It's hard to overestimate the impact Stevie Ray Vaughan's debut, Texas Flood, had upon its release in 1983. At that point, blues was no longer hip, the way it was in the '60s. Texas Flood changed all that, climbing into the Top 40 and spending over half a year on the charts, which was practically unheard of for a blues recording. Vaughan became a ...
Keep It Simple is a mantra for Van Morrison, as he stripped his music down to the bare basics years ago and then comfortably rode that groove, comprised in equal parts of blues, soul, jazz, and country. Van has been riding this groove so long that it's hard to pinpoint exactly when he settled into it, but looking back, things started to shift in ...
Like peers Kenny Wayne Shepherd and Chris Duarte, Jonny Lang is a technically gifted blues guitarist, capable of spitting out accomplished licks and riffs at an astonishingly rapid rate, which he indeed boasts on Lie to Me. ~ Stephen Thomas Erlewine, All Music Guide
You would never guess from Kenny Wayne Shepherd's fiery playing that the guitarist is still only in his teens. On his debut, Ledbetter Heights, Shepherd burns through a set of rather generic blues-rock ravers that are made special by his exceptional technique. It may still be a while before he says something original, but he plays with style, ...
At the beginning of his career, Keb' Mo' appeared to be a clever update of the acoustic bluesman, one that managed to recall country-blues but offer a contemporary spin on tradition -- sort of like a '90s version of Taj Mahal. With each new album, however, it became clear that authenticity was not a concept that troubled Keb' Mo'. He was more ...
Instead of breaking from his high-energy, high-voltage blues-rock, Kenny Wayne Shepherd offers more of the same on his second album, Trouble Is... While the record lacks the surprise and impact of Ledbetter Heights, it's clear that Shepherd is growing as a guitarist, developing a cleaner, more nuanced technique. He still suffers from the lack of ...
Keb' Mo's self-titled debut is an edgy, ambitious collection of gritty country blues. Keb' Mo' pushes into new directions, trying to incorporate some of the sensibilites of the slacker revolution without losing touch of the tradition that makes the blues the breathing, vital art form it is. His attempts aren't always successful, but his gutsy ...
Keb' Mo' is less a blues singer than a performer who works from that conceptual base, not in the way Taj Mahal does, knowingly carrying a tradition forward, half teacher and wise elder, but more as a populist, the James Taylor of blues, say, or a less recalcitrant J.J. Cale. To criticize him for not being Skip James or Robert Johnson sort of ...
Stevie Ray Vaughan was a great guitarist, but he had trouble making consistent albums. Greatest Hits rectifies that problem by collecting all of his best-known tracks, from "Pride and Joy" to "Crossfire." Not only is it a terrific introduction, it's his most consistent album, demonstrating exactly why he was one of the most important guitarists of ...
Stevie Ray Vaughan had always been a phenomenal guitarist, but prior to In Step, his songwriting was hit or miss. Even when he wrote a classic modern blues song, it was firmly within the genre's conventions; only on Soul to Soul's exquisite soul-blues "Life Without You" did he attempt to stretch the boundaries of the form. As it turns out, that ...
10 Days Out may well be Kenny Wayne Shepherd's most important and intriguing album, even though the guitarist is hardly the featured artist on any of these tracks, working instead more as a sideman and facilitator for the impressive cast of venerable blues players who get a chance to shine here. Make no mistake about it, this recording belongs to ...
The set that made Cray a pop star, despite its enduring blues base. Cray's smoldering stance on "Smoking Gun" and "Right Next Door" rendered him the first sex symbol to emerge from the blues field in decades, but it was his innovative expansion of the genre itself that makes this album a genuine 1980s classic. "Nothing but a Woman" boasts an ...
On 2003's Long Time Coming, Jonny Lang made the first turn from his rap as an itinerant blues-rocker to being a spiritually inspired rock and pop songwriter. Producer Marti Frederiksen took Lang's tunes and glossed them to the breaking point, leaving the album an unfocused, gobbledygook set of songs that had no center. Three years later, Lang ...
