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The Black Saint and the Sinner Lady
(1963)
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by
Charles Mingus
The Black Saint and the Sinner Lady is one of the greatest achievements in orchestration by any composer in jazz history. Charles Mingus consciously designed the six-part ballet as his magnum opus, and -- implied in his famous inclusion of liner notes by his psychologist -- it's as much an examination of his own tortured psyche as it is a ...
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Mingus Ah Um [Remastered]
(1999)
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by
Charles Mingus
Charles Mingus' debut for Columbia, Mingus Ah Um is a stunning summation of the bassist's talents and probably the best reference point for beginners. While there's also a strong case for The Black Saint and the Sinner Lady as his best work overall, it lacks Ah Um's immediate accessibility and brilliantly sculpted individual tunes. Mingus' ...
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At Newport 1956 Complete
(1999)
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by
Duke Ellington
One of the greatest live jazz festival recordings ever has gotten better, and more interesting as well, with this 1999 reissue, a result of the kind of effort that most record companies normally won't even discuss. Ellington's original 1956 Newport album was his best-selling long-player ever, and re-established him, after a two-year drought in the ...
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The Romantic Approach/Sophisticated Approach
(2005)
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by
Stan Kenton
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Masterpieces by Ellington [Bonus Tracks]
(2004)
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by
Duke Ellington
Amazingly, it took Columbia Records until the very end of 1950, two years into the LP era and the transition from disc to magnetic tape recording, to get Duke Ellington & His Orchestra into the studio to cut a long-playing record. For the first time in his recording career, Ellington was able to forego the three-minutes-and-change restrictions in ...
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Waka/Jawaka
(1972)
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by
Frank Zappa
When Frank Zappa found himself stuck in a wheelchair for most of the year 1972 (after a "fan" pushed him off the stage on December 10 of the previous year), he relieved his then-current band (including singers Flo & Eddie) of its duties and turned to studio work. One of the first things he tried was to write jazz fusion music scored for wider ...
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Miles & Quincy Live at Montreux
(1991)
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by
Miles Davis/Quincy Jones
Although Miles Davis did not live to participate in Gerry Mulligan's reunion recordings featuring the nonet that played on the famous late-'40s and early-'50s cool sessions, he participated in a reunion concert held at Montreux in 1991. This featured both the Gil Evans Orchestra and George Gruntz Concert Jazz Band, plus additional guests Benny ...
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The Blues and the Abstract Truth
(1961)
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by
Oliver Nelson
As Oliver Nelson is known primarily as a big band leader and arranger, he is lesser known as a saxophonist and organizer of small ensembles. Blues and the Abstract Truth is his triumph as a musician for the aspects of not only defining the sound of an era with his all-time classic "Stolen Moments," but on this recording, assembling one of the most ...
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Thelonious Monk Orchestra at Town Hall [Bonus Tracks]
(2006)
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by
Thelonious Monk
Pianist Thelonious Monk's appearance with a tentet at a 1959 Town Hall concert was a major success. With Hal Overton contributing arrangements of Monk's tunes (including a remarkable transcription of Monk's original piano solo on "Little Rootie Tootie") and solos provided by trumpeter Donald Byrd, trombonist Eddie Bert, altoist Phil Woods, Charlie ...
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Cuban Fire!
(1956)
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by
Stan Kenton
This CD contains one of the classic Stan Kenton albums, a six-part suite composed and arranged by Johnny Richards. The Kenton orchestra was expanded to 27 pieces for these dates including six percussionists, two French horns and six trumpets. With such soloists as tenor-great Lucky Thompson (on "Fuego Cubano,") trombonist Carl Fontana, altoist ...
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Adventures in Jazz
(1961)
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by
Stan Kenton
This excellent outing by the 1961 edition of Stan Kenton's orchestra has one classic (Bill Holman's arrangement of "Malaguena"), a superior solo by altoist Gabe Baltazar on "Stairway to the Stars," a feature for Ray Starling's Mellophonium ("Misty"), a good workout by veteran tenor Sam Donahue on "Body and Soul," Holman's reworking of "Limehouse ...
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Kenton in Hi-Fi
(1956)
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by
Stan Kenton
After years of big band experimentation, Stan Kenton seemed to settle into a more grounded groove on 1956's In Hi-Fi. To his credit, Kenton did keep things swinging before, even in the midst of high brow bombast like the string-laden, 39 piece Innovations in Modern Music orchestra and numerous jazz meets Stravinsky projects. This uncanny balance ...
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Sketches on Standards
(1953)
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by
Stan Kenton
This LP contains six Bill Russo arrangements, five from Stan Kenton, and one by Lennie Niehaus. The repertoire features many songs not associated with Kenton (such as "Sophisticated Lady," "Pennies from Heaven," and "Over the Rainbow"), but the inventive yet melodic treatments certainly sound like the Kenton band. The main soloists are altoist Lee ...
