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The Köln Concert
(1975)
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by
Keith Jarrett
Recorded in 1975 at the Köln Opera House and released the same year, this disc has, along with its revelatory music, some attendant cultural baggage that is unfair in one sense: Every pot-smoking and dazed and confused college kid -- and a few of the more sophisticated ones in high school -- owned this as one of the truly classic jazz records, ...
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Stoa
(2006)
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Nik Bärtsch's Ronin
He may call it "Zen Funk," but the real question is, what the hell is this? Swiss pianist and composer Nik Bartsch's Ronin have issued their ECM debut, Stoa, the label well-known for its icy sounding, spacious jazz. ECM has been pushing the envelope for nearly 40 years, but with Ronin, they've pushed it beyond the pale into God knows what. This is ...
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Solo Concerts: Bremen and Lausanne
(1973)
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by
Keith Jarrett
These are the recordings that made Keith Jarrett famous. Originally released as a three-LP set, the two solo piano recitals feature Jarrett freely improvising and never seeming to run out of ideas. A simple figure often develops through repetition and subtle variations into a rather complex sequence and eventually evolves into a new figure. One of ...
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Vienna Concert
(1991)
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by
Keith Jarrett
Keith Jarrett feels that this is his finest solo concert; having "courted the flame for a very long time," he writes, this music speaks "the language of the flame itself." Perhaps playing in the European-tradition-encrusted Vienna Staatsoper had an overt influence, for never has a recorded Jarrett solo concert fallen into such a logical, even ...
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Paris Concert
(1990)
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by
Keith Jarrett
The self-imposed quarantine on solo concerts over, Keith Jarrett returned to the improvisatory format that he virtually invented, mellower and more devotional than ever. Indeed, within the 38 minutes of solo improvisation captured at Paris's Salle Pleyel, Jarrett pulls further away from the old rousing (and thoroughly American) gospel, blues and ...
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Draw Breath
(2007)
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by
Nels Cline Singers
Nels Cline has developed a very personal sound on guitar but musically he's a tough guy to pin down, playing everything from pure, noisy free improvisation to pure rock & roll. Fortunately, Cline has no interest in being pinned down, as the newest album from the Nels Cline Singers clearly shows. On Draw Breath, Cline and company (Devin Hoff on ...
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Healing Music Project: Radiance
(2004)
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by
Various Artists
Healing Music Project: Radiance focuses its relaxation laser beam on eight new age-inspired tracks. Most combine various instrumental touchstones of the genre, from field-of-stars soundscapes (Brian Scott Bennett's "Gong") to the shakuhachi flute that winnows its way through Ronnie Nyogetsu Seldin's "Sleep Dance." The reliance of Radiance on genre ...
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Tongues
(2007)
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by
Kieran Hebden/Steve Reid
Tongues is not The Exchange Session, Vol. 3 , nor is it a series of outtakes or discarded tracks from those sessions packaged simply to lure in those looking for more -- anything more -- from the deft electronics-and-percussion collaboration. (Although its release, in one sense, is the result of Kieran Hebden and Steve Reid's success; it was ...
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Unit Structures
(1966)
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by
Cecil Taylor
After several years off records, pianist Cecil Taylor finally had an opportunity to document his music of the mid-'60s on two Blue Note albums (the other one was Conquistador). Taylor's high-energy atonalism fit in well with the free jazz of the period but he was actually leading the way rather than being part of a movement. In fact, this septet ...
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Solo in Mondsee
(2007)
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by
Paul Bley
Fully 35 years after Open, to Love, Paul Bley's seminal solo piano recording for ECM (which stands as a watermark both in his own career and in the history of the label -- i.e., unconsciously aiding Manfred Eicher in establishing its "sound"), the pianist returns to the label for another go at it on Solo in Mondsee. Recorded in Mondsee, Austria, ...
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Closeness (Duets)
(1976)
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by
Charlie Haden
In 1976, bassist Charlie Haden recorded eight duets with musicians whom he admired; the results were originally released on two Horizon LPs as Closeness. In 1988, A&M reissued all of the music on a pair of CDs, titled Closeness" Duets. For this release, Haden is teamed with pianist Keith Jarrett, plays a memorable "O.C." with altoist Ornette ...
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Improvisczario
(2007)
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by
Bernie Worrell
Bernie Worrell is best known as an A-list funkateer, but his talents go well beyond the funk arena. A Julliard trained classical pianist, Worrell has also appeared with everyone from Fred Schneider to the Pretenders to the Jon Spencer Blues Explosion to Pharoah Sanders and a myriad of Bill Laswell productions (not to mention his association with ...
