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Final Straw
(2004)
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Snow Patrol
With Final Straw, Snow Patrol mainman Gary Lightbody seems to take all the inspiration he's gathered from the superstar collaborators in his Reindeer Section project and bundle it into a series of earnest bombastic rock ballads. Producer Garrett Lee deserves credit up-front for expanding the band's sound even further from the lush symphonic ...
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Eyes Open
(2006)
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Snow Patrol
The anthemic indie rock sound of Snow Patrol provides a bit of hope and promise among the many acts attempting to fit into a certain genre or scene. Snow Patrol belongs to their own scene, and their third album, 2004's Final Straw, proved that with several global hit singles such as "Run," "Chocolate," "How to Be Dead," and the reissue of ...
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Singles 45's and Under
(1982)
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Squeeze
Above all, Squeeze were a great singles act -- among the finest of the era -- and Singles 45's and Under offers proof of that fact, giving a chronological survey of their biggest hits from their early, pre-breakup period. Most of the songs can be found on the actual albums, aside from the slightly different single version of "Goodbye Girl" and the ...
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New Millennium Hip-Hop Party
(2000)
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by
Various Artists
The sequel to Rhino's terrifically entertaining Millennium Hip-Hop Party compilation, New Millennium Hip-Hop Party features more of rap's best crossover pop hits, dipping a little later into the mid-'90s than its predecessor (cuts from Coolio, the Notorious B.I.G., and the Wu-Tang Clan, which demonstrate the infiltration of gangsta themes into a ...
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Very Best of Phoebe Snow
(2001)
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Phoebe Snow
This is an improvement on the similarly titled The Best of Phoebe Snow, from the early 1980s, in that it has virtually everything from the earlier anthology, but has sixteen songs, where the previous compilation has but ten. The emphasis is still on her mid-to-late-1970s work with Columbia, though it does include some tracks from other labels and ...
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The Essential Hank Snow
(1997)
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Hank Snow
In 1997, The Essential Hank Snow replaced I'm Movin' On & Other Country Hits as the one essential, single-disc retrospective of Snow's classic hits currently on the market. While it isn't quite as listenable as its direct predecessor, The Essential still captures all of Snow's styles, from Hawaiian music and country boogie to his famous traveling ...
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Live at the Beacon
(1991)
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The New York Rock and Soul Revue
Ain't no crime in having a good time and everybody partied at the New York Rock & Soul Revue held live at New York's Beacon Theater; the lineup of Phoebe Snow, Donald Fagan, Charles Brown, Michael McDonald, and Eddie and David Brigati (the Rascals) saw to that. While some performances come off as perfunctory and there's nothing you could label ...
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Phoebe Snow
(1974)
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Phoebe Snow
It's been said many times that being difficult to categorize or pigeonhole can be the kiss of death commercially, and no one bears that out more than Phoebe Snow -- a pearl of a singer who never caught on because she simply didn't fit neatly into any one category. Known primarily for her haunting single "Poetry Man," this self-titled classic ...
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12 Inches of Snow
(1993)
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Snow
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Something Real
(1989)
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Phoebe Snow
"This time when I reach out, it may be my last try," warns Phoebe Snow on the title track to her seventh album, which is her first in eight years. Perhaps with that in mind, it's a well-considered effort, and one that brought moderate success, including two Adult Contemporary chart hits in "If I Can Just Get Through the Night" (Number 13), and ...
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Against the Grain
(1978)
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Phoebe Snow
Phoebe Snow should have, could have, had hits with her covers of Paul McCartney's "Every Night" and the Roches' "The Married Men," but by her fourth Columbia album and fifth release overall, the company seems to have been content to let her records find their audience without pushing them. (Actually, "Every Night" did hit number 79 in the U.K.) ...
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Second Childhood
(1976)
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Phoebe Snow
Although it lacked a hit single to match "Poetry Man," Phoebe Snow's second album was another folk-pop-jazz confection that effectively showcased her one-of-a-kind voice in musical settings featuring the cream of New York's session musicians, and produced by Phil Ramone. It was a classy job on which Snow contributed seven originals and displayed ...
