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Play (1999) more music like this

by Moby

Following a notorious flirtation with alternative rock, Moby returned to the electronic dance mainstream on the 1997 album I Like to Score. With 1999's Play, he made yet another leap back toward the electronica base that had passed him by during the mid-'90s. The first two tracks, "Honey" and "Find My Baby," weave short blues or gospel vocal ...

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18

18 (2002) more music like this

by Moby

In one of the two essays in the liner notes for 18, Moby alludes to his past as a "rigid" idealist about life and music, expressing that he's tried to open himself and hoping that he's succeeded. In a way, he already succeeded with his previous album, Play, a remarkable record that cannily used field recordings and blues as the basis for an expert ...

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The Fat of the Land

The Fat of the Land (1997) more music like this

by The Prodigy

Few albums were as eagerly anticipated as The Fat of the Land, the Prodigy's long-awaited follow-up to Music for the Jilted Generation. By the time of its release, the group had two number one British singles with "Firestarter" and "Breathe" and had begun to make inroads in America. The Fat of the Land was touted as the album that would bring ...

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Go: The Very Best of Moby

Go: The Very Best of Moby (2006) more music like this

by Moby

Go: The Very Best of Moby is not the career-spanning compilation implied by its title. Instead, it's based around 1999's Play, 2002's 18, and 2005's Hotel, and it adds a handful of tracks in an attempt to entice fans who couldn't otherwise justify the purchase of a disc that relies on very recent and readily available material. (Hotel had only ...

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Music for the Jilted Generation

Music for the Jilted Generation (1995) more music like this

by The Prodigy

The Prodigy's response to the sweeping legislation and crackdown on raves contained in 1994's Criminal Justice Bill is an effective statement of intent. Pure sonic terrorism, Music for the Jilted Generation employs the same rave energy that charged their debut, Experience, up the charts in Britain, but yokes it to a cause other than massive drug ...

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Café del Mar, Vol. 7

Café del Mar, Vol. 7 (2000) more music like this

by Various Artists

The Cafe del Mar series of compilations is inspired by a cafe of the same name in Ibiza, centered around sunset watching, and also, like much of Ibiza, club music. The ambient music on these anthologies is designed to complement sunset watching, and the collections have thereby become renowned as repositories of "chill out" music; it's even been ...

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Ultimate Dance Party: The Best Of

Ultimate Dance Party: The Best Of (2002) more music like this

by Various Artists

This best-of edition in the long-running Ultimate Dance Party compiles a variety of the most popular songs from previous editions along with a few surprises. The surprises include Exposé's "Point of No Return" and Taylor Dayne's "Tell It to My Heart." Unlike the other 17 songs on this collection, these two date from the late '80s rather than the ...

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Attack Decay Sustain Release [US Bonus Tracks]

Attack Decay Sustain Release [US Bonus Tracks] (2007) more music like this

by Simian Mobile Disco

Producers of dance music (or any music, for that matter) can innovate all they want, but without great songs and excellent productions, they'll never add much to the canon of great records. James Shaw and James Ford, who make up Simian Mobile Disco, are a pair of producers who may not innovate very much -- their chosen field, acid house and acid ...

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Dig Your Own Hole

Dig Your Own Hole (1997) more music like this

by The Chemical Brothers

Taking the swirling eclecticism of their post-techno debut, Exit Planet Dust, to the extreme, the Chemical Brothers blow all stylistic boundaries down with their second album, Dig Your Own Hole. Bigger, bolder, and more adventurous than Exit Planet Dust, Dig Your Own Hole opens with the slamming cacophony of "Block Rockin' Beats," where hip-hop ...

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Songs 1993-1998

Songs 1993-1998 (2000) more music like this

by Moby

When Play became a breakout hit in 1999, Elektra readied a basic trainer for listeners new to Moby's practically trademarked style of down-tempo house baroque. Ranging from the Move EP, his major-label debut, to the soundtrack-inspired I Like to Score, Songs 1993-1998 trawls the back catalog to pluck tracks on the same atmospheric level as Play ...

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Exit Planet Dust (1995) more music like this

by The Chemical Brothers

The former Dust Brothers make oblique reference to litigation averted on their debut full-length. The Chemical Brothers' sound is big on bombast, replete with screeching guitar samples and lots of sirens and screaming divas. A breakthrough album of sorts, Exit Planet Dust was, upon its release, one of the few European post-techno albums to make ...

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Animal Rights (1996) more music like this

by Moby

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Everything Is Wrong (1995) more music like this

by Moby

For some it was the pinnacle of his career, for others one of a continued string of triumphs (others doubtless cared not at all, thinking somehow that synth and dancebeats equalled musical insincerity, but such is life). Regardless of how one takes it, Everything Is Wrong shows Moby at a definite high point, and if some tracks are much more ...

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I Like to Score (1997) more music like this

by Moby

Considering that Moby's music is most effective in small doses, perhaps it shouldn't be a surprise that the compilation I Like to Score is a strong record. However, it does come as a surprise, since Moby's music usually sounds too insular for the kind of shifting, provocative atmospherics needed for effective film music. Here, on this collection ...

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Reich Remixed (1999) more music like this

by Steve Reich

Since he's one of the most influential classical composers for later electronica producers, it's only natural that Steve Reich should get his own remix collection, to file alongside Pierre Henry and others. This ten-track collection includes some of the most respected new producers in the field -- from beat veterans Coldcut, Howie B and Kurtis ...

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Gettin' High on Your Own Supply (1999) more music like this

by Apollo 440

No need to worry about Apollo 440 turning intelligent in the wake of electronica's growing experimental leanings. Their third album overall, Getting High on Your Own Supply is a ride through sampladelic breakbeat that's just as mad as 1997's Electro Glide in Blue. Seemingly oblivious that even their youngest listeners could spot their samples, ...

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Oblivion with Bells (2007) more music like this

by Underworld

Like their heroes Kraftwerk, Underworld's Karl Hyde and Rick Smith appear to work in a completely sterile environment, unbothered by charts or sales projections or label concerns about their marketing abilities. They simply reemerge periodically with another full-length of precise but swinging techno, with vocals that somehow create a rather ...

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Totally Dance (2001) more music like this

by Various Artists

You won't find a better collection of 2000's most popular dance tunes than Totally Dance. You get nothing but the most well-known songs: stuff like Moby's "South Side" and Darude's "Sandstorm" rather than anything pretentious, artsy, overly creative, or "underground." This will probably disappoint most seasoned electronica disciples, but this isn ...

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The Last Resort (2006) more music like this

by Trentemøller

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The Altogether (2001) more music like this

by Orbital

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Early Underground (1993) more music like this

by Moby

A 15-track compilation of Moby's early career, collected from seven releases, this album fails to show the diversity that makes his self-titled LP such a joy. The tracks here are acceptable early rave-techno, but they won't appeal to those who think repetition is a sign of artistic deficiency. Most of the vocal samples are typical fare for the ...

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Experience [Expanded: Remixes & B-Sides] (2001) more music like this

by The Prodigy

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The House of Groove (1993) more music like this

by Various Artists

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Ultra Dance 03 (2003) more music like this

by Various Artists

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Only for the Headstrong, Vol. 2 (1992) more music like this

by Various Artists

FFRR's second techno/rave compilation is a little more consistent than the first, and includes an edited version of Utah Saints' "Something Good." Unfortunately, that consistency is on a lower level than much of the first compilation (though this has far better cover art) and not quite as much stands out -- Egyptian Empire's "The Horn Track" is ...

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