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A Love Supreme

A Love Supreme (1964) more music like this

by John Coltrane

Easily one of the most important records ever made, John Coltrane's A Love Supreme was his pinnacle studio outing that at once compiled all of his innovations from his past, spoke of his current deep spirituality, and also gave a glimpse into the next two and a half years (sadly, those would be his last). Recorded at the end of 1964, Trane's ...

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The Shape of Jazz to Come

The Shape of Jazz to Come (1959) more music like this

by Ornette Coleman

Ornette Coleman's Atlantic debut, The Shape of Jazz to Come, was a watershed event in the genesis of avant-garde jazz, profoundly steering its future course and throwing down a gauntlet that some still haven't come to grips with. The record shattered traditional concepts of harmony in jazz, getting rid of not only the piano player but the whole ...

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Witchi-Tai-To

Witchi-Tai-To (1974) more music like this

by Jan Garbarek With Bobo Stenson

Long before he became the standard-bearer for the "ECM sound," churning out discs with a mildly medieval or Scandinavian flavor spiced with enough new age fluff to guarantee sales, Jan Garbarek produced a string of superb albums, culminating in Witchi-Tai-To, his masterpiece. Intriguingly, with the exception of Palle Danielsson's "Kukka," all of ...

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Jewels of Thought

Jewels of Thought (1969) more music like this

by Pharoah Sanders

In 1969, Pharoah Sanders was incredibly active, recording no less than four albums and releasing three. The band on Jewels of Thought is largely the same as on Deaf Dumb Blind and Karma, with a few changes. Idris Muhammad has, with the exception of "Hum-Allah-Hum-Allah Hum Allah," replaced Roy Haynes, and Richard Davis has permanently replaced ...

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Black Unity

Black Unity (1971) more music like this

by Pharoah Sanders

By 1971, Pharoah Sanders had taken the free thing as far as he could and still live with himself. He was investigating new ways to use rhythm -- always his primary concern -- inside his music and more tonally strident ways of involving the front line in extrapolating tonal and harmonic diversions from the melodic framework of his music. To that ...

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This Is Our Music

This Is Our Music (1961) more music like this

by Ornette Coleman

With two landmark albums already under its belt, the Ornette Coleman Quartet spent nearly a year out of the studio before reconvening for This Is Our Music. This time, Billy Higgins is replaced on drums by Ed Blackwell, who has a similar knack for anticipating the ensemble's direction, and proves a more fiery presence on tracks like "Kaleidoscope" ...

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Meditations

Meditations (1965) more music like this

by John Coltrane

This CD reissues what was arguably the finest of the John Coltrane-Pharoah Sanders collaborations. On five diverse but almost consistently intense movements ("The Father and the Son and the Holy Ghost," "Compassion," "Love," "Consequences," and "Serenity"), the two tenor saxophonists, pianist McCoy Tyner, bassist Jimmy Garrison, and both Elvin ...

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Bright Moments

Bright Moments (1973) more music like this

by Rahsaan Roland Kirk

Rahsaan Roland Kirk's live club gigs were usually engaging, freewheeling affairs, full of good humor and a fantastically wide range of music. The double album Bright Moments (reissued as a double CD) is a near-definitive document of the Kirk live experience, and his greatest album of the '70s. The extroverted Kirk was in his element in front of an ...

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Karma

Karma (1969) more music like this

by Pharoah Sanders

Pharoah Sanders' third album as a leader is the one that defines him as a musician to the present day. After the death of Coltrane, while there were many seeking to make a spiritual music that encompassed his ideas and yearnings while moving forward, no one came up with the goods until Sanders on this 1969 date. There are only two tracks on Karma, ...

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Unit Structures

Unit Structures (1966) more music like this

by Cecil Taylor

After several years off records, pianist Cecil Taylor finally had an opportunity to document his music of the mid-'60s on two Blue Note albums (the other one was Conquistador). Taylor's high-energy atonalism fit in well with the free jazz of the period but he was actually leading the way rather than being part of a movement. In fact, this septet ...

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The Futuristic Sounds of Sun Ra (1961) more music like this

by Sun Ra

Sun Ra's only release for the Savoy label is a gem. Recorded in October of 1961, this is probably the first recording the Arkestra made after arriving in New York. As such, you're dealing with a smallish Arkestra (seven main instrumentalists, joined by vocalist Ricky Murray on "China Gate") that's still playing the boppish, highly arranged music ...

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Sun Ship

Sun Ship (1965) more music like this

by John Coltrane

Other than First Meditations, which was not released at the time, Sun Ship (reissued on CD by Impulse) was the final studio album by John Coltrane's classic quartet (with pianist McCoy Tyner, bassist Jimmy Garrison, and drummer Elvin Jones) before Pharoah Sanders joined the band on second tenor. At this point in time, Coltrane was using very short ...

