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Whereas most great live rock albums are about energy, At Fillmore East is like a great live jazz session, where the pleasure comes from the musicians ... More

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The record industry's blatantly greedy ploy of remastering and "upgrading" CDs is shameful. The sonics are usually improved, but the CDs could have ... More

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Brothers and Sisters, the Allman Brothers Band's first new studio album in two years, shows off a leaner brand of musicianship, which, coupled with a ... More

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A tribute to the dearly departed Duane, Eat a Peach rambles through two albums, running through a side of new songs, recorded post-Duane, spending a ... More

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The best studio album in the group's history, electric blues with an acoustic texture, virtuoso lead, slide, and organ playing, and a killer ... More

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This might be the best debut album ever delivered by an American blues band, a bold, powerful, hard-edged, soulful essay in electric blues with a ... More

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This is where the group's CD release history gets complicated. Beginnings was originally put together by Atco as a double LP to encourage new fans ... More

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After a year of personal and personnel problems, the Allman Brothers Band got back together to record the surprisingly consistent live-in-the-studio ... More

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A good live album, but not quite the worthy successor to the Fillmore shows in their various forms -- the band is in form throughout this more than ... More

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The Allman Brothers Band's best studio album since Brothers and Sisters is a loud, brash, hard-rocking collection of consistently solid if not first ... More

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The Allman Brothers Band's comeback album, and their best blues-based outing since Idlewild South that restored a lot of their reputation. With Tom ... More

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Rebound's Legendary Hits compilation is no means complete picture of the Allman Brothers Band's legendary hits. The glaring omissions of three of ... More

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With the 1991 compilation A Decade of Hits 1969-1979 still in print, you may ask why Polydor found it necessary to release The Best of the Allman ... More

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A good idea that worked out even better, with one small caveat. The Fillmore Concerts is made up of performances from the two Fillmore shows that ... More

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Despite a good cover of Muddy Waters' "Can't Lose What You Never Had" -- highlighted by a great Dickey Betts solo -- the Allman Brothers Band sounds ... More

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In Stand Back's subtitle, the word "The" is no mistake, nor is it a grammatical convenience. This sprawling two-disc set is the only cross-licensed ... More

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For the first time anywhere -- officially or not -- two (mostly) complete performances by the Allman Brothers at the Atlanta International Pop ... More

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The classic version of the Allman Brothers Band graced the planet for a period that was all too brief -- from 1969 through October 1971 -- but in the ... More

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Live at Ludlow Garage 1970 features 91 minutes of the Allman Brothers Band in concert at a Cincinnati venue that they loved, nearly a year before ... More

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Unlike the Grateful Dead, their obvious and acknowledged model for reissuing vintage live recordings, the Allman Brothers Band has not shied away ... More

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Allman Brothers fans are a hardy lot. For years, make that decades, they have been inundated with reissues of the same material with teasers thrown ... More

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The Best of the Allman Brothers offers a brief but effective introduction to the band, featuring such hits as "Ramblin' Man," "Crazy Love, " "Melissa ... More

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As any fan knows -- heck, as anyone who's listened to the radio since 1970 knows -- there was much more to the Allman Brothers Band than blues. Blues ... More

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