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The White Room/Justified & Ancient

The White Room/Justified & Ancient (1991) more music like this

by The KLF

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U.F.Orb [Bonus Disc]

U.F.Orb [Bonus Disc] (2007) more music like this

by Orb

The commercial and artistic peak of the ambient-house movement, U.F.Orb strides past the debut with more periods of free-form ambience and less reliance on a standard 4/4 beat. From the opening "O.O.B.E." through the bass-heavy gait of "Blue Room" and "Towers of Dub," the flow is more natural and ranges farther than most would have expected. The ...

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Boheme

Boheme (1995) more music like this

by Deep Forest

Much like Deep Forest's debut album, Boheme is a combination of club music and worldbeat. While the album is certainly danceable, it works better as trance-inducing mood music, although it isn't quite as consistent as the debut. Stephen Thomas Erlewine, All Music Guide

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Comparsa

Comparsa (1998) more music like this

by Deep Forest

The duo's third album, Comparsa, continues the world music potpourri Deep Forest are known for, though there is a pronounced focus on Latin and Caribbean grooves provided by musicians from Cuba, Belize, Mexico, and Madagascar, among other places. Although the nationalities present are truly global, the actual sound of Deep Forest hasn't changed ...

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Lifeforms

Lifeforms (1994) more music like this

by The Future Sound of London

Having indulged in more explicitly ambient realms with the Amorphous Androgynous side project, FSOL returned to full action with Lifeforms, a double-disc effort that ranks as one of the best experimental techno releases of the '90s. If not as immediately memorable on a song per song basis as, say, Aphex Twin's Selected Ambient Works collections, ...

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Mr. Freedom

Mr. Freedom (2005) more music like this

by Gabin

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The House of Groove

The House of Groove (1993) more music like this

by Various Artists

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Screamadelica

Screamadelica (1991) more music like this

by Primal Scream

There's no overestimating the importance of Screamadelica, the record that brought acid house, techno, and rave culture crashing into the British mainstream -- an impact that rivaled that of Nirvana's Nevermind, the other 1991 release that changed rock. Prior to Screamadelica, Primal Scream were Stonesy classic rock revivalists with a penchant for ...

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U.F.Orb

U.F.Orb (1992) more music like this

by The Orb

The commercial and artistic peak of the ambient-house movement, U.F.Orb strides past the debut with more periods of free-form ambience and less reliance on a standard 4/4 beat. From the opening "O.O.B.E." through the bass-heavy gait of "Blue Room" and "Towers of Dub," the flow is more natural and ranges farther than most would have expected. The ...

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The Orb's Adventures Beyond the Ultraworld

The Orb's Adventures Beyond the Ultraworld (1991) more music like this

by The Orb

Much like the early Orb-related project recorded as Space, Adventures Beyond the Ultraworld simulates a journey through the outer realms -- progressing from the soaring ambient-pop of "Little Fluffy Clouds" and the stoned "Back Side of the Moon" (a veiled Pink Floyd reference) to "Into the Fourth Dimension" and ending (after more than two hours) ...

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Lifeforms (Remixes) (1994) more music like this

by The Future Sound of London

Originally, Elizabeth Fraser of the Cocteau Twins was going to appear on this song, a highlight of the similarly titled album, but record company hoo-hah meant it turned up as an instrumental. For the single release, Fraser was able to take a proper vocal bow, along with Talvin Singh, who had contributed tablatronics to the "Life Form Ends" ...

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Every Man and Woman Is a Star (1992) more music like this

by Ultramarine

A warmly melodic LP of home-listening electronica produced just before the term was coined, Every Man and Woman Is a Star is a delightful concept album with dub-centric rhythms and a straightahead song structure whose only quibble is what sounds like a need for vocals to accompany the tracks. All in all, the LP deserves to be filed alongside the ...

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Moodfood (1992) more music like this

by Moodswings

Both the title Moodfood and the subtitle ("Aural Medication for Tired Minds") neatly encapsulate the listening experience offered by producers Fred Hood and Grant Showbiz on this heady mix of ambient, trance, house, pop, and rock. The duo conceived of this project in almost therapeutic terms, envisaging the album as an extended, seamless ...

