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Rubycon
(1975)
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Tangerine Dream
The members of Tangerine Dream continued to hone their craft as pioneers of the early days of electronica, and the mid-'70s proved to be a time of prosperity and musical growth for the trio of Chris Franke, early member Peter Baumann, and permanent frontman Edgar Froese. The three of them had been delivering mysterious space records on a regular ...
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Stratosfear
(1976)
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Tangerine Dream
Stratosfear, the last Tangerine Dream album by the great Baumann/Franke/Froese threesome, shows the group's desire to advance past their stellar recent material and stake out a new musical direction while others were still attempting to come to grips with Phaedra and Rubycon. The album accomplishes its mission with the addition of guitar (six- and ...
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Underwater Sunlight
(1986)
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Tangerine Dream
Underwater Sunlight was the first album Paul Haslinger recorded with Tangerine Dream and his presence is immediately felt. With Haslinger, the group relied more heavily on strict structures and jarring compositional flourishes, which is only appropriate, since he came directly from a classical background. The group hadn't quite figured out how to ...
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Sorcerer
(1977)
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Tangerine Dream
The German group's lucrative film scoring career began here, one year before Peter Baumann left for a solo career. The trio's eerie electronica was an early inspiration for Sorcerer, director William Friedkin says in the soundtrack's liner notes. If he had known about Tangerine Dream, he says he would have used the group's music for The Exorcist. ...
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Tangram
(1980)
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Tangerine Dream
Tangram marked the beginning of a new musical direction for Tangerine Dream. It's closer to straight-ahead, melodic new age music and more tied to their soundtrack material. The first of the two side-long pieces progresses through several different passages that use gently brushed acoustic guitars as well as the requisite synthesizers. For new age ...
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Exit
(1981)
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Tangerine Dream
Exit marks the beginning of a new phase in Tangerine Dream's music: Gone were the side-long, sequencer-led journeys, replaced by topical pieces that were more self-contained in scope, more contemporary in sound. Johannes Schmoelling's influence is really felt for the first time here; Tangram, for all its crispness and melody, was simply a ...
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Hyperborea
(1983)
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Tangerine Dream
Tangerine Dream set the stage for the style of "artsy" soundtrack music that dominated the '80s. Although Hyperborea is not a soundtrack, it was clearly influential on some of the work the group was hired to do for Risky Business, Flashpoint, Dreamscape, Firestarter, Legend, and close to 20 others. There have been at least a dozen members in this ...
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Encore
(1977)
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Tangerine Dream
Encore -- Tangerine Dream Live, 1977 is one of the better concert albums from Tangerine Dream. As with most of their live releases, this disc features all new material. Each of the long-form (over 16 minutes) pieces has its own set of movements. In effect, it is like listening to four electronic symphonies. This is also one of the strongest TD ...
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Poland: The Warsaw Concert
(1984)
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by
Tangerine Dream
The early to mid-'80s were a particularly fertile time for Tangerine Dream: the Froese/Schmoelling/Franke lineup had been together for several years, and they had been quite busy with soundtrack work and had just signed with Zomba Records after a longtime association with Virgin. For this concert (their second appearance behind the Iron Curtain), ...
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Le Parc
(1985)
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Tangerine Dream
Featuring shorter compositions and an increasingly lyrical lexicon of electronic sounds, Le Parc has more in common with the burgeoning new age movement than Tangerine Dream's earlier, eerier work. The songs are essentially musical postcards from great parks around the world, though the focus is on the mood generated by these places rather than a ...
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Melrose
(1990)
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by
Tangerine Dream
Electronic music seems to have been all the rage, even back in the early '90s, but the Dream (aka Citrus Slumber) has been the innovative force behind much of the John Tesh like synth patterns played on new age stations during that time. You might think the band (comprised of keyboardist-guitarist Edgar Froese, his son Jerome Froese, and ...
