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Live Alive
(1986)
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Stevie Ray Vaughan and Double Trouble
Live Alive is a magnificent double-length showcase for Stevie Ray Vaughan's guitar playing, featuring a number of extended jams on a selection of most of the best material from Vaughan's first three albums, plus covers of "Willie the Wimp," "I'm Leaving You (Commit a Crime)," and Stevie Wonder's "Superstition." The album may not be exceptionally ...
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The Real Deal: Greatest Hits, Vol. 2
(1999)
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Stevie Ray Vaughan & Double Trouble
Stevie Ray Vaughan was one of a kind. Even his peers knew so. So many times, people like Eric Clapton and Buddy Guy have spoken publicly about Stevie Ray's gift, and it was a gift. His guitar leads would jet off into the stratosphere, return, reload, and blast off again, time after time. The Real Deal is exactly what it says it is. This is a 16 ...
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Greatest Hits
(1995)
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Stevie Ray Vaughan and Double Trouble
Stevie Ray Vaughan was a great guitarist, but he had trouble making consistent albums. Greatest Hits rectifies that problem by collecting all of his best-known tracks, from "Pride and Joy" to "Crossfire." Not only is it a terrific introduction, it's his most consistent album, demonstrating exactly why he was one of the most important guitarists of ...
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In Step
(1989)
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Stevie Ray Vaughan and Double Trouble
Stevie Ray Vaughan had always been a phenomenal guitarist, but prior to In Step, his songwriting was hit or miss. Even when he wrote a classic modern blues song, it was firmly within the genre's conventions; only on Soul to Soul's exquisite soul-blues "Life Without You" did he attempt to stretch the boundaries of the form. As it turns out, that ...
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Texas Flood
(1983)
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Stevie Ray Vaughan and Double Trouble
It's hard to overestimate the impact Stevie Ray Vaughan's debut, Texas Flood, had upon its release in 1983. At that point, blues was no longer hip, the way it was in the '60s. Texas Flood changed all that, climbing into the Top 40 and spending over half a year on the charts, which was practically unheard of for a blues recording. Vaughan became a ...
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The Sky Is Crying
(1991)
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Stevie Ray Vaughan and Double Trouble
The posthumously assembled ten-track outtakes collection The Sky Is Crying actually proves to be one of Stevie Ray Vaughan's most consistent albums, rivaling In Step as the best outside of the Greatest Hits collection. These songs were recorded in sessions spanning from 1984's Couldn't Stand the Weather to 1989's In Step and were left off of the ...
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The Essential Stevie Ray Vaughan and Double Trouble
(2002)
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Stevie Ray Vaughan and Double Trouble
Epic's The Essential Stevie Ray Vaughan and Double Trouble gathers two discs' worth of the late blues guitarist's work, including many live performances and a few tracks with the Vaughan Brothers. The collection presents Vaughan's material in roughly chronological order, from the 1980 live recording "Shake for Me" to 1989's "Life by the Drop." It ...
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Live at Carnegie Hall
(1997)
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Stevie Ray Vaughan and Double Trouble
Live at Carnegie Hall captures Stevie Ray Vaughan on the supporting tour for his second album, 1984's Couldn't Stand the Weather. The Carnegie Hall concert was a special show, since it was the only time Vaughan and Double Trouble added the brass section from Roomful of Blues to augment their sound; in addition, the concert featured guest ...
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Live Bootleg Series, Vol. 1
(2007)
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Johnny Winter
The most important thing to know about this Live Bootleg Series by Johnny Winter is that these are officially released tapes by him and he produced these recordings. These are not bootlegs in the sense of the word we have used it since the 1960s. That said, on this first volume, Winter goes back into his personal archive and pulls out various ...
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Solos, Sessions & Encores
(2007)
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Stevie Ray Vaughan
Upon first glance, Epic/Legacy's 2007 collection Solos, Sessions & Encores might seem like little more than bottom-of-the-barrel scrapings, the last possible release that could be cobbled together from Stevie Ray Vaughan's plundered vaults. After all, this consists entirely of recordings where SRV was either a guest or a sideman, taking a ...
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Blue Velocity
(2007)
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Chris Duarte
Chris Duarte's name is nearly always mentioned alongside those of the late, great guitar gods Stevie Ray Vaughan and Jimi Hendrix. There is some validity to the comparison, as Duarte does specialize in that high-octane, lightning-bright, raw but intelligent brand of playing that Hendrix and Vaughan had so definitively put their names on, and he ...
