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Live at Leeds '71

Live at Leeds '71 (1971) more music like this

by The Groundhogs

Although this nugget clocks in at only a hair over half-an-hour, it reveals the Groundhogs at what was arguably the crest of the Brit blues power trio's creative peak. The band featured the strong sonic personalities of Tony T.S. McPhee (guitar/vocals), Peter Cruickshank (bass) and Ken Pustelnik. Their straight-ahead heavy rock was more than a ...

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The Best of the Groundhogs

The Best of the Groundhogs (1999) more music like this

by The Groundhogs

If you're in a band, you can either go with the flow the music takes or plant your feet and refuse to be moved. The Groundhogs, under the leadership of Tony McPhee, one of England's best guitarists, did the former. McPhee was a bluesman through and through, and the Groundhogs started life as a blues trio, but fairly quickly the music took a rock ...

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Hogs in Wolf's Clothing

Hogs in Wolf's Clothing (1999) more music like this

by The Groundhogs

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Razors Edge

Razors Edge (1985) more music like this

by The Groundhogs

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The Groundhogs Best 1969-72

The Groundhogs Best 1969-72 (1974) more music like this

by The Groundhogs

The One Way label's Groundhogs Best 1969-72 collects 17 tracks over the span of two discs from the British blues outfit led by Jack Bruce-like guitarist/songwriter/vocalist T.S. (Tony) McPhee. All of the material is culled from the Blues Obituary, Thank Christ for the Bomb, Split, Who Will Save the World?, and Hogwash albums, offering up a nice ...

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Blues Obituary

Blues Obituary (1969) more music like this

by The Groundhogs

Recorded during June of 1969 at Marquee Studios in London with Gary Collins and Colin Caldwell engineering, the trio of Groundhogs put the blues to rest on Blues Obituary in front of a castle on the Hogart-designed cover while six black and whites from photographer Zorin Matic grace the back in morbid Creepy or Eerie Magazine comic book fashion. ...

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Thank Christ for the Bomb

Thank Christ for the Bomb (1970) more music like this

by The Groundhogs

Thank Christ for the Bomb was the first Groundhogs album to indicate that the group had a lifespan longer than the already-fading British blues boom suggested. It was also the first in the sequence of semi-conceptual masterpieces that the group cut following their decision to abandon the mellow blues of their earlier works and pursue the socially ...

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Live Ul Tour 76

Live Ul Tour 76 (2004) more music like this

by The Groundhogs

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Split

Split (1971) more music like this

by The Groundhogs

As the Groundhogs' best example of their gritty blues-rock fire and unique form of guitar-driven music, Split reveals more about Tony McPhee's character, perseverance, and pure love for performing this style of blues than any other album. Based around the misunderstanding and mystery of schizophrenia, Split takes a raw, bottom-heavy recipe of ...

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Scratching the Surface

Scratching the Surface (1968) more music like this

by The Groundhogs

The Groundhogs' debut album is a long way from the "classic" sound of the better-known Thank Christ for the Bomb/Split/Who Will Save the World? trilogy. Indeed, the mellow classic blues through which the band pursues its nine tracks offer the unsuspecting listener little more than a direct blast from the peak of the British blues boom past. Early ...

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Back Against the Wall

Back Against the Wall (1987) more music like this

by The Groundhogs

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Hogs on the Road (1988) more music like this

by The Groundhogs

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Hogwash

Hogwash (2008) more music like this

by The Groundhogs

Hogwash falls somewhere in between the Groundhogs' raw, blues-meets-electric rock sound of the late '60s and early '70s, and the less enthusiastic material that followed. It initiates more of a fundamental prog rock sound, with Tony McPhee's guitar work (along with a smattering of keyboard bits) taking on some well-maintained aggression. The album ...

