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A Hundred Miles or More: A Collection
(2007)
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by
Alison Krauss
The title of Rounder's Alison Krauss compilation A Hundred Miles or More: A Collection is a bit misleading. While it does contain previously recorded material, it is not to be taken as a greatest-hits package; rather, the 16 tracks are compiled from Krauss' numerous collaborations, soundtrack appearances, and other non-Union Station gigs. That ...
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Wide Open Spaces
(1998)
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by
Dixie Chicks
The Dixie Chicks spent the first half of the '90s toiling away on the independent bluegrass circuit, releasing three albums on small labels, before sisters Martie Seidel and Emily Robison decided to revamp their sound in 1995, adding Natalie Maines as their lead singer and, in the process, moving the group away from bluegrass and toward a major ...
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New Favorite
(2001)
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by
Alison Krauss & Union Station
Following the success of the startlingly popular traditional old-timey soundtrack for the film O Brother, Where Art Thou?, contemporary bluegrass pioneers Alison Krauss & Union Station moved in the opposite direction for their 2001 release, New Favorite. While Krauss and Union Station guitarist/vocalist Dan Tyminski got deeply in touch with their ...
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Reasons Why: The Very Best
(2006)
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Nickel Creek
Reasons Why is a double-disc best-of that treats Nickel Creek's fanatical fan base to a solid overview of this progressive bluegrass band's recorded career. There are 12 tunes here than can be called bona fide "greatest hits," at least among the faithful. They include "The Lighthouse's Tale," "Jealous of the Moon," "When in Rome," the title cut, ...
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Nickel Creek
(2000)
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Nickel Creek
Few artists will offer the story of a lighthouse, sung in the first person, but Nickel Creek has a flair for the unusual. "The Lighthouse's Tale," is but one of a dozen good reasons to enjoy this self-titled release. Produced by Alison Krauss, it features an eclectic collection of material, original and borrowed. Highlights include the ...
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On a Starry Night
(1997)
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by
Various Artists
A calming, diverse collection of lullabies from the world over. Assembly of the compilation is by violinist Tracy Silverman (Turtle Island String Quartet), a father of two. Silverman succeeded in capturing most lullabies performed by families. A smorgasbord of cultures is represented: Japan, Indonesia, Brazil, Ghana, Iceland, Israel, Russia, and ...
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Appalachia Waltz
(1996)
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by
Yo-Yo Ma/Edgar Meyer/Mark O'Connor
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Will the Circle Be Unbroken [Bonus Tracks]
(1972)
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by
The Nitty Gritty Dirt Band
With all due respect to the Byrds and the Flying Burrito Brothers, it took the Nitty Gritty Dirt Band with this album to come up with a merger of rock and country music that worked for both sides and everyone involved. The opening number, "The Grand Ole Opry Song," set the tone for the album, showing that this band -- for all of their origins in ...
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Forget About It
(1999)
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by
Alison Krauss
Alison Krauss gets introspective and personal on her seventh album, one of her solo outings that shoves Union Station in the background while conventional country steps up to the spotlight. But Krauss is a little too sharp for Nashville standard, so Forget About It sounds more like an adult pop album with occasional notes of country grace. ...
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Appalachian Stomp: Bluegrass Classics
(1995)
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by
Various Artists
Like many Rhino compilations, this is geared more to the novice or the casual fan than the aficionado, but that's not a criticism. If someone wants a basic primer of the bluegrass sound past and present that manages to be accessible and avoid unduly clichéd track selection, this 18-song compilation fits the bill well. Most of the biggest names are ...
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These Days
(2006)
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by
Vince Gill
As 2006 nears its end, no one can argue that the world of country music isn't, at this moment, the most adventurous in the mainstream pop music industry and that Nash Vegas is taking more chances on its acts as the rest of the biz relies more on narrowing things into smaller and smaller niches that can easily be hyped and digested. Sure, as always ...
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Live
(2002)
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by
Alison Krauss & Union Station
Given Alison Krauss' tremendous popularity and her status as the first female bluegrass singer to cross over into genuine pop marketability, and given the fact that her guitarist, Dan Tyminski, is the voice behind "Man of Constant Sorrow" (or at least the version that served as an idée fixe in the blockbuster movie O Brother, Where Art Thou?), a ...
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A Winter's Solstice, Vol. 4
(1993)
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by
Various Artists
The latest in Windham Hill's line of classic seasonal collections couples the label's most renowned artists and some of the holiday's mostly beloved music. We hear Alex de Grassi, Oysten Sevag, Turtle Island String Quartet, Will Ackerman, and Nightnoise, among others. The varied performances of these artists paint a perfect accompaniment to ...
