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Solo Piano
(1989)
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by
Philip Glass
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John Rutter Christmas Album
(2002)
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by
Cambridge Singers/City of London Sinfonia/John Rutter
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Music for 18 Musicians
(1998)
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by
Steve Reich & Ensemble Modern
After Reich's initial experiments with phase music, he moved on to exploring pulse -- music that had no relation to melody, but would repeat phrases of either one or several notes, increasing then decreasing in volume as long as the musician had the stamina. When repeated with several musicians playing around one key and starting them off at ...
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Music Romance, Vol. 2: Taboo & Exile
(1999)
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by
John Zorn
Like the first volume of the series, Music Romance, Volume Two: Taboo and Exile deals with issues of lost innocence. The first of the Music Romance series had more overt references to childhood, with lengthy literary references and a title which gave it all away: Music for Children. Here the images are a little bit more subtle and a lot darker. ...
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Threepenny Opera [RCA]
(1999)
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by
Kurt Weill/Raabe/Gruber/Hagen/Ensemble Modern
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Celebration (Christmas Fanfares & Carols)
(1991)
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by
Various Artists
Celebration (Christmas Fanfares & Carols) is a collection of carols and readings performed by the BBC Welsh Choir. This is a recording from a BBC broadcast but, despite being a live recording, it sounds great. The choir is marvelous, performing beautiful renditions that reflect the ethereal nature of these songs. The readings (by Aled Jones) are ...
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Lumpy Gravy
(1968)
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by
Frank Zappa
Lumpy Gravy, Frank Zappa's first solo album, was released months before the Mothers of Invention's third LP (even though its back cover asked the question: "Is this phase two of We're Only in It for the Money?") and both were conceptualized and recorded at the same time. We're Only in It for the Money became a song-oriented anti-flower power album ...
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Litany
(1996)
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by
Arvo Pärt
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Requiem
(1997)
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by
John Rutter & Turtle Crew
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A Clockwork Orange
(1972)
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by
Wendy Carlos
Even before Carlos knew of a film project concerning A Clockwork Orange, the composer had begun work on a composition (Timesteps) based on the book. It's the best piece of music in the score (and one of the most famed in the early history of electronic music), fitting in well next to late-'60s minimalist works by Terry Riley as well as the ...
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Requiem for Adam
(2001)
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by
Terry Riley & The Kronos Quartet
This may be the single most powerful piece of music that the Kronos Quartet has ever recorded, and perhaps that Terry Riley has ever written. This is because Requiem for Adam is so personal, so direct, and experiential. Requiem for Adam was written after the death of Kronos violinist David Harrignton's son. He died, in 1995, at the age of 16, from ...
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Ahn-Plugged
(2000)
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by
Ahn Trio
This eclectic collection spotlights the talents of these three Ahn sisters, all virtuosos on their respective instruments. Pieces range from the stuffy highbrow (like Bernstein's "Trio for Violin, Cello, and Piano") to the pop instrumental (specifically, Eric Awazen's "Diamond World"). Augmented on many tracks by percussionists Matthew Gold and ...
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Olde English Madrigals & Folk Songs at Ely Cathedral
(1984)
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by
John Rutter & The Cambridge Singers
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Burnt Weeny Sandwich
(1970)
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by
The Mothers of Invention
Burnt Weeny Sandwich is the first of two albums by the Mothers of Invention that Frank Zappa released in 1970, after he had disbanded the original lineup. While Weasels Ripped My Flesh focuses on complex material and improvised stage madness, this collection of studio and live recordings summarizes the leader's various interests and influences at ...
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More Moondog/The Story of Moondog
(1992)
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by
Moondog
CD re-issues of two lp's on the Prestige label from 1956 and 1957. Moondog on the street and everywhere else. The sources in everyday life with music and life blending as a whole. A soundtrack to spur the imagination. Contains: Softshoe and Hardshoe (7/4), a duet with The Queen Elizabeth Whistle And Bamboo Pipe, Ostrich Feathers Played on Drums, ...
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Elegy
(1995)
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by
John Zorn
Another smeared blossoming testament to the off-color and highly obtuse genius of John Zorn. A mostly minimalist and sparse landscape of sheer terror and spine-ripping controlled noise explosion. One of the highlights of the album is its wealth of renowned guest artists, most recognizably including Mike Patton and Trey Spruance of Mr. Bungle fame ...
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Gershwin: Complete Works for Piano and Orchestra
(1999)
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by
EOS Orchestra of New York/Michael Boriskin
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Semi-Formal
(2005)
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by
The Claudia Quintet
The Claudia Quintet utilize unusual rhythmic patterns, creative repetitions, and such instruments as accordion, vibes, and clarinet to create a dramatic set of music. As much a soundtrack for a nonexistent movie as it is a jazz set, the music on Semi-Formal is quite cinematic, moody, and thoroughly intriguing. Although some of the individual ...
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Groovebox
(2002)
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by
Ahn Trio
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György Kurtág: Játékok
(2000)
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by
Gyorgy Kurtag
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Ulysses' Gaze
(1995)
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by
Eleni Karaindrou
Eleni Karaindrou's long, fruitful partnership with Greek filmmaker Theo Angelopoulos has given birth to several scores for his award-winning films. However, perhaps no previous Karaindrou score contains the evocative power of her compositions for Ulysses' Gaze, the film about memory, artistic quests, and war that won the Grand Prix du Jury at the ...
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The Desert Music
(1985)
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by
Steve Reich
This hour-long work, commissioned by West German Radio and the Brooklyn Academy of Music, marks a transitional period for Reich. Based in the rhythmic pulse of Music for 18 Musicians, he adds a text by William Carlos Williams (sung by a full chorus), uses the more traditional sounds of a full orchestra (strings and brass are suddenly prominent), ...
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ER
(2005)
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by
Nils Petter Molvćr
Norwegian trumpeter Nils Petter Molvćr made his small mark on fans and critics alike in the United States with his fine pair of ECM recordings. After a couple of years working in Europe, he returned to the release scene in the U.S. with An American Compilation in June of 2006. That disc was a selection of tracks from this album, his remix disc, ...
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Feel the Spirit
(2001)
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by
John Rutter
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Vladimír Godár: Mater
(2006)
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by
Iva Bittová
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