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Second Winter [Legacy Edition]
(2004)
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Johnny Winter
Second Winter, Johnny Winter's second album for Columbia, originally had the distinction of being the only album in rock history that was a three-sided double LP. Musically, 35 years after its original release, Second Winter is still an oddity. Issued by Sony's Legacy division, the set has been painstakingly remastered, and expanded by bonus cuts ...
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A Tribute to Stevie Ray Vaughan
(1996)
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Various Artists
Unlike most tribute albums from the '90s, A Tribute to Stevie Ray Vaughan isn't a lifeless collection of piecemeal studio performances -- it's a fiery, living tribute, which is only fitting for a guitarist who shone intensely and brightly during his brief life. Recorded live in Stevie Ray's hometown of Austin, TX, the album features many of ...
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Johnny Winter [Expanded]
(2004)
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Johnny Winter
Sony Legacy's remastered and expanded reissue of Johnny Winter's self-produced debut album for Columbia Records -- recorded in 1969 -- is nothing short of a revelation. Unlike most of his peers, who purposefully wed blues to rock and made it palatable to pop audiences, Winter's approach to the blues was pure and savage. He approached rock & roll ...
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Couldn't Stand the Weather
(1984)
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Stevie Ray Vaughan and Double Trouble
Stevie Ray Vaughan's second album, Couldn't Stand the Weather, pretty much did everything a second album should do: it confirmed that the acclaimed debut was no fluke, while matching, if not bettering, the sales of its predecessor, thereby cementing Vaughan's status as a giant of modern blues. So why does it feel like a letdown? Perhaps because it ...
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Second Winter
(1969)
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Johnny Winter
Johnny's second Columbia album shows an artist in transition. He's still obviously a Texas bluesman, recording in the same trio format that he left Dallas with. But his music is moving toward the more rock & roll sounds he would go on to create. The opener, "Memory Pain," moves him into psychedelic blues-rock territory, while old-time rockers like ...
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Still Alive and Well
(1973)
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Johnny Winter
Still Alive and Well proved to the record buying public that Johnny Winter was both. This is a truly enjoyable album, chock full of great tunes played well. Johnny's version of the Rolling Stones' "Silver Train" shows us the potential this song has and what the Stones failed to capture. Everything here is good, so get it and dig in. James ...
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Showdown!
(1985)
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Albert Collins/Robert Cray/Johnny Copeland
Most of the original "blues summit" and blues "supergroup" type gatherings, which were done at Chess Records, were musically pointless affairs, mostly because the artists involved really didn't like the idea behind the albums being recorded or the company they were forced to keep during the recording process. What makes Showdown! work is that the ...
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Strange Pleasure
(1995)
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Jimmie Vaughan
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Cold Snap
(1986)
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Albert Collins
A more polished uptown sound, it features Jimmy McGriff on organ. Bill Dahl, All Music Guide
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Soul to Soul
(1985)
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Stevie Ray Vaughan and Double Trouble
By adding two members to Double Trouble -- keyboardist Reese Wynans and saxophonist Joe Sublett -- Stevie Ray Vaughan indicated he wanted to add soul and R&B inflections to his basic blues sound, and Soul to Soul does exactly that. It's still a modern blues album, yet it has a wider sonic palette, finding Vaughan fusing a variety of blues, rock, ...
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In the Beginning
(1992)
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Stevie Ray Vaughan and Double Trouble
This 1980 live broadcast from Austin, TX captures a young Stevie Vaughan (he had yet to become Stevie Ray) blasting the hometown crowd with a style that was already very well-formed. With Chris Layton on drums and bassist Jackie Newhouse (Tommy Shannon would join up a year later), his basic sound was already in place, albeit still in need of some ...
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Frostbite
(1980)
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Albert Collins
Frostbite was the first indication that Albert Collins' Alligator albums were going to follow something of a formula. The album replicated all of the styles and sounds of Ice Pickin', but the music lacked the power of its predecessor. Nevertheless, there was a wealth of fine playing on the album, even if the quality of the songs themselves is ...
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The Progressive Blues Experiment
(1969)
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Johnny Winter
Although his early Columbia albums brought him worldwide stardom, it was this modest little album (first released on Imperial before the Columbia sides) that first brought Johnny Winter to the attention of guitarheads in America. It's also Winter at the beginning of a long career, playing the blues as if his life depends on it, without applying a ...
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Let Me In
(1991)
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Johnny Winter
Let Me In is a star-studded all-blues set from Johnny Winter, featuring cameos from Dr. John, Albert Collins, and several others. Though the set focuses on blues material, Winters can never leave his rock roots behind -- the sheer volume and pile-driving energy of his performances ensures that. For most of the record, his enthusiasm is contagious, ...
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