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Nixon in China
(1995)
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by
John Adams
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And Their Refinement of the Decline
(2007)
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by
Stars of the Lid
After the near symphonic exercise of engaging the void that was Tired Sounds of Stars of the Lid in 2001, it was hard to believe there was anything left to do. Wrong. Brian McBride and Adam Wiltzie emerged from the studio in early 2007 with the equally huge And Their Refinement of the Decline. The notion of symphonic here is, without doubt, still ...
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Bang on a Can Classics
(2002)
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Bang on a Can
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Cranial Pavement
(2005)
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by
Icebreaker
The distressed young lady depicted in Carla Leighton's cover art, recalling the comic book-derived imagery of early-'60s Lichtenstein, might suggest that listeners to this CD would be in for a severe sonic bludgeoning. The truth is, though, that nothing here approaches the extreme pounding administered by Icebreaker in their rendition of Louis ...
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Advent
(1990)
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by
Richard Youngs
Advent was originally privately self-released in 1990 in an LP edition of 300, then reissued on CD by Table of the Elements, where it quickly went out of print. Since that time, it has become a legendary example of experimental music-making. It is finally presented again by Canada's Jagjaguwar label with a new essay by Richard Youngs. On the three ...
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Gigantic Dancing Human Machine
(2002)
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by
Bang on a Can
Bang on a Can invite you to "Meet the Hocketers" on this CD compilation featuring three works by Dutch avant modern classical composer Louis Andriessen. Reissuing two Andriessen pieces from Bang on a Can's 1995 Industry CD -- "Hout" and "Hoketus" -- and adding a recording of "Workers' Union" from a 2002 WNYC live radio broadcast, Gigantic Dancing ...
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Triste
(2005)
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by
Oren Ambarchi
Skeptics may ask -- not unjustifiably -- why it is that forward-thinking guitarist Oren Ambarchi should be hailed as some sort of genius for a work such as 2005's two-part Triste, which, it would seem, consists of nothing more than improvised minimalist experiments with seemingly disconnected notes and tones. Originally performed before a live ...
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Fog Tropes/Gradual Requiem
(1990)
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by
Ingram Marshall
Composed for brass sextet, fog horns and ambient textures, Marshall's "Fog Tropes" stands in sharp contrast to his "Gradual Requiem," a piece typified by the use of tremelando effects on its mandolins and keyboards. It also employs the gambuh, an end-blown flute descended from Bali. Jason Ankeny, All Music Guide
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Trance [2005]
(2005)
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by
Michael Gordon/Icebreaker
The 1995 recording of Trance was a wolf in sheep's clothing; the title might suggest zoning out and floating away in a sea of cascading post-minimalist repetitions and spacy ambience, but the music was actually much harder-edged. Aside from a few comparatively understated interludes and the ominous and spacy "Trance Drone" with its vocal chant ...
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Selections from the Symphonies (Works for Electric Guitar)
(1996)
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by
Glenn Branca
This compilation album offers excerpts from Glenn Branca's second, third, fifth, sixth, eighth, and tenth symphonies. The tracks have been selected among Branca's loudest and noisiest works, representing his best writing for walls of electric guitars. The hardcore fan will not find anything new (all the material is already available), but the ...
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RéR Quarterly, Vol. 4, No. 2
(1997)
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by
Various Artists
The ReR Quarterly began as an LP and magazine in 1984. The artists featured in this issue are included in this bonus cd which was packaged with the magazine. Among the highligts are the East Coast environmental sounds that create a soundscape backdrop for Tom DiMuzio's "Inception." Marie Goyette updates one of the three B's in "Short-Cuts: Brahms. ...
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Stolen Memories
(1996)
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by
Guy Klucevsek
World-renowned master accordionist Guy Klucevsek joins with the string trio Bantam Orchestra on his original compositions, some of which were commissioned for dance companies. The album opens with a breathing, dirge-like piece, followed by one with more of a gypsy feel. "Wave Hill" is peaceful, with an overlapping, repeating melody -- a seeming ...