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Hogwash [Bonus Tracks]

Hogwash [Bonus Tracks] (1972) more music like this

by The Groundhogs

Hogwash falls somewhere in between the Groundhogs' raw, blues-meets-electric rock sound of the late '60s and early '70s, and the less enthusiastic material that followed. It initiates more of a fundamental prog rock sound, with Tony McPhee's guitar work (along with a smattering of keyboard bits) taking on some well-maintained aggression. The album ...

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Hoggin' the Stage

Hoggin' the Stage (1995) more music like this

by The Groundhogs

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3744 James Road: The HTD Anthology

3744 James Road: The HTD Anthology (2002) more music like this

by The Groundhogs

The Groundhogs were an at-times better than average 1960s British blues band led by T.S. McPhee, whose Jack Bruce-like vocals and raggedly aggressive guitar style made the group sound at times like a looser version of Cream. This two-disc set, divided into studio and live recordings, makes a pretty solid introduction to the band. The studio disc ...

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Hooker & the Hogs (1965) more music like this

by John Lee Hooker with the Groundhogs

McPhee and the Groundhogs' most important musical legacy, this 1996 reissue of Hooker & The Hogs has an unusual history. Tony McPhee and the Groundhogs first played with John Lee Hooker in June of 1964, when John Mayall & the Bluesbreakers were unable to fulfill a commitment to back Hooker on the final week of his British tour. The Groundhogs were ...

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The Masters: Groundhogs Live! (2000) more music like this

by The Groundhogs

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Groundhog Night: Groundhogs Live (1994) more music like this

by The Groundhogs

Anyone who feels a big gap in their life not having Cream around to perform and record will love Groundhog Night. But for anyone else, this double CD is problematic, capturing as it does McPhee's latter-day, re-formed Groundhogs live in concert in the 1990s. The sound is very heavy, and heavily electric, with amplification more suited to late ...

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Black Diamond/Crosscut Saw (1997) more music like this

by The Groundhogs

The Groundhogs were an at-times better than average 1960s British blues band led by Tony "T.S." McPhee, whose Jack Bruce-like vocals and raggedly aggressive guitar style made the group sound at times like a looser version of Cream. By the mid-'70s the Groundhogs sounded more like Cream thrown into a blender with Ten Years After, and their hard ...

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3744 James Road (2006) more music like this

by The Groundhogs

The Groundhogs were an at-times better than average 1960s British blues band led by T.S. McPhee, whose Jack Bruce-like vocals and raggedly aggressive guitar style made the group sound at times like a looser version of Cream. This two-disc set, divided into studio and live recordings, makes a pretty solid introduction to the band. The studio disc ...

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Hooker & the Hogs [Silverline] (2003) more music like this

by John Lee Hooker/The Groundhogs

Some of John Lee Hooker's earlier blues work with the Groundhogs is captured here for fans on DVD audio. A solid collection for enthusiasts, but newcomers would be better suited to pick up a standard anthology. Chris True, All Music Guide

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Scratching the Surface [Bonus Tracks] (1990) more music like this

by The Groundhogs

The Groundhogs' debut album is a long way from the "classic" sound of the better-known Thank Christ for the Bomb/Split/Who Will Save the World? trilogy. Indeed, the mellow classic blues through which the band pursues its nine tracks offer the unsuspecting listener little more than a direct blast from the peak of the British blues boom past. Early ...

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Destination GB Blues (1998) more music like this

by Various Artists

A good solid hour of British blues playing and singing aboard here, with stellar contributions from some big names and some others who deserve a wider hearing. Among the highlights are Duster Bennett with Peter Green conjuring up some tasty fills on "Trying So Hard to Forget," Alan Price turning in a nice revisit of "House of the Rising Sun," ...

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Invasion of the Rock Zombies (1999) more music like this

by Various Artists

Dressed to Kill's bizarre Invasion of the Rock Zombies set throws together a wide array of metal, pop, and rock bands, including Hawkwind, Saxon, Status Quo, and Bonnie Tyler. Though most of the set consists of hard rock and heavy metal of one stripe or another -- Tempest's "Living in Fear," UFO's "Love to Love," Steppenwolf's "Born to Be Wild," ...

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