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Piano
(1958)
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Wynton Kelly
With the exception of an album for Blue Note in 1951, this was pianist Wynton Kelly's first opportunity to record as a leader. At the time he was still a relative unknown but would soon get a certain amount of fame as Miles Davis' favorite accompanist. With guitarist Kenny Burrell, bassist Paul Chambers, and (on three of the seven selections) ...
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Smokin' at the Half Note
(1965)
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Wynton Kelly Trio/Wes Montgomery
Smokin' at the Half Note is essential listening for anyone who wants to hear why Montgomery's dynamic live shows were considered the pinnacle of his brilliant and incredibly influential guitar playing. Pat Metheny calls this "the absolute greatest jazz guitar album ever made," and with performances of this caliber ("Unit 7" boasts one of the ...
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Last Trio Session
(1968)
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Wynton Kelly Trio
The trio led by pianist Wynton Kelly, which also included bassist Paul Chambers and drummer Jimmy Cobb, first functioned as the rhythm section of Miles Davis' Quintet in 1958. In 1963, they left Davis' band and spent time as Wes Montgomery's backup group; the unit stayed together until Chambers' death on Jan. 4, 1969, a run of over ten years ...
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Kelly Blue
(1959)
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Wynton Kelly Trio & Sextet
Originally cut for Riverside, this set mostly features the influential pianist Wynton Kelly in a trio with his fellow rhythm section mates from the Miles Davis bands, bassist Paul Chambers and drummer Jimmy Cobb. "Kelly Blue" and "Keep It Moving" add cornetist Nat Adderley, flutist Bobby Jaspar and the tenor of Benny Golson to the band for some ...
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Full View
(1967)
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Wynton Kelly
Pianist Wynton Kelly's next-to-last set as a leader (he would record a slightly later date for Delmark) featured him at a time when his influence was waning and he was overshadowed by more advanced players. However, Kelly's impact would begin to grow again after his death, when the Young Lions movement began in the early '80s; certainly pianist ...
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The Riverside Records Story
(1997)
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by
Various Artists
The Riverside Records Story is essentially Orrin Keepnews' baby -- and why not, for the grizzled jazz producer/journalist co-founded the label, ran it from day one in 1952 until it suddenly went bankrupt in 1964, and produced almost all of the original sessions. Riverside's current custodians at Fantasy had Keepnews select and sequence four CDs' ...
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A Proper Introduction to Wynton Kelly: First Session
(2004)
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Wynton Kelly
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Kelly Great
(1959)
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Wynton Kelly
Pianist Wynton Kelly teams up with trumpeter Lee Morgan, tenor saxophonist Wayne Shorter, bassist Paul Chambers and drummer Philly Joe Jones for a fine, advanced hard bop date. There are four originals (all virtually forgotten decades later) by Kelly, Shorter and Morgan but it is the lone standard, a playful version of "June Night" (which has some ...
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Fire [Hardleader]
(1987)
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by
Various Artists
Various nice cuts from albums by Cannonball Adderley, Yusef Lateef, Gene Ammons, Lee Morgan, Wayne Shorter, Wynton Kelly, Eddie Harris, Paul Chambers, Frank Strozier, and Sonny Stitt -- 11 in all. Vee-Jay classics. Michael Erlewine, All Music Guide
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In Concert
(1988)
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Wynton Kelly
This 1968 club date features Wynton Kelly with his regular working group, including tenor saxophonist George Coleman, bassist Ron McClure, and drummer Jimmy Cobb, though the music wasn't issued for the first time by Vee Jay until 1977, six years after Kelly's death. The source material for this live set sounds as if it is a 1950s air check, though ...
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Jazz Piano Anthology: Swingers
(1997)
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by
Various Artists
Featuring giants of the swing, bebop, and hard bop eras, Jazz Piano Anthology: Swingers offers up a bevy of delights from Duke Ellington to Kenny Barron. The mix takes in both swingers and blues and includes a sideman roster that ranges from Ben Webster to modern bassist Niels-Henning Ørsted Pedersen. Besides such hard bop gems by Wynton Kelly ( ...
