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The Better Life
(2000)
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3 Doors Down
The Better Life, 3 Doors Down's debut album, positions them somewhere between radio-ready post-grunge and more aggressive alternative metal. The best songs are memorable exercises in that style, and even though the songwriting is uneven, that's often to be expected from a first record; there is at least an indication of potential here. ~ Steve ...
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The Very Best of the Doors [US 2007 2CD]
(1967)
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The Doors
There ought to be a warning label on this double-CD set, and not for parents (though with the Doors you never know) but for fans -- thanks to the "40th Anniversary Remixes," almost every song here is so different from the established versions of the Doors' classic repertory, that it is certain to annoy the hell out of longtime fans and will give ...
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The Best of the Doors [1985]
(1967)
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The Doors
A well-chosen, 19-track compilation balancing the radio hits with the longer, more complex song poems. It's a good sampler (and contains enough of the good tracks from Strange Days that we didn't bother to list that album separately), but this is one group for whom you need to hear the whole story. ~ William Ruhlmann, All Music Guide
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Now, Vol. 5
(2000)
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Various Artists
It may have taken a long time for the Now That's What I Call Music! series to cross the ocean from the U.K. to the U.S., but it was worth the wait, since no other compilations offer such accurate portraits of pop radio -- it's a Polaroid, really, of a particular, brief moment of time. In the case of Now, Vol. 5, it's a Polaroid of the summer of ...
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The Doors Box Set
(1997)
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The Doors
For those under 17 or for those whose knowledge or impressions of the Doors were formed by AM radio play of the band's singles, early hits compilations (especially 13), or the shorter and poppier songs from the band's albums, this four-CD set is probably not something they want to own, or a place that they should go -- not yet, anyway. The Doors ...
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Away from the Sun
(2002)
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3 Doors Down
In 2000, 3 Doors Down's debut The Better Life and its omnipresent single "Kryptonite" authoritatively established the Escatawpa, MS band as rock stars in the vein of fellow new arena rockers Creed. After extensive touring and over 6 million albums sold, it might have been difficult for the band to focus on their sophomore release. But vocalist ...
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Strange Days
(1967)
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The Doors
Many of the songs on Strange Days had been written around the same time as the ones that appeared on The Doors, and with hindsight one has the sense that the best of the batch had already been cherry picked for the debut album. For that reason, the band's second effort isn't as consistently stunning as their debut, though overall it's a very ...
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Waiting for the Sun
(1968)
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The Doors
The Doors' 1967 albums had raised expectations so high that their third effort was greeted as a major disappointment. With a few exceptions, the material was much mellower, and while this yielded some fine melodic ballad rock in "Love Street," "Wintertime Love," "Summer's Almost Gone," and "Yes, the River Knows," there was no denying that the ...
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In Concert
(1991)
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The Doors
In Concert is the successor CD set to the individual releases of Absolutely Live (which remains in print as a single CD), Alive, She Cried, and Live at the Hollywood Bowl -- as none of them presented more than a single angle or two of the group's sound and each confined itself to only a portion of the group's repertoire, the three-in-one release ...
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Another 700 Miles [EP]
(2003)
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3 Doors Down
Another 700 Miles is a holdover EP recorded at Chicago's Congress Theater during 3 Doors Down's summer 2003 tour. It features the band's three hit singles, a new song called "It's Not Me" (presumably to appear on their eventual follow-up to Away from the Sun), and a spirited cover of Lynyrd Skynyrd's "That Smell." The crowd is quite engaged ...
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The Doors [Bonus Tracks]
(1967)
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The Doors
A tremendous debut album, and indeed one of the best first-time outings in rock history, introducing the band's fusion of rock, blues, classical, jazz, and poetry with a knockout punch. The lean, spidery guitar and organ riffs interweave with a hypnotic menace, providing a seductive backdrop for Jim Morrison's captivating vocals and probing prose. ...
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Strange Days [Bonus Tracks]
(1967)
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The Doors
Many of the songs on Strange Days had been written around the same time as the ones that appeared on The Doors, and with hindsight one has the sense that the best of the batch had already been cherry picked for the debut album. For that reason, the band's second effort isn't as consistently stunning as their debut, though overall it's a very ...
