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Contexts

Contexts (2005) more music like this

by Thomas Buckner

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Full Spectrum Voice (1999) more music like this

by Thomas Buckner

An edition of premiere inspirations beautifully sung for voice, instruments and electronics. Includes Robert Ashley "Odalisque," Jon Gibson "Rainforest/Brazil (He Was Not Disappointed)", Nils Vigeland "March, Hymn and Waltz", Peter Gena "Mother Jones", Annea Lockwood "Night and Fog", and Roscoe Mitchell "because it's", "this" and "dim" ...three ...

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Indian Parrot and Other Stories: Music of W.A. Mathieu

Indian Parrot and Other Stories: Music of W.A. Mathieu (2006)

by Thomas Buckner

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Totem

Totem (2006) more music like this

by Thomas Buckner

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Sign of the Times

Sign of the Times (1990) more music like this

by Thomas Buckner

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Jump the Circle, Jump the Line

Jump the Circle, Jump the Line (2001) more music like this

by Thomas Buckner/Tom Hamilton

This duo has been working together since the early '90s and has been documented before (on Tom Hamilton's CD Off-Hour Wait State, for example), but never as extensively as in this case. Jump the Circle, Jump the Line was recorded live on December 1st, 2000. Hamilton produces a wide array of synthesized electronic sounds and, to a lesser extent, ...

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8 O'Clock: Two Improvisations

8 O'Clock: Two Improvisations (2001) more music like this

by Roscoe Mitchell/Thomas Buckner

Baritone Thomas Buckner and saxophonist Roscoe Mitchell have been playing together for many years. The former's record label, Mutable Music, reissued early in 2001 the two Space LPs they recorded during the early '80s with Gerald Oshita. It was only fitting that after this nostalgic step, a new recording would follow to re-inscribe their ...

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Alone, Together, Apart

Alone, Together, Apart (2003) more music like this

by Jerome Cooper & Thomas Buckner

Here, famed modern jazz drummer/percussionist Jerome Cooper and improvising vocalist Thomas Buckner navigate a wide-ranging spectrum of tonalities to coincide with abstractly rendered sound-sculptures. Nonetheless, Buckner's wordless vocals complement Cooper's keenly constructed percussion motifs and EFX based treatments. The duo merely hints at ...

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