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Blues Deluxe
(1989)
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Various Artists
A 1989 reissue, this budget CD (only 39 minutes long) was recorded live at the 1980 Chicagofest. Included is Muddy Waters, Koko Taylor, Willie Dixon, and three others. Niles J. Frantz, All Music Guide
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Midnight Son
(1976)
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Son Seals
A much more polished set than its predecessor, Midnight Son is a particularly effective effort with several numbers that remained in Son Seals on-stage repertoire for quite some time -- "Telephone Angel," "On My Knees," the jumping "Four Full Seasons of Love." The addition of a brisk horn section enhanced his staccato guitar attack and ...
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The Son Seals Blues Band
(1973)
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Son Seals
The Chicago mainstay's debut album was a rough, gruff, no-nonsense affair typified by the decidedly unsentimental track "Your Love Is like a Cancer." Seals wasn't all that far removed from his southern roots at this point, and his slashing guitar work sports a strikingly raw feel on his originals "Look Now, Baby," "Cotton Picking Blues," and "Hot ...
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Live and Burning
(1978)
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Son Seals
Live and Burning lives up to its billing. Seals' smoking set, caught live at Chicago's long-gone (and definitely lamented) Wise Fools Pub, finds him attacking a sharp cross-section of material -- Detroit Junior's deliberate "Call My Job," Elmore James' "I Can't Hold Out," his own "Help Me, Somebody" -- with an outstanding band in tow, featuring ...
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Blues Masters, Vol. 9: Postmodern Blues
(1993)
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Various Artists
Blues Masters, Vol. 9: Postmodern Blues is a wonderful compendium of artists and styles illustrating the coming of blues into the mainstream. This volume features representative tracks by B.B. King, Albert Collins, Albert King, George Thorogood, Stevie Ray Vaughan, Johnny Winter, and the Fabulous Thunderbirds. The modern sound at its best, and ...
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The Alligator Records 25th Anniversary Collection
(1996)
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Various Artists
This is a specially priced, two-CDs-for-the-price-of-one photo-cube set, loaded with great stuff from Charlie Musselwhite, Koko Taylor, Lonnie Brooks, Johnny Winter, Billy Boy Arnold, Lonnie Mack, and a host of others who have trotted their wares on the label over the years. Besides giving the novice one great introduction to the label (as the ...
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The Alligator Records Christmas Collection
(1992)
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by
Various Artists
This entertaining CD serves a dual purpose, introducing listeners to many of the blues artists who have recorded for Alligator and giving consumers a rare Christmas blues record. The performers include Koko Taylor, Kenny Neal, Lil' Ed & the Blues Imperials, Katie Webster (on a rollicking "Deck the Halls With Boogie Woogie"), William Clarke, ...
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Lettin' Go
(2000)
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Son Seals
After spending his entire recording career with Alligator, Frank "Son" Seals' debut release on the Telarc Blues label is also the Chicago bluesman's first album of new material in almost six years. Although he lost part of his leg to diabetes in 1999, as somberly evidenced on the cover photo, little else has changed. Seals' gritty, booming vocals ...
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Living in the Danger Zone
(1991)
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Son Seals
The guitarist keeps his string of consecutive fine releases alive with a studio-cut disc that sizzles with bandstand-level velocity (until its last cut, anyway). "Frigidaire Woman," "Woman in Black," and "Bad Axe" rate with the highlights; the self-pitying ballad closer "My Life" is the worst thing Seals has ever put on tape for Alligator. Bill ...
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Spontaneous Combustion
(1996)
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Son Seals
Son Seals is a very powerful performer. While his vocals are full of passion, it is Seals' explosive guitar solos (egged on by a driving rhythm section along with two fine horn players who have some solo spots) that are most notable. Recorded live at Buddy Guy's Legends in Chicago, Seals' interpretations of these spirited blues would certainly ...
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Bad Axe
(1984)
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Son Seals
One of Son Seals's finest collections, studded with vicious performances ranging from covers of Eddie Vinson's "Person to Person" and Little Sonny's "Going Home (Where Women Got Meat on Their Bones)" to his own "Can't Stand to See Her Cry" and swaggering "Cold Blood." Top-drawer Windy City studio musicians lay down skin-tight grooves throughout. ...
