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Magic
(2007)
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Bruce Springsteen
Hailed as Bruce Springsteen's return to rock upon its release in fall 2007, Magic isn't quite as straightforward as that description would have it seem. True, this does mark another reunion with the E Street Band, only his second studio album with the group since 1984's Born in the U.S.A., giving this a rock & roll heft missing from his two ...
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Raising Sand
(2007)
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Robert Plant/Alison Krauss
What seems to be an unlikely pairing in the duo of former -- and future apparently -- Led Zeppelin vocalist Robert Plant and bluegrass superstar Alison Krauss is actually one of the most effortless-sounding pairings in modern popular music. The bridge seems to be producer T-Bone Burnett and the band assembled for this outing: drummer Jay Bellerose ...
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Revival
(2007)
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John Fogerty
Not long after the 2004 release of his fifth solo album, Deja Vu All Over Again, John Fogerty parted ways with DreamWorks -- but perhaps a more important label development for the singer/songwriter was that his old home Fantasy Records, the place where he cut all his classic Creedence Clearwater Revival albums, was sold to Concord Records. He had ...
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At Folsom Prison
(1968)
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Johnny Cash
At Folsom Prison was one of two legendary live albums Johnny Cash recorded in front of a prison audience in the late '60s. Part of the appeal of the records is the way Cash plays to the audience, selecting a set of songs that are all about prison, crime, murder, regret, loss, mother, God, and loneliness. Cash stimulates the audience's emotions, ...
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Goodbye Yellow Brick Road
(1973)
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Elton John
Goodbye Yellow Brick Road was where Elton John's personality began to gather more attention than his music, as it topped the American charts for eight straight weeks. In many ways, the double album was a recap of all the styles and sounds that made John a star. Goodbye Yellow Brick Road is all over the map, beginning with the prog rock epic ...
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Blue
(1971)
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Joni Mitchell
Sad, spare, and beautiful, Blue is the quintessential confessional singer/songwriter album. Forthright and poetic, Joni Mitchell's songs are raw nerves, tales of love and loss (two words with relative meaning here) etched with stunning complexity; even tracks like "All I Want," "My Old Man," and "Carey" -- the brightest, most hopeful moments on ...
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Some Hearts
(2005)
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Carrie Underwood
Given the tightly controlled nature of American Idol, it's a wonder that the televised talent contest has never produced a winner who specialized in country music, since there's no segment of modern popular music that is controlled tighter than contemporary country. Maybe this thought was in the minds of Simon Fuller and the rest of AmIdol's 19 ...
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Harvest
(1972)
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Neil Young
Neil Young's most popular album, Harvest employs a number of jarringly different styles. Much of it is country-tinged, although there is also an acoustic track, a couple of electric guitar-drenched rock performances, and two songs on which Young is accompanied by the London Symphony Orchestra. But the album does have an overall mood and an overall ...
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Shine
(2007)
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Joni Mitchell
Shine, recorded and released in 2007, is the sign from the heavens that Joni Mitchell has come out of retirement. She left in the early part of the century, railing against a music industry that only cared about "golf and rappers," accusing it of virtually every artistic crime under the sun. So the irony that she signed to Hear Music, Starbucks' ...
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1962-1966
(1973)
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The Beatles
Assembling a compilation of the Beatles is a difficult task, not only because they had an enormous number of hits, but also because singles didn't tell the full story; many of their album tracks were as important as the singles, if not more so. The double-album 1962-1966, commonly called The Red Album, does the job surprisingly well, hitting most ...
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Carnival Ride
(2007)
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Carrie Underwood
The pivotal American Idol moment for Carrie Underwood was when she teased her hair to the heavens and sang Heart's "Alone," belting out the power ballad with sincerity and a natural flair for drama. It was the surest sign that Carrie wasn't merely the country star the show gladly pigeonholed her as, that she was a pop star by any measure. Of ...
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It's Not Big It's Large
(2007)
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Lyle Lovett and His Large Band
It's Not Big It's Large, the title of Lyle Lovett's eighth album of original material, harks back to the title of his third album, 1989's Lyle Lovett and His Large Band, the record that definitively signaled that Lovett was a true musical eccentric, as he strayed from the Texas country of his first two albums and wandering into loose-limbed jazz ...