Ten years after his first all-blues album, From the Cradle, Eric Clapton released Me and Mr. Johnson, an album-length tribute to his hero, the legendary bluesman Robert Johnson. Not that this is the first time Clapton has paid tribute to Johnson. Throughout his career, Clapton has not only drawn on Johnson for inspiration, but he has covered his ...
You Don't Know My Mind brings back the familiar, friendly growl of modern-day traditionalist Guy Davis, with a pipin' hot baker's dozen of his compositions. Again, on this disc Davis has some extremely able players to help augment his songs and support his vision of them, never overplaying or getting in the way, but providing that constant base of ...
On her first outing in three years and her freshman offering for Verve's Forecast label, Susan Tedeschi digs deep into the soul and R&B fakebook for inspiration and comes out a winner. With an all-star band that includes guitarist Doyle Bramhall II, pianist David Palmer, organist Jebin Bruni, bassist Paul Bryan, drummer Jay Bellerose, and guests ...
After 35 years and the release of over 2800 contemporary blues tracks, it's safe to say that Bruce Iglauer's Alligator Records is the world's premier blues label, particularly if sheer numbers are factored in, and while the label's releases tend to sound mind-numbingly similar sometimes, this two-disc overview of Alligator's history shows how much ...
On Suitcase, his eighth studio release, Keb' Mo' (Kevin Moore) reunites with John Porter, the producer of Moore's critically lauded first album, and the result is a pleasant, midtempo suite of songs dedicated to the emotional baggage everyone carries with them as they plow through increasingly complicated lives in search of peace, love, and some ...
Otis Taylor can make people nervous. His take on the blues is defiant, angry, aggressive, and confrontational, owing as much to Peter Tosh as Charley Patton. Although he carries the dust of 1920s country blues in his mostly acoustic songs, his railings against social injustices are thoroughly contemporary. Taylor is an often pedantic songwriter, ...
Robert Cray's musical strengths, which include an economic, elegant and melodic guitar approach and a soulful and unthreatening vocal style, have led many blues purists to question his authenticity in the genre, but to his credit, Cray has ignored all that and fashioned an approachable legacy that treats the blues as a vital ingredient in a kind ...
New England blues guitarist Ronnie Earl has spent his recording career, which began in 1979 when he replaced Duke Robillard in Roomful of Blues, flirting with his own hybrid brand of blues/jazz/R&B, and his elegant solos on guitar always seem on the edge of breaking out into a whole new category, although they never quite do, and he remains an ...
Five years separate Live On and its successor, The Place You're In, and the time allowed Kenny Wayne Shepherd to grow as both an artist and as an individual. He's not only writing the majority of his material, he's singing most of it as well. His guitar playing has become more nuanced, and he's moved squarely into the world of album rock from his ...
The very idea of a lady slinging a guitar sets traditional blues fans swooning. But with the release of her debut, Susan Tedeschi slings, aims, and hits her target. What a talent! Singer, songwriter, player, performer, and more, the lady from Boston can do it all. Effective, she does justice to John Prine's classic "Angel from Montgomery" while ...
When reviewers heard teen-aged Jonny Lang's debut album of 1997, Lie to Me, many of them commented on how mature the blues singer/guitarist sounded for his age. Similarly, Lang's second album, Wander This World, often sounds like it could have been the work of a man of 30. With David Z. (known for his work with Prince) producing, the Midwesterner ...
It's evident right from the start that Robert Cray's aiming for a Memphis soul groove on Take Your Shoes Off. Willie Mitchell of Hi Records fame co-wrote and did the horn arrangements for the lead-off cut, "Love Gone to Waste," and Jim Pugh's burbling organ would have fit snugly into the mix of an early '70s Al Green record. The blues is not ...
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