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The Blues and the Abstract Truth
(1961)
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Oliver Nelson
As Oliver Nelson is known primarily as a big band leader and arranger, he is lesser known as a saxophonist and organizer of small ensembles. Blues and the Abstract Truth is his triumph as a musician for the aspects of not only defining the sound of an era with his all-time classic "Stolen Moments," but on this recording, assembling one of the most ...
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In My Element
(2007)
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by
Robert Glasper
Pianist Robert Glasper was Blue Note's big discovery of 2005, a young player whose music fit into jazz's modern mainstream yet was open to the influences of R&B and hip-hop, both of which he had performed previously. What is particularly impressive about Glasper's playing on In My Element is that he does not sound like anyone else. Although his ...
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Sketches on Standards
(1953)
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by
Stan Kenton
This LP contains six Bill Russo arrangements, five from Stan Kenton, and one by Lennie Niehaus. The repertoire features many songs not associated with Kenton (such as "Sophisticated Lady," "Pennies from Heaven," and "Over the Rainbow"), but the inventive yet melodic treatments certainly sound like the Kenton band. The main soloists are altoist Lee ...
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Anything Goes
(2004)
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Brad Mehldau Trio
Ironically, Anything Goes would have been a more fitting title for pianist Brad Mehldau's previous effort, the idiosyncratic and experimental Largo. Completely eschewing the electronic flourishes and horn sections that characterized the 2002 Jon Brion-produced album as Mehldau's most adventurous release up to that point, Anything Goes is actually ...
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Leaves of Grass
(2005)
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by
Fred Hersch
Leaves of Grass finds pianist Fred Hersch and a stellar ensemble of musicians performing Walt Whitman's classic poetry to music. Hersch has long displayed an organic mix of Keith Jarrett's blissed-out focus, Bill Evans' epic patience, and Tommy Flanagan's straight-ahead sense of swing. Combine all that with a deft post-bop harmonicism, classically ...
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Live at Tonic
(2006)
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by
Christian McBride
When bassist Christian McBride first emerged on the jazz scene, he was a youthful phenomenon who seemed set to follow in the footsteps of his early inspiration, Ray Brown. However, McBride has too much talent to merely want to be a copy of the past and, although he can swing as hard as any bebop bassist, his interests go beyond straight-ahead jazz ...
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East/West
(2005)
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by
Bill Frisell
The allusion of the title East/West is an apt one; this live double-CD set is a study in contrasts. Recorded just six months apart with two different trios, Bill Frisell really shows both sides of his musical personality. The "East" disc was recorded in December of 2003 at the Village Vanguard with Frisell on guitar (acoustic and electric) and ...
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Cool Hot and Swingin'
(2007)
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by
Stan Kenton Orchestra
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Echoes of a Friend
(1972)
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by
McCoy Tyner
An obvious classic, this piano solo record (reissued on CD in the OJC series) features McCoy Tyner paying tribute to John Coltrane. Tyner not only plays three of Coltrane's songs ("Naima," "Promise," and "My Favorite Things") but two of his originals (a lengthy "The Discovery" and "Folks") which display how much the pianist had grown since leaving ...
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Sahara
(1972)
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by
McCoy Tyner
After the death of John Coltrane, his longtime pianist McCoy Tyner was in something of a musical quandary. Keeping up with his mentor through the incredible explorations of the early '60s, he seemed to have some difficulty navigating the even further out territories explored in the two or three years before Coltrane's death in 1967. His subsequent ...
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Eternal
(2004)
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by
Branford Marsalis
Eternal finds saxophonist Branford Marsalis in a contemplative mood performing a mix of original and standard ballads with his usual quartet of pianist Joey Calderazzo, bassist Eric Revis, and drummer Jeff "Tain" Watts. The title track, written for his wife Nicole, is a hushed and cerebral affair, but never feels anything but warm. Similarly, the ...
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Braggtown
(2006)
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by
Branford Marsalis
Saxophonist Branford Marsalis' Braggtown finds the ever-evolving tenor man in a more action-oriented state of mind than his contemplative 2004 release Eternal. Having tackled the gigantically epic task of reworking John Coltrane's most well-known opus "A Love Supreme" on Footsteps of Our Fathers in 2002, it should come as no surprise that the ...
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Live in Tokyo
(2004)
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by
Brad Mehldau
Moving ever closer to becoming his generation's Keith Jarrett, Live in Tokyo finds pianist Brad Mehldau delving into a solo piano performance in February of 2003 with a quiet intensity, mixing a kind of studied jazz formalism with a lyrical "train-of-thought" avant-gardism. Ever the iconoclast, Mehldau tackles such varied compositions as Nick ...