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So Long So Wrong
(1997)
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by
Alison Krauss & Union Station
After mainstream success happened for Alison Krauss & Union Station, one would have rightly expected a commercial sweetening of their sound, resulting in diminishing (or even abandoning) the simple but very unique thing that brought them into the public eye -- and eventual public acclaim -- in the first place. But the group's first new recording ...
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Sanctuary: 20 Years of Windham Hill
(1996)
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by
Various Artists
Sanctuary: 20 Years of Windham Hill is an excellent sampler of the new age label's history, featuring all of their most famous artists, as well as most of their best-known music. It's an excellent way to become acquainted with the label's history, and it also encapsulates everything Windham Hill was about. ~ Rodney Batdorf, All Music Guide
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I've Got That Old Feeling
(1990)
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by
Alison Krauss
When I've Got That Old Feeling garnered Alison Krauss 1990's Best Bluegrass Recording Grammy, it was an acknowledgement of the talent and poise the former child prodigy had shown through her first three albums. The album's tantalizing blend of tasteful folk and traditional bluegrass certainly deserved the award. But Old Feeling was more important ...
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The Bluegrass Sessions: Tales from the Acoustic Planet, Vol. 2
(1999)
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by
Béla Fleck
As it turns out, the Tales From the Acoustic Planet albums are where Béla Fleck sounds the most comfortable in the '90s. As his jazz fusion records begin to sound played out, his acoustic experimentation and returns to straight-ahead bluegrass sound lively, vibrant, and fresh. As a matter of fact, The Bluegrass Sessions: Tales From the Acoustic ...
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Will the Circle Be Unbroken, Vol. 2
(1972)
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by
The Nitty Gritty Dirt Band
This easily won the Country Music Association's Album of the Year Award, thanks to a stellar cast that includes John Denver, Johnny Cash, the Carter Family, Bruce Hornsby, Ricky Skaggs, Chris Hillman, Roger McGuinn, Rosanne Cash, Steve Wariner, Roy Acuff, Chet Atkins...you get the message. Tracks were all recorded in one "take," with no overdubs, ...
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Music for Two
(2004)
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by
Béla Fleck/Edgar Meyer
Banjo player supreme Béla Fleck and bassist Edgar Meyer make for a fascinating and daring duo, and they appear to be at their best live, as this esoteric disc shows. While there are plenty of original compositions from both pens, they also tackle several pieces by Bach, a wonderful Henry Eccles sonata, and some Miles Davis -- gadding about all ...
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A Very Special Acoustic Christmas
(2003)
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by
Various Artists
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58957: The Bluegrass Guitar Collection
(2003)
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by
Tony Rice
There is no question that the most influential lead guitarist in bluegrass history is the late Clarence White. After that, the arguments start. Who comes next -- Doc Watson? Norman Blake? Dan Crary? While you'll never achieve complete consensus on this point, if you took a vote the chances are very good that the second name in the list of ...
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Ragin' Live
(2005)
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by
Rhonda Vincent and the Rage
This pristinely recorded live album showcases bluegrass sensation Rhonda Vincent and her band, the Rage, in front of a hometown crowd at the Sheldon Concert Hall in St. Louis, MO. Introduced by veteran bluegrass DJ Hank Janney -- who apparently traveled from Gettysburg, PA, just do the honors -- the band rips straight up into a spirited read of ...
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Remedy
(2007)
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by
David Crowder Band
Having given the Christian world an album for the ages in 2005's Collision, David Crowder and co. returned from orbit and set at work to enact a movement of positive change in the world. And who better to lead such a movement than a band that has continually proven its place among the top stars in modern worship? It was obvious prior to Remedy ...
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I Know Who Holds Tomorrow
(1994)
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by
Alison Krauss and The Cox Family
I Know Who Holds Tomorrow isn't as consistently engaging as Every Time You Say Goodbye, but that's only a relative term -- from any other artists, this would be a masterpiece. From Alison Krauss, it's another reliably wonderful collection of jaw-dropping fiddling and breathtaking singing. ~ Thom Owens, All Music Guide
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16 Biggest Hits
(2006)
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by
Keith Whitley
Keith Whitley's tragic bio easily transfers to TV dramas and celebrity gossip. During the '70s he gained a reputation as a skillful musician and singer working with top-notch bluegrass bands including Ralph Stanley and J.D. Crowe, but by the '80s, he made his play for fame and fortune with a traditional country sound. Whitley soon won fame and ...
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