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Red Hot + Blue: A Tribute to Cole Porter
(1991)
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by
Various Artists
Cole Porter did not die of AIDS, but he is generally acknowledged to have been at least bisexual, which seems to be the justification for assembling an AIDS charity album in which contemporary artists perform songs he wrote in the 1920s, '30s, '40s, and '50s. Producer/creators Leigh Blake and John Carlin (along with Steve Lillywhite, credited as ...
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Rum Sodomy & the Lash
(1985)
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by
The Pogues
"I saw my task... was to capture them in their delapidated glory before some more professional producer f--ked them up," Elvis Costello wrote of his role behind the controls for the Pogues' second album, Rum Sodomy & the Lash. One spin of the album proves that Costello accomplished his mission; this album captures all the sweat, fire, and angry ...
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Red Roses for Me [Bonus Tracks]
(1984)
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The Pogues
What set the Pogues apart from any number of other energetic Irish traditional bands was the sheer physical force of their performances, the punky swagger of their personalities, and Shane MacGowan's considerable gifts as a songwriter. Unfortunately, none of these qualities comes through very clearly on their first album, Red Roses for Me. While ...
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Peace and Love [Bonus Tracks]
(1989)
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The Pogues
Shane MacGowan's potent appetite for alcohol was evident from the time the Pogues cut their first album, but by the time they got to work on Peace and Love in 1989, it was evident that he'd gone far past the point of enjoying a few pints (or many pints) and had sunk deep into drug and alcohol dependence. The Pogues were always far more than just ...
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Hell's Ditch [Bonus Tracks]
(1990)
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The Pogues
After the embattled recording of the Pogues' Peace and Love, with Shane MacGowan clearly at odds with his bandmates and their musical direction while contributing little in the way of new songs, Hell's Ditch seemed at once like a step forward and a step back for the group. While Peace and Love suggested the Pogues had grown weary of the hot-rodded ...
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Pogue Mahone
(1996)
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The Pogues
Pogue Mahone (Gaelic for "kiss my arse") is the seventh and final studio album from lauded progressive Irish folk pioneers the Pogues. After the departure of Shane MacGowan, co-founder Spider Stacy found himself at the helm, singing and sharing songwriting duties with the rest of the group. If their post-MacGowan debut, Waiting for Herb, was a ...
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Very Best of the Pogues
(2001)
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The Pogues
There's little question that the Pogues were a seminal band, blessed with great musicians, led by Shane MacGowan, a songwriter of major vision and talent. This was apparent on their initial Stiff singles but it truly blazed on their debut, Rum Sodomy & the Lash, an album that artfully walked the razor's edge between Irish traditionalism and ...
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The Ultimate Collection
(2005)
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The Pogues
For those who only know the Pogues from their duet Christmas hit with Kirsty MacColl, "Fairytale of New York," or don't know anything about the Irish group at all, this album was an excellent place to start. Featuring 23 tracks spread across their albums -- with three tracks from Red Roses for Me, eight from Rum Sodomy & the Lash, five from If I ...
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Live for Ireland [14 Tracks]
(1988)
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by
Various Artists
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Hell's Ditch
(1990)
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by
The Pogues
After the embattled recording of the Pogues' Peace and Love, with Shane MacGowan clearly at odds with his bandmates and their musical direction while contributing little in the way of new songs, Hell's Ditch seemed at once like a step forward and a step back for the group. While Peace and Love suggested the Pogues had grown weary of the hot-rodded ...
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Waiting for Herb
(1993)
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by
The Pogues
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If I Should Fall from Grace with God
(1988)
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by
The Pogues
If Rum Sodomy & the Lash captured the Pogues on plastic in all their rough-and-tumble glory, If I Should Fall from Grace with God proved they could learn the rudiments of proper record making and still come up with an album that captured all the sharp edges of their musical personality. Producer Steve Lillywhite imposed a more disciplined approach ...
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The Rest of the Best
(1994)
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The Pogues
The Rest of the Best is a solid sampling of the Pogues' output up to 1994, even when one considers that the collection in a way amounts to the second best-of, since The Best of the Pogues was released less than a year before this collection. Though the album suffers from a sequencing problem, with three of its strongest songs out of the way right ...
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Streams of Whiskey: Live in Leysin, Switzerland
(2002)
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by
The Pogues
The following quote is posted on the front page of the band's website: "This album has been released without the permission, and contrary to the wishes of the band. It is a not great quality recording from a Swiss festival in 1991, recorded from a radio broadcast and previously available as a bootleg, the Pogues ask you please DO NOT buy Streams ...
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Essential Pogues
(1991)
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by
The Pogues
Essential Pogues doesn't cover Red Roses for Me or Rum Sodomy and the Lash, so it isn't a definitive collection. However, it does capture the majority of the highlights from their Island albums and functions as a good introduction to the band. One complaint: the tedious extended remix of "Yeah, Yeah, Yeah, Yeah, Yeah" was included instead of the ...
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Poguetry in Motion
(1986)
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by
The Pogues
Although presumably recorded at the same Elvis Costello-produced sessions which yielded the brilliant Rum, Sodomy and the Lash, the four-song Poguetry in Motion EP is hardly a collection of leftovers -- in fact, the material ranks alongside the Pogues' very best efforts. The opener "London Girl" is one of Shane McGowan's most simple and heartfelt ...
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Straight to Hell - Returns
(1987)
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by
Original Soundtrack
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Legends of Ireland [Rhino]
(1998)
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by
Various Artists
Legends of Ireland traces the evolution of contemporary Irish and Celtic music through the course of 18 tracks. Beginning in the early '60s with the Clancy Brothers' "Holy Ground," the disc runs through a number of folk songs before moving into the modern era with Christy Moore's "Ride On" and the Pogues' "A Pair of Brown Eyes." Granted, those ...
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Waiting for Herb [US Bonus Tracks]
(1993)
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by
The Pogues
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The Stiff Records Box Set
(1992)
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by
Various Artists
Stiff Records was a maverick among British independent record labels, partially responsible for starting the punk and new wave revolution of the late '70s. Under the guidance of house producer Nick Lowe, Stiff turned out an enormous number of seminal punk and new wave singles in their first years, including classic tracks by the Damned, Elvis ...
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If I Should Fall from Grace with God [Germany Bonus Tracks]
(1988)
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by
The Pogues
If Rum Sodomy & the Lash captured the Pogues on plastic in all their rough-and-tumble glory, If I Should Fall from Grace with God proved they could learn the rudiments of proper record making and still come up with an album that captured all the sharp edges of their musical personality. Producer Steve Lillywhite imposed a more disciplined approach ...
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How Come
(1995)
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by
The Pogues
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Emerald Rock [Thunderbolt]
(2000)
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by
Various Artists
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Shared Vision, Vol. 2: The Songs of the Rolling Stones
(1996)
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by
Various Artists
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Trilogy
(2006)
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by
The Pogues
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