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Obrigado Brazil
(2003)
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by
Yo-Yo Ma
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Soul of the Tango: The Music of Astor Piazzolla
(1998)
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Yo-Yo Ma
Inspired by a general love of the tango, and more specifically the tango of Astor Piazzolla, on the part of Yo-Yo Ma, the Soul of the Tango album is a masterful work of the nuevo tango, played by Ma's cello and many of Piazzolla's former associates. Piazzolla's old guitarists Sergio and Odair Assad even showed up to work on a pair of tracks ...
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Appalachian Journey
(2000)
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by
Yo-Yo Ma/Edgar Meyer/Mark O'Connor
The follow-up album to the highly successful Appalachia Waltz collaboration, Appalachian Journey continues the combination of classical music with Appalachian, bluegrass, and American roots music in general. Yo-Yo Ma, alongside violinist Mark O'Connor and bass player Edgar Meyer, runs through a number of original compositions fusing the traditions ...
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Appalachia Waltz
(1996)
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by
Yo-Yo Ma/Edgar Meyer/Mark O'Connor
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J. S. Bach: The 6 Unaccompanied Cello Suites
(2006)
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by
Yo-Yo Ma (cello)
Yo-Yo Ma recorded J.S. Bach's Six Unaccompanied Cello Suites on two occasions, first for release on LP in 1983, then again in 1998 on CD. It is the 1983 recording that is presented in Sony's Great Performances line, and the original digital recordings have been processed through direct stream digital to enhance the cello's sound with greater ...
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Plays Ennio Morricone
(2004)
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by
Yo-Yo Ma/Ennio Morricone
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Silk Road Journeys: When Strangers Meet
(2002)
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by
Yo-Yo Ma & the Silk Road Ensemble
Recorded as part of the ongoing Silk Road Project, Silk Road Journeys brings together composers from the elusive, ancient Silk Road that crosses from China to the Middle East with musicians from both West and East. It's both ambitious and daring, two qualities that have been trademarks of Yo-Yo Ma's career. For its modernity and mix of Asian and ...
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Vivaldi's Cello
(2004)
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by
Alfredo Bernardini (baroque oboe), Jonathan Manson (baroque cello), Katherine McGillivray (viola d'amore), Margaret Faultless (baroque violin), Michel Henry (baroque oboe), Mike Fentross (lute), Ton Koopman (organ), Ton Koopman (harpsichord)
There are people who buy everything Yo-Yo Ma releases, and that's a good thing: his incessant musical curiosity and his ability to carry his audience with him constitute a true bright spot in today's classical music scene. Fans of the two Simply Baroque discs Ma recorded with Ton Koopman and the Amsterdam Baroque Orchestra will find much to like ...
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Classic Yo-Yo
(2001)
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by
Yo-Yo Ma
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Sergei Rachmaninoff: Greatest Hits
(1994)
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by
Duo Tal & Groethuysen, Emanuel Ax (piano), Philippe Entremont (piano), Ruth Laredo (piano), Tchaikovsky Chamber Orchestra, Vladimir Feltsman (piano), Yefim Bronfman (piano), Yo-Yo Ma (cello)
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Hush
(1992)
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by
Yo-Yo Ma/Bobby McFerrin
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The Cello Suites: Yo-Yo Ma Inspired by Bach (from the Six-Part Film Series)
(1997)
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by
Yo-Yo Ma (cello)
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Claude Bolling: Suite for Cello & Jazz Piano Trio
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by
Claude Bolling (piano), Jean-Luc Dayan (drums), Marc Michel (bass), Yo-Yo Ma (cello)
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Simply Baroque II
(2000)
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by
Ton Koopman (harpsichord), Ton Koopman (organ), Yo-Yo Ma (cello), Amsterdam Baroque Orchestra, Ton Koopman (conductor)
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The Dvorák Album
(2004)
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by
Itzhak Perlman (violin), Patricia Zander (piano), Yo-Yo Ma (cello)
With adventurous crossover projects coming one after another from Yo-Yo Ma, it's nice to be able to revisit some of the performances that brought him to the top of the heap among cellists and among classical musicians in general. This disc includes Dvorák performances by Ma from various 1990s discs, with his lovely 1995 reading of the Cello ...
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Obrigado Brazil Live in Concert
(2004)
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by
Yo-Yo Ma
The legendary cellist struck an incredible crossover chord with 2003's lush, exotic excursion Obrigado Brazil, which was the fastest-selling recording of his career and was nominated for four Grammys, including Best Classical Crossover Album. Inspired by working in the studio with clarinetist Paquito D'Rivera, guitarists Sergio and Odair Assad, ...
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Chopin: Polonaise brilliante; Cello Sonata; Piano Trio
(1994)
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by
Emanuel Ax (piano), Ewa Osinska (piano), Pamela Frank (violin), Yo-Yo Ma (cello)
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Beethoven: Triple Concerto; Overtures
(1985)
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by
Anne-Sophie Mutter (violin), Mark Zeltser (piano), Yo-Yo Ma (violoncello), Berliner Philharmoniker, Herbert von Karajan (conductor)
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Silk Road Journeys: Beyond the Horizon
(2004)
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by
Yo-Yo Ma/The Silk Road Ensemble
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Saint-Saëns: Carnival of the Animals; Organ Symphony
(2003)
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by
Alain Marion (flute), E. Power Biggs (organ), Gabin Lauridon (double bass), Gaby Casadesus (piano), Gerard Causse (viola), Michel Arrignon (clarinet), Michel Cals (glockenspiel), Michel Cerutti (xylophone), Philippe Entremont (piano)
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Solo
(1999)
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by
Yo-Yo Ma
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Portrait of Yo-Yo Ma
(1990)
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by
Yo-Yo Ma
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We All Love Ennio Morricone
(2007)
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Ennio Morricone
We All Love Ennio Morricone sounds like a great idea (contemporary performers putting their own spin on the maestro's long, storied and incredibly diverse repertoire) but despite a few noteworthy displays of creativity (Yo-Yo Ma's mournful "Malena" and Roger Waters' stirring "Lost Boys Calling"), the whole affair feels a little too unfocused. Even ...
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Japanese Melodies
(1990)
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by
Yo-Yo Ma
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Bach: Sonatas for Viola da Gamba & Harpsichord
(1983)
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by
Kenneth Cooper (harpsichord), Yo-Yo Ma (cello)
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