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Songs in the Key of X: Music from and Inspired by 'the X-Files'
(1996)
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by
Various Artists
This album purports to be an attempt at recursion by the creator of The X-Files, Chris Carter -- songs inspired by the show that he hopes will provide further inspiration for the show (just as Nick Cave's "Red Right Hand" did for the "Ascension" episode.) Contributions here include Mark Snow, with the title music, the Foo Fighters with a grand ...
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Best of the Best
(1998)
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by
Hank Snow
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The Best of Phoebe Snow
(1982)
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Phoebe Snow
Best of Phoebe Snow contains most of the singer/songwriter's biggest hits from the '70s, as well as several key album tracks that make this a good introduction to her work. Among the highlights are "Poetry Man," "Shakey Ground, " "Love Makes a Woman, " "Two Fisted Love," and "Never Letting Go." Stephen Thomas Erlewine, All Music Guide
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Justuss
(1997)
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by
Snow
Snow's third album finds him slowly emerging from the sophomore slump of his underwhelming Murder Love, but still not delivering any hit singles to rival the success of "Informer," from his debut. By now it's clear that he is more than just a novelty act, but he is still struggling to define a sound for himself that is something more than a hybrid ...
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Time and Love: The Music of Laura Nyro
(1997)
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by
Various Artists
When Laura Nyro passed away from ovarian cancer in spring 1997, it was as if she was given a new life. The collection Time and Love: The Music of Laura Nyro is one of the many highlights of that brief musical revival, but an earnest, impressive effort. Fourteen female artists came together to celebrate Nyro's understated warmth and desire, ...
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Dance Mix USA, Vol. 2
(1994)
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by
Various Artists
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MTV Party to Go, Vol. 5
(1994)
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by
Various Artists
The fifth volume in MTV's ongoing dance/party series accents hip-hop, current dancehall and recent urban contemporary fare in its 12 selections, showing how deeply these sounds have penetrated into the mainstream and MTV's pop/rock rotations. They also demonstrate the narrowness of commercial radio and the need for labels to segment their material ...
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Billboard Top Hits: 1993
(2000)
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by
Various Artists
Billboard's Top Hits 1993 collects ten of that year's biggest singles, including Inner Circle's "Bad Boys," Snap!'s "Rhythm Is a Dancer," the Proclaimers' "I'm Gonna Be (500 Miles)," and Duran Duran's "Ordinary World." Tracks by Tag Team, Robin S., and Snow round out this retrospective of 1993's most popular songs. Heather Phares, All Music Guide
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Natural Wonder
(2003)
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Phoebe Snow
Phoebe Snow released her last major-label album in 1989, but returned to record-making in 1998 with I Can't Complain, an all-covers album for the House of Blues label. Five years on from that, she is back on Eagle Records with Natural Wonder, which makes a case for artistic reinvention not only because it is the first disc to feature any of her ...
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The Blakes
(2007)
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The Blakes
The Blakes' full-length debut starts so promisingly, with a blast of false-start feedback leading into a genuinely funky bass groove that promises an "indie-dance" band that people will actually want to dance to. But then, about 11 seconds into "Two Times," Garnet Keim starts singing and it all goes immediately downhill. With a singer who didn't ...
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The Greatest Hits of Snow
(1997)
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Snow
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Sweets from a Stranger
(1982)
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by
Squeeze
Perhaps the accolades from East Side Story and the constant Lennon/McCartney comparisons went to their head, or maybe the strain of constant touring sapped a lot of their energy and better judgment. Whatever the case, Sweets From a Stranger suffers from self-conscious sophistication, overambition, and general lack of direction. And though the ...
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That'll Flat Git It!, Vol. 1
(1992)
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by
Various Artists
That'll Flat Git It!, Vol. 1 contains 31 tracks of '50s rockabilly culled from the vaults of RCA Victor. Originally created with hopes of rivaling the success of Elvis Presley, RCA began releasing rockabilly-flavored material. Half of these tracks just don't cut it, like Lee Denson's "New Shoes" (a painfully obvious ripoff of "Blue Suede Shoes") ...
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