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A Merry Christmas!
(2003)
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by
Stan Kenton
When bandleader Stan Kenton was approached to record an album of holiday music in 1961 he agreed, on one condition -- no songs about singing snowmen or flying reindeer. The resulting album, A Merry Christmas, is a polyphonic masterpiece that is at once progressive and traditional. Included are such well-known classics as "O Tannenbaum" and "The ...
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Greatest Hits [RCA]
(1928)
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by
Duke Ellington
Unlike some of the entries in RCA Victor's beginners' introduction to jazz CD series, this collection does contain quite a few "hits." Other than 1928's "I Can't Give You Anything but Love" and a 1967 rendition of "Lotus Blossom," the music on the set dates from 1941-46. The performances (available in more coherent and complete form elsewhere) are ...
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Spirit of the Moment: Live at the Village Vanguard
(1995)
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by
Joshua Redman Quartet
This double CD gives one a definitive look at how the much-acclaimed tenor saxophonist Joshua Redman sounded in the mid-'90s. Joined by pianist Peter Martin, bassist Christopher Thomas, and drummer Brian Blade, Redman stretches from Gene Ammons (who is saluted on "Jig-a-Jug") to late period John Coltrane, showing off both his wide range and his ...
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Portraits on Standards
(1951)
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by
Stan Kenton
While most of Stan Kenton's recordings in the 1950s tend to be complex and sometimes bombastic, his versions of standards could often be sentimental and very melodic. This LP from the Creative World catalog (music originally released by Capitol) alternates between ballads and boppish romps, mostly featuring the 1953-1954 orchestra, a band that ...
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Karma
(1969)
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by
Pharoah Sanders
Pharoah Sanders' third album as a leader is the one that defines him as a musician to the present day. After the death of Coltrane, while there were many seeking to make a spiritual music that encompassed his ideas and yearnings while moving forward, no one came up with the goods until Sanders on this 1969 date. There are only two tracks on Karma, ...
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Big Band and Quartet in Concert
(1963)
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by
Thelonious Monk
This is one of pianist-composer Thelonious Monk's greatest recordings and represents a high point in his career. Performing at Philharmonic Hall in New York, Monk is heard taking an unaccompanied solo on "Darkness on the Delta" and jamming with his quartet (which had Charlie Rouse on tenor, bassist Butch Warren, and drummer Frank Dunlop) on fine ...
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The Charlie Brown Suite & Other Favorites
(2003)
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by
Vince Guaraldi
While many consider Vince Guaraldi's musical contributions to the Charlie Brown television cartoons to be jazz "lite," there are many more who could care less what they think, and there are still more who realize that the late Mr. Guaraldi was a first-rate composer who understood no bounds when it came to creative music. His recordings for Black ...
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Up for It: Live in Juan-Les-Pins
(2003)
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by
Keith Jarrett
For a trio that has been together this long (over 20 years), Keith Jarrett, Gary Peacock, and Jack DeJohnette still play with the enthusiasm of a group of people discovering each other for the first time. That's no cliché. One listen to "If I Were a Bell," the opening track on this live set, reveals how footloose, free, and excited these three can ...
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West Side Story
(1961)
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by
Stan Kenton
When the producers of the film West Side Story heard a sampling of what the Stan Kenton Orchestra had done to their score, they were disappointed that they had not thought to ask the band to play on the soundtrack. Johnny Richards's arrangements of ten of the famous play's melodies are alternately dramatic and tender with plenty of the passion ...
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Far East Suite [Bonus Tracks]
(2003)
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by
Duke Ellington
This third CD edition of Duke Ellington's masterwork, Far East Suite, recorded after two grueling tours of the Middle and Far East in the early- to mid-'60s, is, hopefully, the definitive version. Issued in 2003's Bluebird First Editions series, the album has been lovingly compiled to include a fine set of liner notes by Stephanie Stein Crease ...
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The Futuristic Sounds of Sun Ra
(1961)
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by
Sun Ra
Sun Ra's only release for the Savoy label is a gem. Recorded in October of 1961, this is probably the first recording the Arkestra made after arriving in New York. As such, you're dealing with a smallish Arkestra (seven main instrumentalists, joined by vocalist Ricky Murray on "China Gate") that's still playing the boppish, highly arranged music ...
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The Grand Wazoo
(1973)
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by
Frank Zappa
Like its immediate predecessor, Waka/Jawaka, The Grand Wazoo was a largely instrumental jazz rock album recorded during Frank Zappa's convalescence from injuries sustained after being pushed off a concert stage. While Zappa contributes some guitar solos and occasional vocals, the focus is more on his skills as a composer and arranger. Most of the ...
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