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Matthew Shipp's New Orbit
(2001)
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Matthew Shipp's New Orbit
As one of the most daring and original pianists in jazz, Matt Shipp continues to cover a wide spectrum of musical concepts and methods as artistic director of the Blue Series for Thirsty Ear Recordings. From avant-garde atonal textures to classical music textures and reams of cosmic consciousness and free expressionism, Shipp has been positioned ...
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The Elephant Sleeps But Still Remembers
(2006)
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by
Jack DeJohnette
This collaboration between drummer, pianist, and composer Jack DeJohnette and guitarist Bill Frisell, was recorded live at the Earshot Festival in 2001. But it doesn't end there. The pair, who had only played together once before on Don Byron's Romance with the Unseen, had a chance to listen to the tapes together and decided to add some additional ...
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Altitude
(2007)
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Charlie Hunter/Bobby Previte as Groundtruther Featuring John Medeski
The third installment of the Groundtruther trilogy sees Charlie Hunter and Bobby Previte inviting John Medeski to be the third wheel. With both Hunter and Medeski on board, one could be forgiven for thinking this was going to be a funky good time, but Groundtruther is about pure spontaneous improvisation and totally unconcerned with getting people ...
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Spillane
(1986)
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by
John Zorn
Using his "file card" technique to create the title piece "Spillane" (whereby musical ideas written on note cards form the basis for discreet sound blocks arranged by way of a unifying theme), John Zorn forges an impressionistic narrative out of stretches of live-music jazz, blues, country, lounge, thrash, etc., and a variety of samples and spoken ...
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Sweet Time
(1995)
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by
Paul Bley
Sweet Time, like the albums Open, to Love, Hands On, Tears, and Changing Hands, is an elliptical, mystifying masterpiece that displays Bley's uncanny knack for creating crystalline, gleaming musical structures from the most minimal of means. Take for instance a spontaneous balladic composition such as "Never Again," with its gently dissonant ...
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Class Trip
(2004)
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by
John Abercrombie Quartet
The John Abercrombie Quartet's Cat 'n' Mouse, issued in 2002, showcased a band that was on the verge of something that approached greatness. Abercrombie, violinist Mark Feldman, drummer Joey Baron, and bassist Marc Johnson gelled together inside the framework of the guitarist's increasingly open-ended compositions and became a unit that could ...
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Moonchild
(2006)
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by
John Zorn
Let's take away John Zorn's ecstatic -- some would say diarrheic -- hyperbole in the sleeve notes for a bit and look at the trio here: vocalist Mike Patton, drummer Joey Baron, and bassist Trevor Dunn. Given their individual and collective résumés, the possibilities are nearly endless. These three offer Moonchild, Zorn's "contemporary song cycle ...
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Jazz Upstairs: Live at the Guru Bar
(2007)
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by
Rex Richardson
The members of the Rex Richardson Quintet, who first came together in 2005 when they worked at Athens' Guru Bar, know their jazz history. Richardson at times hints at the chance-taking styles of Don Ellis and Kenny Wheeler, while altoist Takis Paterelis does a close imitation of Eric Dolphy during the first half of his solo on "The Claim of the ...
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The Rain
(2003)
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by
Ghazal
On its fourth outing and its first for ECM, the Indian/Persian duo Ghazal chose to record a live album. Issued from a concert in Switzerland, the recording blends the musical styles of both countries. Shujaat Husain Khan, a direct descendant (grandson) of the venerable musician and spiritual master Ustad Vilayat Khan, plays sitar in the Imad Khan ...
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Project Z
(2001)
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by
Project Z
Imagine what would result from a recording session in which top-drawer musicians who favor improvisation are given no boundaries, rules, restraints, pressures, or expectations when they head into the studio. Imagine how psyched Jimmy Herring, Jeff Sipe, and Ricky Keller were when that opportunity presented itself. The three are among the top ...
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War Orphans
(1998)
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by
Bobo Stenson Trio
While the last Bobo Stenson Trio offering found the band cohesively searching for a new harmonic language together and separately as composers, on War Orphans they seem to have found it. Stenson (piano), Anders Jormin (double bass), and Jon Christensen (drums) have sought to distill their tonal language into meditational musical space. They are ...
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What Exit?
(2006)
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by
Mark Feldman
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Endless Summer
(2001)
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by
Fennesz
With a title and cover artwork so obviously referring to the Beach Boys, one had to anticipate that this 2001 full-length CD by Fennesz would be more melodious than usual. It is, but you'll only get as close to surf music as the imagination of an experimental electronica artist from Vienna, Austria, will allow you to -- and that's still quite far. ...
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