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Sgt. Pepper's Lonely Hearts Club Band

Sgt. Pepper's Lonely Hearts Club Band (1967) more music like this

by The Beatles

With Revolver, the Beatles made the Great Leap Forward, reaching a previously unheard-of level of sophistication and fearless experimentation. Sgt. Pepper, in many ways, refines that breakthrough, as the Beatles consciously synthesized such disparate influences as psychedelia, art-song, classical music, rock & roll, and music hall, often in the ...

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Abbey Road

Abbey Road (1969) more music like this

by The Beatles

The last Beatles album to be recorded (although Let It Be was the last to be released), Abbey Road was a fitting swan song for the group, echoing some of the faux-conceptual forms of Sgt. Pepper, but featuring stronger compositions and more rock-oriented ensemble work. The group was still pushing forward in all facets of its art, whether devising ...

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The Beatles [White Album]

The Beatles [White Album] (1968) more music like this

by The Beatles

Each song on the sprawling double album The Beatles is an entity to itself, as the band touches on anything and everything it can. This makes for a frustratingly scattershot record or a singularly gripping musical experience, depending on your view, but what makes the so-called White Album interesting is its mess. Never before had a rock record ...

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Magical Mystery Tour

Magical Mystery Tour (1967) more music like this

by The Beatles

The U.S. version of the soundtrack for the Beatles' ill-fated British television special embellished the six songs that were found on the British Magical Mystery Tour double EP with five other cuts from their 1967 singles. (The CD version of the record has now been standardized worldwide as the 11 tracks found on the American version.) The ...

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A Hard Day's Night [UK]

A Hard Day's Night [UK] (1964) more music like this

by The Beatles

A Hard Day's Night not only was the de facto soundtrack for their movie, not only was it filled with nothing but Lennon-McCartney originals, but it found the Beatles truly coming into their own as a band. All of the disparate influences on their first two albums had coalesced into a bright, joyous, original sound, filled with ringing guitars and ...

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1962-1966

1962-1966 (1973) more music like this

by The Beatles

Assembling a compilation of the Beatles is a difficult task, not only because they had an enormous number of hits, but also because singles didn't tell the full story; many of their album tracks were as important as the singles, if not more so. The double-album 1962-1966, commonly called The Red Album, does the job surprisingly well, hitting most ...

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Let It Be

Let It Be (1970) more music like this

by The Beatles

The only Beatles album to occasion negative, even hostile reviews, there are few other rock records as controversial as Let It Be. First off, several facts need to be explained: although released in May 1970, this was not their final album, but largely recorded in early 1969, way before Abbey Road. Phil Spector was enlisted in early 1970 to do ...

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1967-1970

1967-1970 (1973) more music like this

by The Beatles

Picking up where 1962-1966 left off, the double-album compilation 1967-1970, commonly called The Blue Album, covers the Beatles' later records, from Sgt. Pepper through Let It Be. Like The Red Album, The Blue Album contains a mixture of hits, including singles like "Lady Madonna," "Hey Jude," and "Revolution" that were never included on an LP, ...

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Help! [UK]

Help! [UK] (1965) more music like this

by The Beatles

Considering that Help! functions as the Beatles' fifth album and as the soundtrack to their second film -- while filming, they continued to release non-LP singles on a regular basis -- it's not entirely surprising that it still has some of the weariness of Beatles for Sale. Again, they pad the album with covers, but the Bakersfield bounce of "Act ...

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The Beatles 1

The Beatles 1 (2000) more music like this

by The Beatles

Apparently, there was a gap in the Beatles' catalog, after all -- all the big hits weren't on one tidy, single-disc compilation. It's not the kind of gap you'd necessarily notice -- it's kind of like realizing you don't have a pair of navy blue dress socks -- but it was a gap all the same, so the group released The Beatles 1 late in 2000, ...

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LOVE (2006) more music like this

by The Beatles

If boiled down to a simple synopsis, the Beatles' LOVE sounds radical: assisted by his father, the legendary Beatles producer George, Giles Martin has assembled a remix album where familiar Fab Four tunes aren't just refurbished, they're given the mash-up treatment, meaning different versions of different songs are pasted together to create a new ...

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Please Please Me (1963) more music like this

by The Beatles

Once "Please Please Me" rocketed to number one, the Beatles rushed to deliver a debut album, bashing out Please Please Me in a day. Decades after its release, the album still sounds fresh, precisely because of its intense origins. As the songs rush past, it's easy to get wrapped up in the sound of the record itself without realizing how the album ...

