In conjunction with documentary filmmaker Ken Burns' ten-part 2000 PBS special, Columbia/Legacy and Verve teamed up to issue a special series of reissues covering much of the history of 20th century jazz. The central release of this program is the five-CD box set Ken Burns Jazz: The Story of America's Music, its 94 selections covering the history ...
On the first of three volumes, Wynton Marsalis explores ten standards plus two of his originals with his quartet of the period (which consists of pianist Marcus Roberts, bassist Robert Hurst III, and drummer Jeff "Tain" Watts). Marsalis' tone is quite beautiful on the well-balanced set; even the ballads have their unpredictable moments. Among the ...
Here, Wynton Marsalis switches to cornet and tries to recreate the ambience of the proverbial village wind bands of long ago -- albeit with the emphatically big-league help of Donald Hunsberger and the massive Eastman Wind Ensemble. This means a program of transcriptions of classical tunes, variations on popular ditties, dollops of sentimentality, ...
On "Where Y'all At?," the last track off trumpeter Wynton Marsalis' 2007 studio album From the Plantation to the Penitentiary, Marsalis delivers a spoken word tirade against everything from the demise of socially conscious hip-hop and misguided politicians to America's commercial and capitalist culture. He asks, "All you '60s radicals and world ...
Like any other classical star, Wynton Marsalis felt the urge to re-record the basic repertoire for his instrument after a while -- and so, he goes at the Haydn, Leopold Mozart, Fasch, and Hummel trumpet concertos again, only a decade after his first go-round with these works. While it might seem presumptuous to remake these performances so soon, ...
Barring the 1982 album Fathers and Sons and a brief and legendary pairing during the '80s, the Marsalis' have largely avoided playing together. It is almost as if despite becoming some of the most technically proficient and creative forces in music, appearing together would relegate them to a freakish gimmick or biological fluke and negate all ...
Having made a commercially and artistically successful classical debut with a classical-period album the year before, Marsalis doubled back to the Baroque era for the follow-up, a grab bag of concertos, overtures, arias, and such. If anything, this album is even more winning than the debut album because the program offers several easily ...
For this CD, Wynton and Ellis Marsalis perform music both old and new that is heard on the Peanuts television specials. Wynton's septet (altoist Wessell Anderson, Victor Goines on tenor, trombonist Wycliffe Gordon, pianist Eric Reed, bassist Benjamin Wolfe, and drummer Herlin Riley in addition to the trumpeter-leader) jam on several of Marsalis' ...
On the third of his three standards albums, trumpeter Wynton Marsalis meets up with his father, pianist Ellis Marsalis (along with bassist Reginald Veal and drummer Herlin Riley), for 17 standards and three of his originals (including "In the Court of King Oliver"). Wynton, perhaps because of his father's presence, is very respectful of the ...
With Wynton Marsalis, exuberance, energy and high-level musicianship is never an issue, but long-windedness can be. This may be one of the best of the trumpeter's mid-sized ensembles, a septet, with pianist Marcus Roberts, trombonist Wycliffe Gordon, saxophonists Wessell Anderson and Todd Williams, bassist Reginald Veal, and drummer Herlin Riley. ...
This Christmas jazz CD contains 14 performances, a dozen of them not available on other sets. The two exceptions are Tony Bennett's 1987 "White Christmas" (which contains one of tenor-saxophonist Dexter Gordon's last recordings, a brief and weak statement) and Wynton Marsalis's "Winter Wonderland." Other musicians who are featured include Harry ...
The fifth in Wynton Marsalis' avalanche of eight releases in 1999 was another pairing of ballets, again issued on Sony Classical rather than Columbia. Sweet Release is easily the more ingratiating of the two -- obviously, even slavishly, modeled on the harmonic gospel of Duke Ellington but sassy and swinging just the same. Apparently, it's ...
There are undoubtedly many jazz fans who've been curious about Wynton Marsalis' classical recordings. Recognizing Marsalis' canon would benefit from an introductory volume, Sony Classical compiled Classic Wynton, which includes a cross-section of his non-jazz recordings from 1984 to 1998. Fans won't be surprised by the artist's clear, pure tone on ...
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Andrea Marcon (harpsichord), Anthony Newman (organ), Chamber Soloists of Washington, Deborah Sasson (soprano), Edward Carroll (trumpet), Edward Power Biggs (organ), Giuliano Carmignola (violin), Joshua Bell (violin), Kathryn Stott (piano)
This double CD contains Wynton Marsalis' score for the modern ballet Griot New York. Even more than his trumpet playing, his writing skills had developed quickly during the five years prior to this set. Marsalis' superb septet (including trombonist Wycliffe Gordon, altoist Wes Anderson, Todd Williams on tenor and soprano, pianist Eric Reed, ...
In trying to cover the classical solo trumpet concerto repertoire, Wynton Marsalis quickly realized that the number of options were rather finite (as opposed to, say, the violin), so he proposed an album of concertos for multiple trumpets. When CBS couldn't round up a brace of fellow trumpeters as guests, Marsalis blithely offered to play all of ...
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Albert de Klerk (organ), Carl Philipp Emanuel Bach Chamber Orchestra (chamber ensemble), Edita Gruberová (soprano), English Chamber Orchestra (chamber ensemble), Igor Kipnis (harpsichord), Wynton Marsalis (trumpet), Mormon Tabernacle Choir (choir, chorus)
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Antonio Carlos Jobim (piano), Denyce Graves (mezzo-soprano), Gal Costa (vocals), Herbert Harris (sax), Herbert Harris (sax), Herlin Riley (drums), Plácido Domingo (tenor), Reginald Veal (bass), Sarah Chang (violin), Stephen Scott (piano)
Originally released by Columbia Masterworks in 1983, Wynton Marsalis' debut album of Classical trumpet concertos appears in Sony's Great Performances series with what seems to be the label's nod to his phenomenal success and gratitude for a job well done. But what was once a perfectly fine, attractive recording from the sensational trumpeter's ...
As if releasing eight single albums in 1999 weren't enough, Wynton Marsalis capped this deluge of material at the end of the year with a seven-CD mini-box of live recordings, taped over a five-year span at New York City's Village Vanguard club. Greed certainly wasn't the motive, for Sony Music priced the set at an unbelievably low $39.98, so the ...
His first classical album having been released simultaneously with his second jazz album, Think of One, the 21-year-old Wynton Marsalis found himself in the position of being the most celebrated purveyor of both the classical and jazz repertoire since Benny Goodman. His debut takes him to the core of the small solo trumpet concerto repertoire with ...
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