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Boxer
(2007)
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The National
The National don't do anything radically different on Boxer, but then again, they don't really need to: their literate, quietly anthemic take on indie rock seemed to have arrived fully formed on their 2001 self-titled debut. Boxer just hones in even more precisely and intimately on the heartfelt territory the band covers, with punchy-yet-polished ...
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Alligator
(2005)
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The National
The National may sound like a garage band turned down, but there's as much primal energy lurking behind Alligator as in any mop-topped group of city kids with bloodstained Danelectros in a dusty warehouse. While Matt Berninger's lyrics and conversational delivery rely heavily on the kind of literate self-absorption that fuels so much of the indie ...
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Sad Songs for Dirty Lovers
(2003)
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by
The National
For a band that's been compared to Joy Division, Leonard Cohen, Wilco, and Nick Cave & the Bad Seeds, the National sure sounds a lot more like the Czars or Uncle Tupelo on this sophomore album Sad Songs for Dirty Lovers. Where the band might lack Joy Division's angular fury, Cohen's existentialism, and Cave's vampiric attack, vocalist Matt ...
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The National
(2001)
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The National
This Ohio-based band strikes a lush, adorable balance between the country-pop of bands such as Jayhawks and Golden Smog and the gloomy, depressing crooning of Tom Waits. Lead singer Matt Berninger manages to transcend leveling the fine background with some reflection and introspection on "Cold Girl Fever" and "Watching You Well." The country hues ...
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Cherry Tree
(2004)
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by
The National
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Penderecki: Orchestral Works, Vol. 2
(2000)
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by
The National Polish Symphony Orchestra in Katowice, Antoni Wit (conductor)
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Psycho [1975]
(1975)
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by
Bernard Herrmann & the National Philharmonic Orchestra
Performed by The National Philharmonic Orchestra conducted by the composer. An early champion of new music, conducting premieres of several Charles Ives scores in the 30's, Herrmann completely changed the idea of the filmscore from heavily operatic and kitschy "incidental music" to using only the barest of melody-like gestures or patterns in pure ...
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Dekkagar
(2002)
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by
The National Trust
Given the seemingly haphazard trajectory of National Trust main man Neil Rosario's past efforts in woozy noise-blues outfits like Dolemite and Red Red Meat, Dekkagar isn't just surprising, it's damn near revelatory -- a sumptuously symphonic soul record echoing the classic Philly sound (with hints of Shuggie Otis-styled psychedelia, vintage Prince ...
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Kings and Queens
(2006)
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by
The National Trust
A much more elaborate and slicker production than 2002's Dekkagar, the National Trust's second album involves a supporting cast numbering in the thirties. The help includes session bassist Charles Hosch (the Emotions, Teddy Pendergrass), engineer Abel Garabaldi (R. Kelly, Ciara), and an eight-piece horn section called Hypnotic (all members are the ...
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Does the Moment Ever Come?
(1999)
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by
Graham Bickley & the National Symphony Orchestra
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Total Recall
(1990)
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by
Jerry Goldsmith & the National Philharmonic Orchestra
This Jerry Goldsmith soundtrack release is worth extended attention. The album is pulsingly rhythmic from the start, beginning with syncopation driven by whipcrack percussion and a clock-precise digital synthesizer pulse, on which Goldsmith builds ascending orchestra chords that sneakily reference Mars from Holst's The Planets without utterly ...
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Penderecki: Orchestral Works Vol.3
(2000)
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by
The National Polish Symphony Orchestra in Katowice, Antoni Wit (conductor)
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Glorious
(1993)
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by
Larry Dalton And The National Philharmonic Orchestra Of London
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The Very Best of Boris Christoff
(2005)
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by
Alexandre Labinsky (piano), Anna Alexieva (mezzo-soprano), Boris Christoff (bass), Gaston Marchesini (cello), Nicolai Gedda (tenor), Victoria de Los Angeles (soprano), Chorus of the National Opera (choir, chorus)
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Puccini: Tosca
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by
Franco Corelli (vocals), Oliveira Lopes (vocals), Radmila Bakocevic (vocals), Sesto Bruscantini (vocals), Orchestra of the National Theatre of St. Carlos, Lisboa, Oliviero de Fabritiis (conductor)
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Bartók: Violin Concertos Nos. 1 & 2
(1999)
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by
Gyorgy Pauk (violin), The National Polish Symphony Orchestra in Katowice, Antoni Wit (conductor)
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Santa Claus, The Movie [Original Soundtrack]
(1985)
by
Henry Mancini & the National Philharmonic Orchestra
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Korean Court Music
(1993)
by
Orchestra of the National Music Institute
Part of Lyrichord's never-ending mission to showcase every music culture possible, this collection of Korean Court Music was released, presumably in 1991. All of the music here is of the Confucian style, A-ak (as opposed to the Tang style, Tan-ak, or the Native Korean Yan-ak), as only the Confucian style of court music is still practiced. The ...
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Civil War 2 : The Union
(1991)
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by
Richard Bales and the National Gallery Orchestra
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The National Bank
(2004)
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by
The National Bank
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Joseph Jongen: Impressions d'Ardennes; Concerto pour Violoncelle; Fantaisie
(2002)
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by
Marie Hallynck (violoncello), The National Orchestra of Belgium, Roman Kofman (conductor)
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Wojciech Kilar: Tryptyk / The Triptych
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by
Izabella Klosinska (soprano), Warsaw Philharmonic Chorus (choir, chorus), The National Polish Symphony Orchestra in Katowice, Antoni Wit (conductor)
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Gounod: Faust
(2006)
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by
Dimiter Tzolov (vocals), Georgi Genov (vocals), Ilija Jossifov (vocals), Katja Popova (vocals), Marie Krekorova (vocals), Nadia Bardarova (vocals), Nicolai Ghiaurov (vocals), Nikolai Vassiliev (vocals), Petko Marinov (vocals)
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Come on Over to the Other Side
(2008)
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by
The National Bank
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Can't Stop Casper Adams
(2000)
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by
The National Acrobat
There is something loud out of Louisville, something exploding out of the Appalachians with a tumbling rumble -- it's the National Acrobat. A few years after their inception, this group released a CD that starts out like concentrated hardcore, turns post-progressive mathy, and culminates in a paroxysm of cacophony and sampled conversation. ...
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