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A Love Supreme
(1964)
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by
John Coltrane
Easily one of the most important records ever made, John Coltrane's A Love Supreme was his pinnacle studio outing that at once compiled all of his innovations from his past, spoke of his current deep spirituality, and also gave a glimpse into the next two and a half years (sadly, those would be his last). Recorded at the end of 1964, Trane's ...
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Birth of the Cool
(1956)
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by
Miles Davis
So dubbed because these three sessions -- two from early 1949, one from March 1950 -- are where the sound known as cool jazz essentially formed, The Birth of the Cool remains one of the defining, pivotal moments in jazz. This is where the elasticity of bop was married with skillful, big-band arrangements and a relaxed, subdued mood that made it ...
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Giant Steps
(1959)
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by
John Coltrane
History will undoubtedly enshrine this disc as a watershed the likes of which may never truly be appreciated. Giant Steps bore the double-edged sword of furthering the cause of the music as well as delivering it to an increasingly mainstream audience. Although this was John Coltrane's debut for Atlantic, he was concurrently performing and ...
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Somethin' Else [RVG Edition]
(1958)
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by
Cannonball Adderley
It isn't too difficult to understand why MFSL considered this album to be a worthy candidate for an Ultradisc reissue -- aside from Cannonball Adderley, you have a lineup that includes Miles Davis, Hank Jones, Sam Jones, and Art Blakey. This is a group that could take on a Barry Manilow number and turn it into a jazz masterpiece. MFSL have done ...
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The Blues and the Abstract Truth
(1961)
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by
Oliver Nelson
As Oliver Nelson is known primarily as a big band leader and arranger, he is lesser known as a saxophonist and organizer of small ensembles. Blues and the Abstract Truth is his triumph as a musician for the aspects of not only defining the sound of an era with his all-time classic "Stolen Moments," but on this recording, assembling one of the most ...
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Ken Burns Jazz: The Story of America's Music
(2000)
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by
Various Artists
In conjunction with documentary filmmaker Ken Burns' ten-part 2000 PBS special, Columbia/Legacy and Verve teamed up to issue a special series of reissues covering much of the history of 20th century jazz. The central release of this program is the five-CD box set Ken Burns Jazz: The Story of America's Music, its 94 selections covering the history ...
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Song for My Father
(1964)
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by
Horace Silver
One of Blue Note's greatest mainstream hard bop dates, Song for My Father is Horace Silver's signature LP and the peak of a discography already studded with classics. Silver was always a master at balancing jumping rhythms with complex harmonies for a unique blend of earthiness and sophistication, and Song for My Father has perhaps the most ...
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Head Hunters
(1973)
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by
Herbie Hancock
Head Hunters was a pivotal point in Herbie Hancock's career, bringing him into the vanguard of jazz fusion. Hancock had pushed avant-garde boundaries on his own albums and with Miles Davis, but he had never devoted himself to the groove as he did on Head Hunters. Drawing heavily from Sly Stone, Curtis Mayfield, and James Brown, Hancock developed ...
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The Best of Ken Burns Jazz
(2000)
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by
Various Artists
In conjunction with documentary filmmaker Ken Burns' ten-part 2000 PBS special, Columbia/Legacy and Verve teamed up to issue a special series of reissues covering much of the history of 20th century jazz. The central release of this program was the five-CD box set Ken Burns Jazz: The Story of America's Music, which was augmented by no less than 22 ...
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Romantic Warrior
(1976)
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Return to Forever
The most popular and successful lineup of Return to Forever -- Chick Corea, Stanley Clarke, Lenny White, and Al Di Meola -- was coming off the Grammy-winning No Mystery when it recorded its third and final album, Romantic Warrior. It has been suggested that in employing a medieval album cover (drawn by Wilson McLean), using titles like "Medieval ...
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Mingus Ah Um [Remastered]
(1959)
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by
Charles Mingus
Charles Mingus' debut for Columbia, Mingus Ah Um is a stunning summation of the bassist's talents and probably the best reference point for beginners. While there's also a strong case for The Black Saint and the Sinner Lady as his best work overall, it lacks Ah Um's immediate accessibility and brilliantly sculpted individual tunes. Mingus' ...
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Finding Forrester
(2000)
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by
Original Soundtrack
The original soundtrack to Finding Forrester, Gus Van Sant's other uplifting mentor/student drama, features a compelling mix of '60s and '70s works from Miles Davis and Ornette Coleman and an original score by Bill Frisell. Davis' "Recollection" and "Little Church" provide two of the album's more reflective moments, while his "Black Satin" and ...