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Matrix
(2000)
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by
Ryoji Ikeda
Some records are designed to provide a peculiar listening experience. You won't listen to Matrix very often (at least not the first CD -- chances are you'll listen to it only once), but you might be glad you did. Disc one contains "Matrix (For Rooms)," a 60-minute piece. The concept is simple: the two stereo channels are completely separated, each ...
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Object 1
(2003)
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by
Axel Dorner/Fred Lonberg-Holm
Recorded at Chicago's Truckstop and partnered by local cellist Fred Lonberg-Holm, German trumpeter Axel Dörner once more reveals his prodigious extended technique on his Holton slide instrument. Both the music and the predominantly white booklet and tray here recall the austere productions of the Japanese Meme and the French A Bruit Secret labels ...
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Playthroughs
(2002)
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by
Keith Fullerton Whitman
The first full album that prolific, multifaceted electronic composer Keith Fullerton Whitman released under his birth name (following 2001's 21:30 for Acoustic Guitar, but also several releases by his breakcore/drill'n'bass alias Hrvĺtski, among others) contains five similar-sounding, decidedly minimal extended drone pieces. The entire album ...
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Dartmouth Street Underpass
(2003)
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by
Keith Fullerton Whitman
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Faux-Jumeaux
(2002)
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by
Pierre-Yves Macé
Pierre Yves-Mace is a remarkably young (born in 1980) French composer. Faux-Jumeaux is his first release, though he has been on the scene for sometime as pro-rock improviser, and as the composer of many works for theater and film. All of Mace's works are for small ensembles that employ myriad percussion instruments -- vibes, cymbals, gongs, chimes ...
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New Oakland Burr
(2004)
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by
John Butcher & Gino Robair
For some, percussion is the art of rhythm. For Gino Robair, it is the art of resonance. Be it bowing a cymbal, setting a snare drum into motion with an E-Bow or a motor, or even playing a "faux dax" (a variation on Hans Reichel's daxophone), Robair's art is here in a class of its own, far removed from the application of hand or stick to skin -- or ...
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Flypaper
(2004)
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by
Oren Ambarchi/Keith Rowe
Guitarists Keith Rowe and Oren Ambarchi have collaborated on a number of occasions in recent years, on the Grob releases Honey Pie (with Robbie Avenaim) and Thumb (with Avenaim, Sachiko M, and Otomo Yoshihide) and more recently on the Erstwhile double-CD Cloud with 4G -- aka the Four Gentlemen of the Guitar (the other two being Toshimaru Nakamura ...
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Grapes from the Estate
(2004)
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by
Oren Ambarchi
Proceeding from Suspension and informed by Oren Ambarchi's work in the song-based group Sun, Grapes from the Estate adds yet another beautiful installment to his growing discography. Definitely of the same lineage as the guitarist's previous albums for Touch, this one sees him perfect his art -- the four pieces sound purer and even more focused -- ...
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Abendland
(1997)
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by
Gianfranco Pernaiachi
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Mutaciónes
(2004)
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by
Ernesto Martínez
Mexican-born 21st century composer Ernesto Martínez was a friend and protégé of Conlon Nancarrow, and it clearly shows in this music, performed in various combinations by Martínez himself and the two other members of his Micro Rítmia trio, and featuring acoustic pianos, guitars, and marimbas. While easily as technically challenging as Nancarrow's ...
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Reconnaissance
(2000)
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by
Oren Ambarchi/Martin Ng
There is an aura of nostalgia surrounding Oren Ambarchi and Martin Ng's Reconnaissance. The analog electronics, stripped-down aesthetics, and the lines and geometrical shapes in Tina Frank's artwork are taken right out of the early days of minimalism and sound art (especially Alvin Lucier). Ng's analog tones and Ambarchi's guitar are literally ...
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Scene from Hellek
(2005)
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by
Rami Khalife
Pianist Rami Khalife is the son of master oud player Marcel Khalife, but plays nothing like his father. Far removed from world, Arabic or Middle Eastern musics, the acoustic keyboardist is more akin to modern spontaneous pianists like Cecil Taylor, Misha Mengelberg, Fred VanHove, Charlemagne Palestine, or Denman Maroney. While not quite the hyper ...
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Thing to Live With
(2007)
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by
Fond of Tigers
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