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Atlantic Bridges
(1999)
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by
Tangerine Dream
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Tang-Go
(2000)
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by
Tangerine Dream
It would require several well-researched box sets to fully capture the whole three-decade Tangerine Dream experience, since the electronic ensemble began as the brainchild of Edgar Froese in the late '60s. But even picking 24 tracks for this compilation of the last ten years must have been a chore (albeit a lot of fun) due to the sheer volume of ...
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Dream Sequence: The Best of Tangerine Dream
(2000)
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Tangerine Dream
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Best of Hemdale Films
(1991)
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by
Various Artists
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Dream Sequence
(1985)
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by
Tangerine Dream
Dream Sequence is an electronic wandering through this German band's most familiar instrumental endeavors. The two discs are made up of tracks stemming from such monumental albums as 1974's Phaedra and 1976's Stratosfear, merging right into some of their finest material from the early '80s. Fans of full-length Tangerine Dream tracks should take ...
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Ambient, Vol. 1: A Brief History of Ambient
(1993)
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by
Various Artists
Although it seemed to arrive out of nowhere in the early '90s, ambient music actually has a long and varied history, leading back to Brian Eno and Kraftwerk's electronic experiments in the 1970s, right up to Aphex Twin's textural techno soundscapes. As an introduction and history lesson, the two-disc A Brief History of Ambient Music can't be beat; ...
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The Bootmoon Series: Ottawa 1986
(2004)
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by
Tangerine Dream
By 1986 Tangerine Dream had morphed from atmospheric Krautrock pioneers into new agey soundtrack merchants, although they still specialized in the idea of mood over melody. One result of the new approach was the idea of the short track, which would have been anathema to them a decade before. But they were appealing to a new audience as well as the ...
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Wired Magazine Presents: Music Futurists
(1999)
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by
Various Artists
Covering 38 years, Music Futurists is a compilation of tracks from pop artists "on the cutting edge of technology in music," according to the liner notes. That premise would probably make a great multi-disc box set. As a single-disc, 15-track release, though, Music Futurists runs into conceptual trouble despite having more than enough to recommend ...
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Legend [Expanded]
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by
Tangerine Dream
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Legend [Original Score]
(1985)
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by
Tangerine Dream
Tangerine Dream's soundtrack to Ridley Scott's Legend is a vaguely interesting set of atmospheric, electronic soundscapes, but it doesn't quite match the splendor of their earlier work. Furthermore, the music is interrupted by mediocre pop songs by Bryan Ferry and Jon Anderson, making Legend a less than fulfilling effort. ~ Daevid Jehnzen, All ...
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Green Desert
(1986)
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by
Tangerine Dream
Originally recorded in 1973, Green Desert did not see the light of day until it was remixed and released as part of the In the Beginning box set in 1986, then as its own album later the same year. It is difficult to ascertain how radical this release is from the original recording, but as it stands, it is a logical step between the rawer-produced ...
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Electronic Meditation
(1970)
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by
Tangerine Dream
Electronic Meditation is Tangerine Dream's debut album. It features the Tangerine Dream lineup of Edgar Froese, Conrad Schnitzler, and Klaus Schulze (his only album with Tangerine Dream). This CD, while very strong in many ways, has some serious flaws. It is about as far from e-music as it gets but still shows promise at the same time. Wildly ...
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Firestarter
(1984)
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by
Tangerine Dream
Firestarter is an action-packed thriller with dark and sinister references. That description applies to the film and to Tangerine Dream's soundtrack. As a body of work, their film music is inconsistent and uneven. There are some outstanding scores and some real clunkers. This CD is a good one. The music has strong character and integrity and the ...
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White Eagle
(1982)
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by
Tangerine Dream
Tangerine Dream experiments with an ever-widening lexicon of sound on White Eagle, though the arrangements tend to suffer for it. The album's principle work is "Mojave Plan," a four-movement, 20-minute song that represents some of the darkest music they've recorded in a while. Perhaps it was Edgar Froese's fear of nuclear annihilation that fueled ...
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