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Modern Times
(2006)
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Bob Dylan
When Bob Dylan dropped Time Out of Mind in 1997, it was a rollicking rockabilly and blues record, full of sad songs about mortality, disappointment, and dissolution. 2001 brought Love and Theft, which was also steeped in stomping blues and other folk forms. It was funny, celebratory in places and biting in others. Dylan has been busy since then: ...
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Let It Be
(1970)
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The Beatles
The only Beatles album to occasion negative, even hostile reviews, there are few other rock records as controversial as Let It Be. First off, several facts need to be explained: although released in May 1970, this was not their final album, but largely recorded in early 1969, way before Abbey Road. Phil Spector was enlisted in early 1970 to do ...
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Bob Dylan's Greatest Hits
(1967)
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Bob Dylan
Arriving in 1967, Greatest Hits does an excellent job of summarizing Dylan's best-known songs from his first seven albums. At just ten songs, it's a little brief, and the song selection may be a little predictable, but that's actually not a bad thing, since this provides a nice sampler for the curious and casual listener, as it boasts standards ...
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Tea for the Tillerman
(1970)
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Cat Stevens
Mona Bone Jakon only began Cat Stevens' comeback. Seven months later, he returned with Tea for the Tillerman, an album in the same chamber-group style, employing the same musicians and producer, but with a far more confident tone. Mona Bone Jakon had been full of references to death, but Tea for the Tillerman was not about dying; it was about ...
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Physical Graffiti
(1975)
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Led Zeppelin
Led Zeppelin returned from a nearly two-year hiatus in 1975 with Physical Graffiti, a sprawling, ambitious double album. Zeppelin treat many of the songs on Physical Graffiti as forays into individual styles, only occasionally synthesizing sounds, notably on the tense, Eastern-influenced "Kashmir." With John Paul Jones' galloping keyboard, ...
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Crosby, Stills & Nash
(1969)
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Crosby, Stills & Nash
The Crosby, Stills & Nash triumvirate shot to immediate superstardom with the release of its self-titled debut LP, a sparkling set immortalizing the group's amazingly close, high harmonies. While elements of the record haven't dated well -- Nash's Eastern-influenced musings on the hit "Marrakesh Express" now seem more than a little silly, while ...
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Help! [UK]
(1965)
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The Beatles
Considering that Help! functions as the Beatles' fifth album and as the soundtrack to their second film -- while filming, they continued to release non-LP singles on a regular basis -- it's not entirely surprising that it still has some of the weariness of Beatles for Sale. Again, they pad the album with covers, but the Bakersfield bounce of "Act ...
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Moondance
(1970)
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Van Morrison
The yang to Astral Weeks' yin, the brilliant Moondance is every bit as much a classic as its predecessor; Van Morrison's first commercially successful solo effort, it retains the previous album's deeply spiritual thrust but transcends its bleak, cathartic intensity to instead explore themes of renewal and redemption. Light, soulful, and jazzy, ...
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After the Gold Rush
(1970)
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Neil Young
In the 15 months between the release of Everybody Knows This Is Nowhere and After the Gold Rush, Neil Young issued a series of recordings in different styles that could have prepared his listeners for the differences between the two LPs. His two compositions on the Crosby, Stills, Nash & Young album Déjà Vu, "Helpless" and "Country Girl," returned ...
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Heavier Things
(2003)
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John Mayer
Don't take the title of John Mayer's Heavier Things literally. Mayer offers nothing heavy on the follow-up to his breakthrough hit, Room for Squares -- nothing heavy in the music and nothing heavy in the lyrics. No, Mayer is smooth, slick, and streamlined on his second or third album (it all depends if you count his 1999 debut, Inside Wants Out, ...
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Hell Freezes Over
(1994)
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Eagles
The album that accompanied The Eagles' much-hyped 1994 reunion highlights everything that made the group popular titans and critical targets through the '70s. Consisting of four new studio tracks and 11 live tracks from an MTV special, Hell Freezes Over is impeccably crafted -- and a little lifeless. The new tracks include "Get over It," a mean ...
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Facing Future
(1993)
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Israel Kamakawiwo'ole
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The Velvet Underground & Nico
(1967)
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The Velvet Underground
One would be hard pressed to name a rock album whose influence has been as broad and pervasive as The Velvet Underground and Nico. While it reportedly took over a decade for the album's sales to crack six figures, glam, punk, new wave, goth, noise, and nearly every other left-of-center rock movement owes an audible debt to this set. While The ...
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