommy Flanagan, bassist Doug Watkins, and drummer Max Roach, Rollins debuts and performs the definitive version of "St. Thomas," tears into the chord changes of "Mack the Knife" (here called "Moritat"), ...
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Speak No Evil
(1964)
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by
Wayne Shorter
On his third date for Blue Note within a year, Wayne Shorter changed the bands that played on both Night Dreamer and Juju and came up with not only another winner, but also managed to give critics and jazz fans a different look at him as a saxophonist. Because of his previous associations with McCoy Tyner, Elvin Jones, and Reggie Workman on those ...
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Touch
(1975)
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by
John Klemmer
Better solos and higher energy level than most of Klemmer's albums. This is the best-sounding version. ~ Ron Wynn, All Music Guide
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A Night at Birdland, Vol. 1 [Reissue]
(1954)
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by
Art Blakey Quintet
Just prior to forming the first edition of the Jazz Messengers, drummer Art Blakey led a superb quintet at Birdland for a brief gig in 1954. The band featured the great trumpeter Clifford Brown, altoist Lou Donaldson, pianist Horace Silver, and bassist Curly Russell in addition to the leader/drummer. All of the music has since been reissued as ...
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Ballads
(1991)
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by
Dexter Gordon
Along with Gene Ammons and Stanley Turrentine, Dexter Gordon was one of the top ballad players of the '60s. Having already made his name in the bebop era and as an expatriate in Europe, Gordon returned to the States to record a series of fine Blue Note discs during the first half of the decade. This edition of the label's Ballads series features ...
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No Room for Squares
(1963)
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by
Hank Mobley
Why any critic would think that Hank Mobley was at the end of his creative spark in 1963 -- a commonly if stupidly held view among the eggheads who do this for a living -- is ridiculous, as this fine session proves. By 1963, Mobley had undergone a transformation of tone. Replacing the scintillating airiness of his late-'50s sides was a harder, ...
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In Harmony
(1980)
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by
Sesame Street
A charming record that is sure to strike an amiable chord among children's audiences and all ages. Sesame Street released "In Harmony" as an effort to bring together an all-star cast of talented musicians known for their commercial appeal during the late '70s. The album opens up with a beautifully spun and delightfully crafted poem/song, "Wynken, ...
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Blue Train [The Ultimate Blue Train]
(1957)
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by
John Coltrane
How do you improve upon an already classic recording? By adding alternate takes and a CD-ROM program to the original issue. The newly added alternate takes of "Blue Train" (whose piano solo was lifted and spliced into the familiar master take) and "Lazy Bird" are welcome discoveries. The numerous photographs from the session and excerpts of a July ...
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My Funny Valentine
(1964)
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by
Miles Davis
Miles Davis' concert of February 12, 1964, was originally divided into two LPs, with all of the ballads put on My Funny Valentine. These five lengthy tracks (which include "All of You," "Stella by Starlight," "All Blues," "I Thought About You," and the title cut) put the emphasis on the lyricism of Davis, along with some strong statements from ...
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Blue Note Trip Jazzanova: Lookin' Back/Movin' On
(2005)
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by
Various Artists
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Idle Moments
(1963)
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by
Grant Green
This languid, seductive gem may well be Grant Green's greatest moment on record. Right from the opening bars of the classic title cut, Idle Moments is immediately ingratiating and accessible, featuring some of Green's most stylish straight jazz playing. Whether he's running warm (pianist Duke Pearson's "Idle Moments"), cool (the Modern Jazz ...
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Cornbread
(1965)
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by
Lee Morgan
This session (reissued on CD by Blue Note) is best known for introducing Lee Morgan's beautiful ballad "Ceora," but actually all five selections (which include Morgan's "Cornbread," "Our Man Higgins," "Most Like Lee," and the standard "Ill Wind") are quite memorable. The trumpeter/leader performs with a perfectly complementary group of open-minded ...
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Groovin' at Small's Paradise, Vols. 1-2 [CD]
(1999)
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by
Jimmy Smith
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