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You've Made Me So Very Happy
(2001)
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Blood, Sweat & Tears
This budget compilation, initially released by Sony Special Products and later licensed by Collectables Records for its low-priced Priceless Collection series, is not your typical hits set. Among its ten tracks, it does contain Blood, Sweat & Tears' three Top Five hits, "And When I Die," which actually topped some charts, "Spinning Wheel," and ...
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Borrowed Time
(2007)
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Steve Khan
Guitarist Steve Khan sounds quite laid-back throughout this set, even when soloing at his most passionate. He is featured in a wide variety of material and fares quite well in each setting. With bassist John Patitucci sometimes taking solo honors, Khan explores a Latinized version of "I Mean You" and an obscure Ornette Coleman tune ("Mr. and Mrs. ...
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The Green Field
(2006)
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Steve Khan
For Steve Khan's first solo release in nearly ten years, 2006's The Green Field, the guitarist assembled quite a supporting cast. Once more, Khan has called upon his old pals John Patitucci on bass and Jack DeJohnette on drums, with percussionist Manolo Badrena rounding out the cast. Despite the layoff between solo releases, it's not to say that ...
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The Colors of Latin Jazz: Cubop!
(2000)
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by
Various Artists
This CD features songs that merge blistering bebop with red-hot Afro-Cuban rhythms and what you hear is one of the most exciting styles of Latin jazz -- Cubop. This powerful collection, the second in the Colors of Latin Jazz series, spotlights essential performances by both Latin jazz pioneers and contemporary innovators that have recorded for ...
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Got My Mental
(1996)
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Steve Khan
Got My Mental is a satisfying trio date with bassist John Patitucci and drummer Jack DeJohnette, and a nice complement to Let's Call This, Khan's 1991 trio album with Ron Carter and Al Foster. As on the earlier outing, Khan includes only one original tune, focusing instead on challenging material by eminent post-bop figures. Wayne Shorter and Lee ...
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Colors of Latin Jazz: Mambo Mania!
(2002)
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by
Various Artists
While an individual artist may provide a good introduction to an unfamiliar genre, this approach is rather limited. A lone artist, no matter how talented, can only supply a partial understanding of a style. Another and perhaps more effective method is to listen to a collection like The Colors of Latin Jazz: Mambo Mania!, a collection of 11 mambos ...
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More than Ever
(1976)
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Blood, Sweat & Tears
Wounded Bird Records scores another bullseye by blessedly rescuing this jewel from the deep recesses of Columbia Records' vaults. More Than Ever was the last studio effort by the re-formed, reconstituted Blood, Sweat & Tears, with David Clayton-Thomas back in the lineup and the whole group invigorated after coming off of a successful international ...
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Jazz to the World
(1995)
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by
Various Artists
This Christmas jazz album has a wide variety of generally enjoyable performances by 16 different groups. High points include a funny version of "Baby, It's Cold Outside" by singers Dianne Reeves and Lou Rawls, a Herbie Hancock-Eliane Elias piano duet on "I'll Be Home for Christmas," and Holly Cole's "Christmas Blues." The other performers include ...
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Found Treasures
(1990)
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Blood, Sweat & Tears
This is an unusually generous and attractive release from Sony Music Special Products' budget-priced catalog, and also unusually generous at over 38-minutes' running time. Some of the material, such as "Go Down Gamblin'" and "You're the One," is readily available elsewhere, while other tracks are not. What makes this disc especially attractive to ...
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Revisited
(1996)
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Blood Sweat & Tears
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You Are Here
(1998)
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by
Steve Khan & Rob Mounsey
Steve Khan and Rob Mounsey seem interested in putting us in a sort of trance on You Are Here, but often that's more the result of our vain search for a clear cut melody than by perfect design. The guitarist and keyboardist make an intriguing tandem as they play with different world rhythms (the cover art suggests a global unity theme at work) and ...