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The Essential Maynard Ferguson
(2007)
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by
Maynard Ferguson
While this two-CD set does cover a lot of the material Maynard Ferguson recorded between the mid-'50s and late '90s, it suffers from a chronological imbalance that keeps it from living up to its title as the "essential" distillation of his work. It's heavily tilted toward his Columbia output, which is understandable given that Columbia/Legacy is ...
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Out to Lunch
(1964)
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by
Eric Dolphy
Out to Lunch stands as Eric Dolphy's magnum opus, an absolute pinnacle of avant-garde jazz in any form or era. Its rhythmic complexity was perhaps unrivaled since Dave Brubeck's Time Out, and its five Dolphy originals -- the jarring Monk tribute "Hat and Beard," the aptly titled "Something Sweet, Something Tender," the weirdly jaunty flute ...
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A Winter's Solstice, Vol. 2
(1986)
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by
Various Artists
Depending on the mood you're in, this compilation album will make you dream, smile, or cry a nostalgic tear. It is a typical Windham Hill sampler: wistful, joyful, lush, and lovely. Most songs stick with piano or string instrumentation, and none of them could ever be classified as up-tempo. A few of the tracks, including "The Gift" and "Sung to ...
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Thelonious Monk Quartet with John Coltrane - At Carnegie Hall
(2005)
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Thelonious Monk/John Coltrane
Larry Appelbaum, the recording lab supervisor at the Library of Congress, came across this tape by accident while transferring the library's tape archive to digital. What a find. Forget the Five Spot recording that sounds like it was recorded inside of a tunnel from the far end. The sound here is wonderfully present and contemporary. More ...
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Bug Music
(1996)
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by
Don Byron
Bug Music is a tribute to the music of the Raymond Scott Quintette, the John Kirby Sextet and Duke Ellington, headed by the remarkably versatile clarinetist Don Byron. Raymond Scott's legendary compositions feature eccentric song titles (including, on this set, "Siberian Sleighride," "Tobacco Auctioneer" and "War Dance for Wooden Indians"), ...
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My Favorite Things
(1961)
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by
John Coltrane
Although seemingly impossible to comprehend, this landmark jazz recording was made in less than three days. All the more remarkable is that the same sessions which yielded My Favorite Things would also inform a majority of the albums Coltrane Plays the Blues, Coltrane's Sound, and Coltrane Legacy. It is easy to understand the appeal that these ...
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Saxophone Colossus
(1956)
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by
Sonny Rollins
Sonny Rollins recorded many memorable sessions during 1954-1958, but Saxophone Colossus is arguably his finest all-around set. Joined by pianist Tommy Flanagan, bassist Doug Watkins, and drummer Max Roach, Rollins debuts and performs the definitive version of "St. Thomas," tears into the chord changes of "Mack the Knife" (here called "Moritat"), ...
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Speak No Evil
(1964)
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by
Wayne Shorter
On his third date for Blue Note within a year, Wayne Shorter changed the bands that played on both Night Dreamer and Juju and came up with not only another winner, but also managed to give critics and jazz fans a different look at him as a saxophonist. Because of his previous associations with McCoy Tyner, Elvin Jones, and Reggie Workman on those ...
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Touch
(1975)
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by
John Klemmer
Better solos and higher energy level than most of Klemmer's albums. This is the best-sounding version. ~ Ron Wynn, All Music Guide
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Tonin'
(1995)
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by
The Manhattan Transfer
The idea on Tonin' was to turn the Manhattan Transfer loose on a baker's dozen of good old 1960s pop and R&B hits in league either with the original artists or prominent guests from that period and beyond. And yes, it's a stellar list, guaranteed to stir warm and fuzzy memories, and the tunes echo the old lament of an earlier age, "They don't ...
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Standard Time, Vol. 3: The Resolution of Romance
(1990)
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by
Wynton Marsalis
On the third of his three standards albums, trumpeter Wynton Marsalis meets up with his father, pianist Ellis Marsalis (along with bassist Reginald Veal and drummer Herlin Riley), for 17 standards and three of his originals (including "In the Court of King Oliver"). Wynton, perhaps because of his father's presence, is very respectful of the ...
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The Köln Concert
(1975)
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by
Keith Jarrett
Recorded in 1975 at the Köln Opera House and released the same year, this disc has, along with its revelatory music, some attendant cultural baggage that is unfair in one sense: Every pot-smoking and dazed and confused college kid -- and a few of the more sophisticated ones in high school -- owned this as one of the truly classic jazz records, ...
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Jazz at Massey Hall
(1953)
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by
The Quintet
The music on this CD features the famous Massey Hall concert which teamed together (for the last time on records) the unbeatable team of altoist Charlie Parker and trumpeter Dizzy Gillespie along with pianist Bud Powell, bassist Charles Mingus, and drummer Max Roach. The full quintet performs six of their standards; listen to Bird burn on "Salt ...
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