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Lust [Bonus Tracks]

Lust [Bonus Tracks] (1996) more music like this

by Lords of Acid

When it comes to bawdy, S&M-fueled rave albums, Lords of Acid's Lust is a classic. Coming across like a twisted mix of Front 242 and the Timelords, Lords of Acid hit all the right notes on this debut album that entertains, shocks, and energizes listeners both on and off the dancefloor. Though Lust works as a competent rave album, which actually ...

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Exit Planet Dust

Exit Planet Dust (1995) more music like this

by The Chemical Brothers

The former Dust Brothers make oblique reference to litigation averted on their debut full-length. The Chemical Brothers' sound is big on bombast, replete with screeching guitar samples and lots of sirens and screaming divas. A breakthrough album of sorts, Exit Planet Dust was, upon its release, one of the few European post-techno albums to make ...

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Oblivion with Bells

Oblivion with Bells (2007) more music like this

by Underworld

Like their heroes Kraftwerk, Underworld's Karl Hyde and Rick Smith appear to work in a completely sterile environment, unbothered by charts or sales projections or label concerns about their marketing abilities. They simply reemerge periodically with another full-length of precise but swinging techno, with vocals that somehow create a rather ...

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Classics

Classics (1995) more music like this

by Aphex Twin

Arguably Richard James' first full-length CD, comprised of various EP's from the early '90s when he was experimenting on his homemade electronic gear and cranking out material that surpassed the work his peers were putting out. Because of the nature of this re-release to CD, the tracks don't always flow from one to the next, but if you want a ...

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26 Mixes for Cash

26 Mixes for Cash (2003) more music like this

by Aphex Twin

Before Aphex Twin, remixes were dancefloor fodder and singles filler, hired out and produced with an eye to crossover success in different markets with what was largely the same piece of music (apologies to masters of the form Tom Moulton, Shep Pettibone, and Arthur Baker). After Aphex Twin, dozens of electronic and experimental outfits considered ...

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Windowlicker [US]

Windowlicker [US] (1999) more music like this

by Aphex Twin

An extension of its satiric predecessor, "Windowlicker" focuses on eerie lounge-porn music (with a video to match) instead of the thrashcore of "Come to Daddy." Later Aphex trademarks like hyper-breakbeat drum programs and heavily tweaked voices are in full effect, though the cloying melody could make longtime fans run for the toilet (or fall off ...

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Consumed

Consumed (1998) more music like this

by Plastikman

The third in the series of Plastikman albums produced by Richie Hawtin, Consumed is a turn away from the high-bpm, drum-machine mania that characterized much of his its two predecessors, Sheet One (1993) and Musik (1994). The acid techno motifs remain in place, and Consumed is structurally similar to Musik: it commences and concludes with standout ...

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Lover's Acid

Lover's Acid (2005) more music like this

by Luke Vibert

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Chosen Lords

Chosen Lords (2006) more music like this

by AFX

In 2001, when Aphex Twin fans got what they'd been hoping for -- a new album -- they soon learned that not every Aphex Twin work was pure genius. (Granted, they'd heard very little evidence of mediocrity before that point.) Drukqs was a rambling wreck of an album, a hodgepodge of material that appeared to have been plundered from at least three ...

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American Automatic

American Automatic (2005) more music like this

by Kill Memory Crash

Nearly two years after their debut release, Kill Memory Crash have retooled their sound for the better on American Automatic, which recalls classic moments from the Wax Trax imprint without diving headfirst into the convenient nostalgia that plagues so many industrial bands and has kept the genre in an infinite loop of mediocrity for nearly a ...

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Oblivion with Bells [Bonus DVD] (2007) more music like this

by Underworld

Like their heroes Kraftwerk, Underworld's Karl Hyde and Rick Smith appear to work in a completely sterile environment, unbothered by charts or sales projections or label concerns about their marketing abilities. They simply reemerge periodically with another full-length of precise but swinging techno, with vocals that somehow create a rather ...

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Profound Sounds, Vol. 3 (2006) more music like this

by Josh Wink

Many techno fans fail to recognize Josh Wink as a fellow traveler, not because they disrespect him but because he's rarely traveled in the same circles. Known first for his work as a producer, he's not marked as an excellent DJ, while Philadelphia, his initial base, is a city that's never been techno-mad. The mere fact that he's cultivated an ...

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The Best of Techno, Vol. 1 [Profile] (1991) more music like this

by Various Artists

Techno is a rapidly expanding and changing genre, so any collection can't possibly capture the full diversity of the music. Still, Profile's three-disc Best of Techno does a fair job in conveying part of the music's excitement and stylistic variety; it's strictly for novices, and any volume serves as an adequate introduction to techno. Names like ...

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Out There (2002) more music like this

by Trance Control

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Rough Sex (1992) more music like this

by Lords of Acid

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I Must Increase My Bust (1993) more music like this

by Lords of Acid

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Rare: Collected B-Sides (1996) more music like this

by Moby

Rare: Collected B-Sides isn't just for the die-hard Moby fan. Compiling a number of B-sides and non-LP singles on a single disc, Rare features a few run-of-the mill remixes, but usually these alternate versions offer a significantly new spin on the songs. More importantly, tracks like the notorious "Thousand" -- which zips by at the impossibly ...

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Sheath (2003) more music like this

by LFO

The most anticipated record of the year for fans of British techno, LFO's Sheath is another masterpiece from the pen of Mark Bell, though much of it sounds cobbled together from previous projects. While 1996's Advance foreshadowed electronica's emphasis on dirty percussion and grinding effects lines, Sheath has only a few tracks along those lines; ...

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I Care Because You Do (1995) more music like this

by Aphex Twin

James' most consistent work, I Care Because You Do fuses his earlier hardcore techno days with the smooth rhythm and atmosphere of his ambient work, often on the same song. "Ventolin" is one of the harshest singles ever recorded; the orchestrated closer "Next Heap With" is the highlight of the album. John Bush, All Music Guide

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Pretty Girls Make Raves (2006) more music like this

by Kid606

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Go Remixes (1992) more music like this

by Moby

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Rescate 137 (2000) more music like this

by Cristian Vogel

On Rescate 137, his debut for NovaMute, Cristian Vogel pushes his formula for experimental techno into overdrive with the help of new random-generating software and sampled percussion. The second track "Whipaspank" is the best, with a ghostly funk vocal scatting over twisted native effects from bongos to fretless bass. Creaking analog basslines ...

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Closer (2003) more music like this

by Plastikman

Closer music indeed. The first Plastikman album in five years brings you so close to Richie Hawtin's mind that the listen can be discomforting. There is no major change in his sound from Consumed; Hawtin takes his mastery of minimalism and use of space a couple steps further, rarely putting dance rhythms to use. Paranoia and claustrophobia ...

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Sheet One (1993) more music like this

by Plastikman

One of the first records to turn the 303 acid box upside down from glorious high to isolationist low, Plastikman's first album focuses on laser-precise minimalist rhythms to drive a series of echo-box acid lines that gradually acquire power over the course of lengthy album tracks like the ten-minute "Drp," "Glob," and "Plasticine." John Bush, ...

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Recycled Plastik (1994) more music like this

by Plastikman

Released a few months before Richie Hawtin offered his second Plastikman album, Musik, the six-track Recycled Plastik EP is anchored by "Spastik," a nine-minute whirlwind of 909 percussion and nothing else. The track is downright staggering, especially when Hawtin unleashes the monstrous bass drum kicks after several minutes of slow buildup. ...

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