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Infinity
(1995)
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by
McCoy Tyner Trio
It seems only fitting that the initial new release on the latest revival of the Impulse label features McCoy Tyner and Michael Brecker. When Impulse started out in 1960, John Coltrane and Tyner were the first artists to be signed, and when Impulse was briefly brought back by MCA in the 1980s, two of its most important albums were recordings by ...
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Enlightenment
(1973)
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by
McCoy Tyner
This is one of the great McCoy Tyner recordings. The powerful, percussive, and highly influential pianist sounds quite inspired throughout his appearance at the 1973 Montreux Jazz Festival. Azar Lawrence (on tenor and soprano) is also quite noteworthy and there is plenty of interplay with bassist Juney Booth and drummer Alphonse Mouzon. But Tyner ...
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Soliloquy
(1991)
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by
McCoy Tyner
This is a particularly well-rounded McCoy Tyner solo set. The masterful pianist performs four Coltrane tunes (including "After The Rain" and two versions of "Crescent"), five of his own originals (highlighted by "Tribute To Lady Day" and "Effendi"), Bud Powell's classic "Bouncin' With Bud," Dexter Gordon's "Tivoli" and three veteran standards. ...
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Strange Liberation
(2004)
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by
Dave Douglas
On Strange Liberation -- a play on a phrase of Martin Luther King's; he once said that the Vietnamese must have seen Americans as "strange liberators" -- trumpeter and composer Dave Douglas expands his quintet to realize a long-held ambition: to have guitarist Bill Frisell in the ranks of his group. Douglas has once again stepped back from the ...
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The Ozell Tapes: The Official Bootleg
(2003)
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by
Marcus Miller
This is the Marcus Miller everybody always knew existed yet never really heard on record. This is the man who can play bass, saxophone, and bass clarinet, and also compose, produce, arrange, etc., and usually does so in a slick studio setting. The Ozell Tapes is reported to be an "official bootleg"; it's official to be sure but it's no bootleg. ...
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1000 Kilometers
(2007)
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by
Oregon
Throughout their long existence, Oregon have consistently performed music that is difficult to categorize. Some of their acoustic ventures, particularly in the group's earlier days, could be considered "world jazz" or "folk-jazz" due to the unusual instrumentation, avoidance of conventional blue notes, and original pieces. On 1000 Kilometers, ...
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Lookout for Hope
(1987)
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by
Bill Frisell
Guitarist Bill Frisell had one of the most stimulating and eccentric regular bands of the mid- to late 1980s. The highly versatile Frisell, whose playing ranges from Jim Hall to rock and Nashville while including sounds never previously heard on guitar, found complementary spirits in cellist Hank Roberts, bassist Kermit Driscoll and drummer Joey ...
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Winter Light
(1974)
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Oregon
If there was a "second best" recording from Oregon in their early years, this would be it. The concept of "Winter Light" certainly reflects the visage of the Pacific Northwest in the fourth season, yet it is a music, and time of year, filled with hope for the future while pondering a somewhat bleak present. Winter can be pleasant, bearable and ...
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Unspeakable
(2004)
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by
Bill Frisell
With the exception of 2003's Intercontinentals, Bill Frisell had been playing it pretty safe for some time, sticking to his own personal vision of variations on the Americana theme (with nearly all of those albums being produced by Lee Townsend, by the way). Well, a change of producers often means a change of pace, and teaming up with eclectic ...
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Canvas
(2005)
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by
Robert Glasper
Canvas is pianist Robert Glasper's second recording, and his first on Blue Note. He's joined by bassist Vincente Archer and drummer Damion Reid for the main portion of Canvas, while tenor Mark Turner and vocalist Bilal make two appearances each. Perhaps the first thing a listener might note of Glasper's style on the original, "Rise and Shine," is ...
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Neighbourhood
(2006)
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by
Manu Katche
The superb French/Ivory Coast drummer Manu Katche, long a backing force on many ECM sessions, steps out on his own for the first time on this label and comes up with a gem -- with a little help from some of the ECM stars. Indeed, "Neighbourhood" is a very appropriate title, for there are several interlocking orbits of personnel within this album. ...
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Monterey Moods
(2007)
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by
Gerald Wilson Orchestra
Gerald Wilson has been a fixture at the Monterey Jazz Festival in California since its inception, and has been commissioned to write works for that festival. On Monterey Moods, he presents a seven-part suite featuring different elements of jazz, all in modern big-band style, based on three notes signifying the evenly paced word "Mon-ter-ey." Each ...
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