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Jazz 101: Introduction to Latin Jazz
(2000)
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by
Various Artists
Though it's not difficult to find good songs within the rich and varied Latin jazz tradition, Concord has done a fine job here of collecting some of the best. Tito Puente's "Oyo Como Va" (which gained more fame when covered by Santana), Mongo Santamaria's "Manteca," and Ray Barretto's "Ancestral Messages" are among the highlights. Stacia ...
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The Colors of Latin Jazz: From Samba to Bomba!
(2000)
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by
Various Artists
As the fourth release in the Colors of Latin Jazz series, From Samba to Bomba! will appeal to the Latin jazz connoisseur because of its exciting array of compositions that feature the diverse rhythms of a variety of Latin cultures. From the Brazilian samba to the Puerto Rican bomba -- and a number of styles in between, including the ChaChaCha, ...
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Extended Versions
(2005)
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Blood, Sweat & Tears
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The Collection [Sony/Columbia]
(2003)
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Blood, Sweat & Tears
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Denon Jazz Sampler, Vol. 3
(1988)
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by
Various Artists
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Public Access
(1989)
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by
Steve Khan
Steve Khan is a bit of an enigma in jazz guitar circles, as he neither clearly succeeds nor fails in any of his efforts. This is an exception, however, as the presence of Dave Weckl makes for one of the best GRP releases of the '90s. Khan's sound is still a bit weak, but his compositions are strong, as is the amazing percussion of Manolo Badrena. ...
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The Blue Man
(1978)
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by
Steve Khan
Steve Khan's second release was a self-produced/arranged gem. It was similar in many respects to his prior debut, yet fans will probably recall this release as their all-around favorite from Steve Khan's '70s era recordings. The horn section and solos are still there, but Khan does more conversational soloing with the reed lines. This is ...
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Spinning Wheel
(2004)
by
Blood, Sweat & Tears
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Tightrope
(1977)
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by
Steve Khan
What do you get when you have a superb rhythm section, saucy keyboards, a hot and brassy mini-horn section, and one very tasteful jazz- and chops-laden guitarist all come together with some jazz and some fusion in mind? You have the magic of Steve Khan and the Brecker Brothers coming together. With folks like this, and Steve Gadd and Bob James too ...
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Blood, Sweat & Tears: 3 & 4
(2004)
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Blood Sweat & Tears
This U.K. reissue combines the group's third and fourth albums onto one CD, with better sound than Columbia's own domestic CD releases of the two albums. The new notes by Alan Robinson put Blood, Sweat & Tears: 3 & 4 in context with the band's larger history, and go a long way to explaining what went wrong for the group coming off of their ...
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The Collection
(1994)
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by
Steve Khan
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Casa Loco
(1983)
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by
Steve Khan
This is the third release in a series of improv-based, live studio/ live recordings Steve Khan released with bandmates Anthony Jackson, Steve Jordan, and Manolo Badrena. It has a very similar flow and groove to Eyewitness and Blades (USA release), or Modern Times on Polydor, the second release in the trio of Khan's '80s Gibson guitar tone period ...
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Eyewitness
(1981)
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by
Steve Khan
This release marked a new era for Steve Khan. Eyewitness was essentially birthed of earlier jam session/improv ideas, and the chemistry between each musician, plus polished-up ideas readied for final studio recording. Khan had returned to his college-days Gibson guitar purity of tone and a touch of reverb, laying aside his Fender Telecaster and ...
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Spinning Wheel: The Best of Blood, Sweat & Tears
(2007)
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Blood, Sweat and Tears
Picking up on the horn-driven pop-soul approach of the Buckinghams, Blood, Sweat & Tears turned out a series of impressive singles in the late '60s, led by the forceful vocals of lead singer David Clayton-Thomas. This 15-track collection has the essentials, including "Spinning Wheel," a fine version of Laura Nyro's "And When I Die," "Hi-De-Ho," ...
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