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Chicago Fire
(1980)
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Son Seals
Son Seals in an experimental mood, utilizing chord progressions that occasionally don't quite fit together seamlessly (but give him an A for trying to expand the idiom's boundaries). Less innovative but perhaps more accessible are his smoking covers of Albert King's "Nobody Wants a Loser" and Junior Parker's "Goodbye Little Girl." Bill Dahl, All ...
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Nothing But the Truth
(1994)
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Son Seals
The grotesque cover illustration is an abomination, but the contents are right in the growling grizzly bear style that we've come to expect. Only four Seals-penned originals, but the R&B-laced "Life Is Hard" and "I'm Gonna Take It All Back" are quality efforts. So is his heartfelt tribute to Hound Dog Taylor, "Sadie." Bill Dahl, All Music Guide
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A Celebration of Blues: Great Guitarists, Vol. 3
(1996)
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Various Artists
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A Putumayo Christmas
(1994)
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Various Artists
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Blues for a Rotten Afternoon
(2000)
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Various Artists
From the "ain't nothin' more authentic" dirge of Luther "Guitar Jr." Johnson's "So Mean to Me" to the barrelhouse cluckin' of Marty Grebb's "Hen House," this blatant copy of Joel Dorn's Jazz For- series combines true tales of loss with rather peppy pleas for love, wealth, and the other anti-ingredients of the blues. In true blues, everything gets ...
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The Alligator Records 20th Anniversary Tour
(1993)
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Various Artists
Recorded on live on Alligator Records' 20th Anniversary Tour, this double disc set is a showcase for the label's artists. Featuring an array of their most popular acts -- Koko Taylor, Lonnie Brooks, Lil' Ed and the Blues Imperials, Elvin Bishop -- the record doesn't deliver any surprises, yet these performances are frequently more exciting than ...
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Genuine Houserockin' Music, Vol. 1
(1986)
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Various Artists
This is the first budget compilation sampling the blues roster of Alligator Records as it existed in its earliest incarnation. These 11 tunes capture several Chicago blues and modern soul-blues artists, including Lonnie Brooks, Koko Taylor, James Cotton, Jimmy Johnson, Hound Dog Taylor, Son Seals, Fenton Robinson, Albert Collins, as well as Johnny ...
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Hound Dog Taylor: A Tribute
(1998)
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Various Artists
In many respects, you could call Hound Dog Taylor a cult artist. Respected by bluesmen and critics alike, he built a small, devoted following across America simply by constently touring. There were no hits and very few covers of hs songs, but his rowdy concerts and incendiary records on Alligator convinced any who heard him. In the process, he put ...
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Blues Bar-B-Que
(1997)
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Various Artists
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Livin' in the House of Blues: Roadhouse Blues
(1997)
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Various Artists
This volume of the Livin' in the House of Blues series focuses on jumps and jives, and includes material from Koko Taylor ("Beer Bottle Boogie"), Amos Milburn ("One Scotch, One Bourbon, One Beer"), Muddy Waters ("Got My Mojo Working"), B.B. King's "Jump With B.B."), Lonnie Brooks ("One More Shot") and Little Walter ("Boom Boom"). Jason Ankeny, ...
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Genuine Houserockin' Music
(1986)
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Various Artists
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Telarc's Got More Blues
(2000)
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Various Artists
This is the second budget compilation sampling Telarc blues artists. All the bases are covered with this combination of veterans and up-and-coming artists. The more traditional gritty sound of Ronnie Earl (covering Muddy Waters' "Catfish Blues"), James Cotton, Terry Evans, and Robert Lockwood Jr. is contrasted with the horn- and organ-laden soul ...
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Deluxe Edition
(2002)
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Son Seals
Deluxe Edition collects 15 highlights from Son Seals' long association with Alligator Records that began in 1973. Seals' combination of gritty Chicago blues with horn-laden soul is well represented on classic tracks like "Your Love Is Like a Cancer," "Bad Axe," and "Landlord at My Door." While this is an excellent place for the Seals novice to ...
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National Geographic: Destination Chicago
(2001)
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Various Artists
A collection of the electric blues from the Windy City. These ones are culled entirely from the old Alligator and Delmark archives (surprisingly not taking from the Chess archives). This avoidance of Chess aside, there's some noteworthy stuff in here. All of the major players from the Chicago scene are represented here, from the opening of the ...
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