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The Soft Parade [Bonus Tracks]
(1969)
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The Doors
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Seventeen Days
(2005)
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3 Doors Down
The stronger songwriting on 3 Doors Down's multi-platinum sophomore effort, Away from the Sun, was encouraging, especially after the rote post-grunge of their 2000 breakthrough, "Kryptonite." But the hit single "When I'm Gone" resonated in particular with American military personnel and their families, who identified with lyrics like "Hold me when ...
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Live in Philadelphia '70
(2006)
by
The Doors
One of several concerts from which 1970s official live Doors album Absolutely Live was sourced is offered in its entirety on this double-CD, Live in Philadelphia, of a May 1, 1970 show, available through the Internet only. Like Absolutely Live, it finds the band in a loosey-goosey state that drifts close to sloppiness, albeit with an engaging ...
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The Soft Parade
(1969)
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The Doors
The most uneven studio album recorded with Jim Morrison in the group, partially because their experiments with brass and strings on about half the tracks weren't entirely successful. More to the point, though, this was their weakest overall set of material, low lights including filler like "Do It" and "Runnin' Blue," a strange bluegrass-soul blend ...
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L.A. Woman
(1971)
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The Doors
The final album with Jim Morrison in the lineup is by far their most blues-oriented, and the singer's poetic ardor is undiminished, though his voice sounds increasingly worn and craggy on some numbers. Actually, some of the straight blues items sound kind of turgid, but that's more than made up for by several cuts that rate among their finest and ...
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Absolutely Live
(1970)
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The Doors
While this double disc (later combined with Alive, She Cried and Live at the Hollywood Bowl for CD release under the title In Concert) is valuable in that it contains material the Doors didn't release on their studio albums, it's also tilted toward some of their more boorish aspects. Recorded at concerts in 1969 and 1970, this was an era in which ...
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Morrison Hotel
(1970)
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The Doors
The Doors returned to crunching, straightforward hard rock on Morrison Hotel, an album that, despite yielding no major hit singles, returned them to critical favor with hip listeners. An increasingly bluesy flavor began to color the songwriting and arrangements, especially on the party'n'booze anthem "Roadhouse Blues." Airy mysticism was still ...
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Stoned Immaculate: The Music of the Doors
(2000)
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by
Various Artists
Essentially Elektra Records' tribute to a band that originally helped put them on the map, Stoned Immaculate: The Music of the Doors was assembled by producer Ralph Sall, with a heavy concentration on mainstream-oriented alternative rock. While some tracks are the straight-up covers typical of tribute albums, die-hard Doors fans have greater ...
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Platoon (And Songs from the Era)
(1986)
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Original Soundtrack
In compiling the soundtrack for Oliver Stone's Academy Award winning 1986 Vietnam War epic Platoon, producer Bud Carr opted to eschew original composition in favor of a collection of songs from the '60s in an attempt to capture the period. Many of the songs he selected were not even used in the film. The only excerpt from Georges Delerue's score ...
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L.A. Woman [Bonus Tracks]
(1971)
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by
The Doors
The final album with Jim Morrison in the lineup is by far their most blues-oriented, and the singer's poetic ardor is undiminished, though his voice sounds increasingly worn and craggy on some numbers. Actually, some of the straight blues items sound kind of turgid, but that's more than made up for by several cuts that rate among their finest and ...
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Waiting for the Sun [Bonus Tracks]
(1968)
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by
The Doors
The Doors' 1967 albums had raised expectations so high that their third effort was greeted as a major disappointment. With a few exceptions, the material was much mellower, and while this yielded some fine melodic ballad rock in "Love Street," "Wintertime Love," "Summer's Almost Gone," and "Yes, the River Knows," there was no denying that the ...
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Morrison Hotel [Bonus Tracks]
(1970)
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by
The Doors
The Doors returned to crunching, straightforward hard rock on Morrison Hotel, an album that, despite yielding no major hit singles, returned them to critical favor with hip listeners. An increasingly bluesy flavor began to color the songwriting and arrangements, especially on the party'n'booze anthem "Roadhouse Blues." Airy mysticism was still ...
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Live in Boston '70
(2007)
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by
The Doors
Several 1970 Doors concerts were officially recorded for use on the Absolutely Live album, including both of the shows they gave in Boston on April 10 of that year. This three-CD set has the early and late sets from Boston in their entirety, adding up to about three hours of music, all but two of the tracks previously unreleased. Well, three hours ...
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