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Pot Luck
(2002)
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by
Wynton Kelly
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Live
(1997)
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by
Wynton Kelly & Cecil Payne
Live is a reasonably enjoyable live set capturing a collaboration between Wynton Kelly and Cecil Payne. Although there's nothing particularly noteworthy on this set of straightahead hard-bop, and the sound is a little rough, much of it's enjoyable and it captures Payne in good form. Stephen Thomas Erlewine, All Music Guide
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It's All Right!
(1964)
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by
Wynton Kelly
The Wynton Kelly Trio (consisting of the pianist, bassist Paul Chambers and drummer Jimmy Cobb) are augmented by guitarist Kenny Burrell and percussionist Candido on this 1997 CD reissue. The music is essentially easy-listening jazz with concise versions of ten numbers, including a rendition of Charles Lloyd's "One for Joan" that was only ...
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Wynton Kelly!
(2000)
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by
Wynton Kelly
A key session player and bandmember with Dizzy Gillespie, Miles Davis, J.J. Johnson, and Wes Montgomery, to single out just a handful, pianist Wynton Kelly also led several sessions of his own during his short life. This Collectables reissue of a 1961 Vee-Jay release is a fine example of Kelly relaxed and swinging. Working a similar niche to some ...
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Blue Bossa, Vol. 2
(1999)
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by
Various Artists
Blue Note's Blue Bossa Volume 2: Cool Cuts from the Tropics collects 15 summery, Latin-inflected cuts, including Horace Silver's "Swinging the Samba," Lou Rawls' version of "The Girl from Ipanema," and Stanley Turrentine's "La Fiesta." From bright to pensive, bop to bossa nova, Cool Cuts from the Tropics delivers a spicy blend of Latin and jazz ...
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Comin' in the Back Door
(1963)
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by
Wynton Kelly
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Takin' Charge
(1996)
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by
Wynton Kelly
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Final Notes
(2002)
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by
Wynton Kelly
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Complete Smokin' at Half Note
(1998)
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by
Wes Montgomery/Wynton Kelly
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It's All Right [Japan Bonus Track]
(2004)
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by
Wynton Kelly
The Wynton Kelly Trio (consisting of the pianist, bassist Paul Chambers, and drummer Jimmy Cobb) are augmented by guitarist Kenny Burrell and percussionist Candido on the 1997 CD reissue of It's All Right. The music is essentially easy listening jazz with concise versions of ten numbers, including a rendition of Charles Lloyd's "One for Joan" that ...
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Piano [Bonus Track]
(2008)
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by
Wynton Kelly
With the exception of an album for Blue Note in 1951, this was pianist Wynton Kelly's first opportunity to record as a leader. At the time he was still a relative unknown but would soon get a certain amount of fame as Miles Davis' favorite accompanist. With guitarist Kenny Burrell, bassist Paul Chambers, and (on three of the seven selections) ...
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Kelly Blue [2008 Japan Bonus Tracks]
(2008)
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by
Wynton Kelly
Originally cut for Riverside, this set mostly features the influential pianist Wynton Kelly in a trio with his fellow rhythm section mates from the Miles Davis bands, bassist Paul Chambers and drummer Jimmy Cobb. "Kelly Blue" and "Keep It Moving" add cornetist Nat Adderley, flutist Bobby Jaspar and the tenor of Benny Golson to the band for some ...
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Complete Blue Note Trio Sessions
(2004)
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by
Wynton Kelly
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Kelly at Midnight
(1960)
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by
Wynton Kelly
This 1960 date was a first-rate trio outing with Kelly given the space to demonstrate subtlety and flair, harmonic precision, melodic brilliance and rhythmic diversity. He was backed by a pair of rhythm dynamos, bassist Paul Chambers and drummer Philly Joe Jones. While a CD session less than 33 minutes is a bit short considering current prices, ...
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