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Beatles for Sale (1964) more music like this

by The Beatles

It was inevitable that the constant grind of touring, writing, promoting, and recording would grate on the Beatles, but the weariness of Beatles for Sale comes as something of a shock. Only five months before, the group released the joyous A Hard Day's Night. Now, they sound beaten, worn, and, in Lennon's case, bitter and self-loathing. His ...

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With the Beatles (1963) more music like this

by The Beatles

With the Beatles is a sequel of the highest order -- one that betters the original by developing its own tone and adding depth. While it may share several similarities with its predecessor -- there is an equal ratio of covers-to-originals, a familiar blend of girl group, Motown, R&B, pop, and rock, and a show tune that interrupts the flow of the ...

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Rubber Soul [UK] (1965) more music like this

by The Beatles

While the Beatles still largely stuck to love songs on Rubber Soul, the lyrics represented a quantum leap in terms of thoughtfulness, maturity, and complex ambiguities. Musically, too, it was a substantial leap forward, with intricate folk-rock arrangements that reflected the increasing influence of Dylan and the Byrds. The group and George Martin ...

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Revolver [UK] (1966) more music like this

by The Beatles

All the rules fell by the wayside with Revolver, as the Beatles began exploring new sonic territory, lyrical subjects, and styles of composition. It wasn't just Lennon and McCartney, either -- Harrison staked out his own dark territory with the tightly wound, cynical rocker "Taxman"; the jaunty yet dissonant "I Want to Tell You"; and "Love You To, ...

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Yellow Submarine (1969) more music like this

by The Beatles

The only Beatles album that could really be classified as inessential, mostly because it wasn't really a proper album at all, but a soundtrack that only utilized four new Beatles songs. (The rest of the album was filled out with "Yellow Submarine," "All You Need Is Love," and a George Martin score that held little appeal to rock listeners.) What's ...

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Anthology 2 (1996) more music like this

by The Beatles

As expected, the second installment of the Anthology series reflects the Beatles' increasing use of the studio-as-laboratory during their "middle years." Some live material from 1965 to 1966 appears on the first disc, and the second "reunion" single ("Real Love") leads off the set. But the emphasis is upon alternate takes from early 1965 to early ...

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Anthology 1 (1995) more music like this

by The Beatles

The first in a series of three double-CD sets of previously unreleased and rare Beatles material, released in conjunction with the mammoth Anthology video documentary. This covers the late '50s to the end of 1964, mixing studio outtakes, live performances, primitive recordings from the Quarrymen/Silver Beatles days, excerpts from the famous 1962 ...

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LOVE [Bonus DVD] (2006) more music like this

by The Beatles

If boiled down to a simple synopsis, the Beatles' LOVE sounds radical: assisted by his father, the legendary Beatles producer George, Giles Martin has assembled a remix album where familiar Fab Four tunes aren't just refurbished, they're given the mash-up treatment, meaning different versions of different songs are pasted together to create a new ...

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Let It Be... Naked [Let It Be... Naked] (2003) more music like this

by The Beatles

Of all the Beatles albums, none has garnered as much controversy and speculation as Let It Be. Released as their final album in May 1970, the record began its life as a back-to-basics affair called Get Back , which was intended to show the Beatles as a stripped-down rock & roll band after the excesses of Sgt. Pepper and The White Album. They ...

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Past Masters, Vol. 1 (1988) more music like this

by The Beatles

When Capitol decided to release the original British editions of the Beatles' albums instead of the bastardized American versions, they were left with a bit of a quandary. Since the Beatles had an enormous number of non-LP singles, some of their greatest hits -- from "I Want to Hold Your Hand" through "Hey Jude" -- would not be included on disc if ...

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Revolver [US] (1966) more music like this

by The Beatles

In preparing Revolver for U.S. release, Bill Miller simply cut the three songs already used on Yesterday...and Today, resulting in an 11-song version. William Ruhlmann, All Music Guide

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Rubber Soul [US] (1965) more music like this

by The Beatles

In a stroke of marketing whimsy, Capitol Records removed four songs from the U.K. edition of Rubber Soul, and added two songs from the U.K. Help! in an attempt to offer a more "American" release. Surprisingly enough, the reworked U.S. edition holds together better than its British counterpart. Obviously inspired by the folk-rock sound blossoming ...

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Anthology 3 (1996) more music like this

by The Beatles

The final installment of the Anthology series has two discs of previously unreleased material from the White Album era through the group's demise in early 1970. In terms of sheer listenability, this may be the strongest volume of the three, if only because it focuses almost solely upon studio recordings rather than mixing live concerts/broadcasts ...

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