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Twins

Twins (1959) more music like this

by Ornette Coleman

Ornette Coleman's Twins (first issued on LP in 1971) has been looked at as an afterthought in many respects. A collection of sessions from 1959, 1960, and 1961 with different bands, they are allegedly takes from vinyl LP sessions commercially limited at that time to 40 minutes on vinyl, and not initially released until many years later. ...

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Journey in Satchidananda

Journey in Satchidananda (1971) more music like this

by Alice Coltrane

The CD reissue of Alice Coltrane's landmark Journey to Satchidananda reveals just how far the pianist and widow of John Coltrane had come in the three years after his death. The compositions here are wildly open and droning figures built on whole tones and minor modes. And while it's true that one can definitely hear her late husband's influence ...

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Heavy Sounds

Heavy Sounds (1968) more music like this

by Elvin Jones

For this CD reissue, an Impulse! session co-led by drummer Elvin Jones and bassist Richard Davis was brought back by MCA. Tenor saxophonist Frank Foster and pianist Billy Green complete the quartet, which performs an erratic but generally interesting set of music including "Shiny Stockings," Foster's funky "Raunchy Rita," and "Elvin's Guitar Blues ...

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Slug's Saloon - May 1, 1966

Slug's Saloon - May 1, 1966 (1966) more music like this

by Albert Ayler

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Momentum

Momentum (2006) more music like this

by Dave Burrell

Spiky and challenging but only rarely moving into the rhythmic and tonal fearlessness of some of his more outside work, Dave Burrell's Momentum finds the veteran modern creative pianist working with a new pair of sidemen, the hot young drummer Guillermo E. Brown (part of the David S. Ware/William Parker axis who has also played with turntablist DJ ...

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Sacred Ground

Sacred Ground (2007) more music like this

by David Murray & Black Saint Quartet

David Murray has been collaborating in one way or another with poet, novelist, and cultural critic Ishmael Reed (co-founder of the Before Columbus Foundation) since 1980. They have worked on Reed's three Conjure recordings as well as his For All We Know CD. Sacred Ground is a Murray date, recorded for his now longtime label Justin Time, performed ...

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Elegy

Elegy (1995) more music like this

by John Zorn

Another smeared blossoming testament to the off-color and highly obtuse genius of John Zorn. A mostly minimalist and sparse landscape of sheer terror and spine-ripping controlled noise explosion. One of the highlights of the album is its wealth of renowned guest artists, most recognizably including Mike Patton and Trey Spruance of Mr. Bungle fame ...

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Sound

Sound (1966) more music like this

by Roscoe Mitchell Sextet

Sound, Roscoe Mitchell's debut as a leader, was an early free jazz landmark and an enormously groundbreaking album in many respects. Historically, it marked the very first time that members of Chicago's seminal AACM community appeared on record; it also showcased the early chemistry between future Art Ensemble of Chicago members Mitchell, Lester ...

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Conference of the Birds

Conference of the Birds (1972) more music like this

by Dave Holland Quartet

Dave Holland's debut as a leader, Conference of the Birds, doesn't seem to get its proper due outside of avant-garde circles; perhaps, when discussing the greats, Holland's name simply doesn't spring to mind as immediately. Whatever the case, Conference of the Birds is one of the all-time avant-garde jazz classics, incorporating a wide spectrum of ...

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Complete Communion

Complete Communion (1965) more music like this

by Don Cherry

Not counting a couple of sessions he co-led with John Coltrane and Albert Ayler, Complete Communion was the first album Don Cherry recorded as a leader following his departure from the Ornette Coleman Quartet. It was also one of the earliest showcases for the Argentinian tenor saxophonist Gato Barbieri, who Cherry discovered during a stay in Rome. ...

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Live in Greenwich Village: The Complete Impulse Sessions

Live in Greenwich Village: The Complete Impulse Sessions (1998) more music like this

by Albert Ayler

Live in Greenwich Village was Albert Ayler's first recording for Impulse, and is arguably his finest moment, not only for the label, but ever. This double-CD reissue combines both of the Village concerts -- documented only partially on previously released LPs -- recorded in 1965 and 1966 with two very different groups. The Village gigs reveal the ...

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The Night of the Purple Moon

The Night of the Purple Moon (1970) more music like this

by Sun Ra

This one is quirky, even in the Sun Ra catalog. Ra fronts a quartet playing nothing but miniMoog and Rocksichord, along with Stafford James on electric bass, Danny Davis on alto, clarinet, flute, and bongos, and John Gilmore on drums! Gilmore has a skittering approach to the drums, which are curiously mic'ed with the hi-hat being especially ...

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Conquistador [Bonus Track]

Conquistador [Bonus Track] (1966) more music like this

by Cecil Taylor

This recording from 1966 is the very album that should have made Cecil Taylor the superstar of free jazz. Instead, despite the fact that it was received well by many critics and those interested in the new music, it was the last time he would record for seven years. Given the wondrous ensemble he assembled for this date -- Jimmy Lyons, alto; ...

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