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It Takes a Nation of Millions to Hold Us Back

It Takes a Nation of Millions to Hold Us Back (1988) more music like this

by Public Enemy

Yo! Bum Rush the Show was an invigorating record, but it looks like child's play compared to its monumental sequel, It Takes a Nation of Millions to Hold Us Back, a record that rewrote the rules of what hip-hop could do. That's not to say the album is without precedent, since what's particularly ingenious about the album is how it reconfigures ...

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Unorthodox Behaviour

Unorthodox Behaviour (1976) more music like this

by Brand X

Phil Collins' seemingly endless well of energy afforded him two careers: one as the drummer/vocalist in Genesis, and a second as a prolific session musician. It was in this second scenario that Collins hooked up with Percy Jones, John Goodsall, and Robin Lumley during sessions for Brian Eno, Eddie Howell, and Jack Lancaster. The quartet soon ...

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Apocalypse 91...The Enemy Strikes Black

Apocalypse 91...The Enemy Strikes Black (1991) more music like this

by Public Enemy

Coming down after the twin high-water marks of It Takes a Nation of Millions and Fear of a Black Planet, Public Enemy shifted strategy a bit for their fourth album, Apocalypse 91...The Enemy Strikes Black. By and large, they abandon the rich, dense musicality of Planet, shifting toward a sleek, relentless, aggressive attack -- Yo! Bum Rush the ...

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Paradise Lost

Paradise Lost (2007) more music like this

by Symphony X

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V: The New Mythology Suite

V: The New Mythology Suite (2000) more music like this

by Symphony X

Perhaps no other guitarists in the metal genre has been as influenced by Yngwie Malmsteen as Symphony X leader Michael Romeo. That has proved to be both a blessing and a curse for this gifted guitarist. His chops are certainly comparable, but his sound and style are often identical to his idol. Therein lies the problem with this recording and, for ...

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Live All Over the Place

Live All Over the Place (2004) more music like this

by King's X

Having toured on a consistent basis since the release of their 1988 debut, Out of the Silent Planet, you'd think that King's X would have issued a live set some time ago. But for whatever reason, the Texas trio didn't get around to unleashing a live set until the 2004 double-disc Live All Over the Place. Instead of issuing a complete show from one ...

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Everything Is Everything

Everything Is Everything (1994) more music like this

by Brand Nubian

Brand Nubian cover a wide variety of styles and issues on this album. Their message is positive, but they come down hard on stereotypes and blacks killing other blacks. Sampling from rock and jazz alike, the group's scratchy rhythms are a good complement to the lyrics. John Bush, All Music Guide

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To the East, Blackwards

To the East, Blackwards (1990) more music like this

by X Clan

The self-sufficient X Clan should've made a bigger splash with To the East, Blackwards, the group's debut album for 4th & Broadway. Name-dropping Nat Turner and Marcus Garvey and dressing in red, black, and green instead of black and silver didn't exactly lend itself to marketability in 1990, but there's no evidence to the contrary that this ...

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Essential Selection, Vol. 1

Essential Selection, Vol. 1 (2000) more music like this

by Various Artists

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More Power to Ya

More Power to Ya (1982) more music like this

by Petra

Opening with the arena rock anthem "Stand Up," this release solidifies Petra's emergence and domination of the Christian rock scene. This is straight-ahead rock, musically unpretentious and energetic. The title track is a pleasant ballad with chiming guitar and flute-like keyboard sounds underneath Volz's powerful vocal cords. The album's dark ...

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Flaunt It (1986) more music like this

by Sigue Sigue Sputnik

Sigue Sigue Sputnik's first single, "Love Missile F1-11," was unlike anything heard in the 30-plus years of rock & roll. Gunfire and explosions, bits of Mozart, then mad Thunders-like guitar breaks, backwards vocals, and tons of reverb all add to a song that shifts and changes every few seconds, leaving no chance that the listener will grow bored. ...

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Wisconsin Death Trip (1999) more music like this

by Static-X

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King's X (1992) more music like this

by King's X

Having lost their way somewhat with the overtly commercial and carefree Faith Hope Love, King's X tried to regain lost momentum with their eponymous fourth release. The album explores the darker side of their songwriting with mixed results, often over-compensating for the cheerfulness of its predecessor at the expense of the courageous ...

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Dogman (1994) more music like this

by King's X

After taking a harder and more frequently metallic approach on its self-titled fourth album, King's X continued in that vein on its next project, Dogman. Through it all, the Christian headbangers remained very recognizable and continued to make recordings that were impressive, even if they did fall short of the glory of Gretchen Goes to Nebraska ...

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Machine (2001) more music like this

by Static-X

On Machine, a mile-a-minute thrashfest, Static X frontman Wayne Static merely howls, growls, crashes, and burns on his band's second album. The differences among "Black and White," "This Is Not," and "Cold" are barely distinguishable, and the overload of electronic gadgetry and kerosene vocals hardly disguises the lack of actual songs here. This ...

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Shadow Zone (2003) more music like this

by Static-X

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Not of This World (1983) more music like this

by Petra

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Livestock (1977) more music like this

by Brand X

Lest the momentum of Moroccan Roll and its relative chart success go to waste, Brand X released a stopgap solution with Livestock, featuring three recent live tracks and two stockpiled studio tracks that actually predate the Moroccan Roll sessions by two months. As might be expected, it's not their most enduring work, although the inclusion of ...

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High Society (2000) more music like this

by Kottonmouth Kings

Its easy to see why the Kottonmouth Kings are such likely protégés for the Insane Clown Posse. Like the wicked Clowns the Kings are a white, hardcore rap duo with "parental advisory" lyrics with a sound that's almost identical. Instead of Faygo and the dark carnival, Kottonmouth Kings bust rhymes about smoking weed. While not really having much to ...

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Germ Free Adolescents (1978) more music like this

by X-Ray Spex

Perhaps the most utopian aspect of the U.K. punk scene was that it offered creative, articulate young people the opportunity to express themselves, and to kick up an exuberantly noisy racket in the process. X-Ray Spex certainly came from this wing of the movement, the brainchild of two female schoolmates who re-christened themselves Poly Styrene ...

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Start a War (2005) more music like this

by Static-X

Static-X's 2003 album Shadow Zone was a mess. Trying too blatantly to match wits with Korn and searching blindly for depth in electronics and processed drums, it tried desperately to expand on the sound of Machine and Wisconsin Death Trip, and that flawed ambition was its biggest problem. The early material was grating and one-dimensional, but it ...

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More Fun in the New World (1983) more music like this

by X

Coming off their 1982 masterpiece Under the Big Black Sun, X offered their follow-up More Fun in the New World one year later. While its predecessor won the band a slew of new fans, it didn't serve as the major breakthrough that it so deservedly should have. Rightfully, they didn't fool with their already winning formula; they issued another solid ...

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Gretchen Goes to Nebraska (1989) more music like this

by King's X

It seemed inconceivable that Houston's King's X would ever top the brilliance and originality of their debut, but 1989's Gretchen Goes to Nebraska did just that, taking their unique sound to unprecedented heights of invention and inspiration. With its interweaving vocals, ominous bass riff, and sitar flourishes, the dark "Out of the Silent Planet" ...

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Power Praise (1995) more music like this

by Petra

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Ogre Tones (2005) more music like this

by King's X

Perhaps more than ever in their lengthy career, King's X have embraced their heavy metal roots on their 11th studio album, 2005's Ogre Tones. While the riffs are mighty and quite a few screamed vocals can be detected, the most telling sign of all is that the group enlisted renowned '80s metal producer Michael Wagener (who has worked with Accept, ...

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