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Dead Cities (1996) more music like this

by The Future Sound of London

Dead Cities turned out to be the Future Sound of London's bow out from the spotlight -- at least, nothing further was released by them for the rest of the decade and well into the next one. Compared to the crisp approach of Accelerator and Lifeforms' disorienting, surprising exploration into ambient sound, Dead Cities finds the group trying out ...

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Accelerator [US] (1996) more music like this

by The Future Sound of London

Upon its belated U.S. release (a full five years after its initial U.K. issue on a tiny indie, and after three other Future Sound of London albums had been issued in the interim), Accelerator sounded almost retro. It's clearly by far the most conventional of the duo's albums, the closest to a straight-up hard techno set they ever did. Tracks like ...

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Everything, Everything (2000) more music like this

by Underworld

Underworld didn't become one of the biggest groups in the dance world by sitting in the studio all day, spending as much time making tea as producing tracks. Between records, the trio toured incessantly -- playing rock venues, dancefloors, major festivals all over the world -- and consistently made the single best case for techno working in a live ...

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ISDN (1994) more music like this

by The Future Sound of London

While webcast concerts and performances swiftly became commonplace by the end of the 1990s, there had to be pioneers somewhere in earlier years, and FSOL was among them. Instead of touring for the Lifeforms album in 1994, they instead set up a series of appearances on a variety of radio stations, as well as concert dates involving broadcasting to ...

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Bombay Dub Orchestra (2006) more music like this

by Bombay Dub Orchestra

Bombay Dub Orchestra is the brainchild of two British producers, Andrew T. Mackay (a TV/film score composer and classical arranger who has worked with everyone from Herb Ritts to L.A. rock & roll outfit VAST) and producer Garry Hughes (Björk, Sly & Robbie) with master mixing engineer Daman Sood. They figured by bringing beats, keyboards, a full ...

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76:14 (1994) more music like this

by Global Communication

Tempering the industrial tilt of their previous Reload material with slower, more graceful rhythms and an ear for melody unmatched by any in the downtempo crowd, Mark Pritchard and Tom Middleton produced the single best work in the ambient house canon. The tick-tock beats and tidal flair of "14:31" are proof of the duo's superb balance of beauty ...

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Best of Anggun (2007) more music like this

by Anggun

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From Here We Go Sublime (2007) more music like this

by The Field

An atypical album release by Kompakt, From Here We Go Sublime, the debut full-length release by the Field, is nevertheless stunning, its less-is-more aesthetic striking because of its elegance as well as ease. For this reason alone, it's no wonder the German label, traditionally known for minimal techno, chose to release this album by Swedish ...

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Later (2003) more music like this

by Various Artists

Later is a double-disc set aimed at people who want some mellow tunes to chill out to. Some of the artists are well-known (the Pet Shop Boys, who contribute the ambient mix of "Home and Dry"; Saint Etienne, who lend "The Way We Live Now"; and Moby, whose "Signs of Love" is included), but most of the other 28 are relatively obscure. That isn't a ...

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Hinterland (1995) more music like this

by Strange Cargo

William Orbit's take on ambient-house has big beats and guitars, and occasional vocals to liven the mix. The result isn't terribly revolutionary, but it is an engaging listen nevertheless. John Bush, All Music Guide

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The Orb's Adventures Beyond the Ultraworld [Deluxe Edition] (2006) more music like this

by The Orb

Much like the early Orb-related project recorded as Space, Adventures Beyond the Ultraworld simulates a journey through the outer realms -- progressing from the soaring ambient-pop of "Little Fluffy Clouds" and the stoned "Back Side of the Moon" (a veiled Pink Floyd reference) to "Into the Fourth Dimension" and ending (after more than two hours) ...

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Relax, Vol. 2: Sublime Music for Reading and Lounging [Rasa Music] (2006) more music like this

by Various Artists

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