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The Best of Siouxsie and the Banshees
(2002)
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Siouxsie and the Banshees
The Best of Siouxsie and the Banshees is a decent look into the eclectic world of Siouxsie Sioux. The band, however, really didn't need to release another hits collection. Once Upon a Time: The Singles (1981) and Twice Upon a Time: The Singles (1992) are comprehensive enough to stand alone. Universal aimed to make this a stylish set with glossy ...
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The Scream [Deluxe Edition]
(1978)
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Siouxsie and the Banshees
After building up an intense live reputation and a rabid fan base, Siouxsie and the Banshees almost had to debut with a stunner -- which they did, "Hong Kong Garden" taking care of things on the singles front and The Scream on the full-length. Matched with a downright creepy cover and a fair enough early producing effort from Steve Lillywhite -- ...
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Kaleidoscope
(1980)
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Siouxsie and the Banshees
After Join Hands, guitarist John McKay and drummer Kenny Morris departed the Banshees, leaving the band at a crossroads. Siouxsie Sioux and Steven Severin elected to soldier on with ex-Slits drummer Budgie and two guitarists, ex-Sex Pistol Steve Jones and John McGeoch of Magazine as guest Banshees. Despite the personnel upheaval, the result is a ...
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Once Upon a Time: The Singles
(1981)
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Siouxsie and the Banshees
Once Upon a Time: The Singles collects all ten of Siouxsie and the Banshees' A-sides spanning the years 1978-1981, with four songs otherwise unavailable on LP. It's a neat and accessible encapsulation of the group's early guitar-driven sound -- a frosty, dissonant art punk that had a tremendous impact on the emerging goth rock scene. Unlike ...
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Tinderbox
(1986)
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Siouxsie and the Banshees
Tinderbox is the most musically up-tempo of all Siouxsie and the Banshees' albums and the most stylistically consistent one since The Scream and Join Hands. Most of the selections here feature urgently rocking drumming, drivingly aggressive yet fully textured guitar playing, and masterful, gutsy singing. The songs here are intense and unfold ...
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Peepshow
(1988)
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Siouxsie and the Banshees
The switch to Yet Another Banshees Guitarist in Specimen vet Jon Klein might have been seen as a cue for a time of tentative rebuilding -- the more so because another new member, cellist Martin McCarrick, was recruited at the same time. Anything but -- heralded by the spectacular "Peek-A-Boo," interpolating what sounded like the Charleston into ...
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Juju
(1981)
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Siouxsie and the Banshees
One of the band's masterworks, Juju sees Siouxsie and the Banshees operating in a squalid wall of sound dominated by tribal drums, swirling and piercing guitars, and Siouxsie Sioux's fractured art-attack vocals. If not for John McGeoch's marvelous high-pitched guitars, here as reminiscent of Joy Division as his own work in Magazine, the album ...
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Join Hands [Bonus Tracks]
(1979)
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Siouxsie and the Banshees
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Superstition
(1991)
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Siouxsie and the Banshees
Superstition is a similar album to that of Peepshow, this time with more precise production and a lighter feeling to many of the songs. While Siouxsie and the Banshees albums like Tinderbox and Juju were dark affairs, Superstition's sound is representative of the pink of the album cover. A softer pop sound, mixed with the Banshees' penchant for ...
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Juju [Bonus Tracks]
(1981)
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Siouxsie and the Banshees
One of the band's masterworks, Juju sees Siouxsie and the Banshees operating in a squalid Wall of Sound dominated by tribal drums, swirling and piercing guitars, and Siouxsie Sioux's fractured art-attack vocals. If not for John McGeoch's marvelous high-pitched guitars, here as reminiscent of Joy Division as his own work in Magazine, the album ...
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Just Can't Get Enough: New Wave Halloween
(1998)
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by
Various Artists
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Nocturne
(1983)
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Siouxsie and the Banshees
Nocturne is a top-notch live double album recorded in 1983 at the Royal Albert Hall. The sound quality is first-rate and the band performs excellently here. The songs on this release run a wide chronological range, from early numbers like the Lennon/McCartney cover "Helter Skelter" (here given a fire-breathing performance) to their recent single ...
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The Scream [Bonus Tracks]
(1978)
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Siouxsie and the Banshees
After building up an intense live reputation and a rabid fan base, Siouxsie and the Banshees almost had to debut with a stunner, and they did, with "Hong Kong Garden" taking care of things on the singles front and The Scream as the full-length. Matched with a downright creepy cover and a fair enough early producing effort from Steve Lillywhite - ...
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Rock the First, Vol. 10
(1996)
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Various Artists
Rock the First, Vol. 10 features a cross section of early '90s modern rock hits, including Peter Murphy's "Cut You Up," Siouxsie & the Banshee's "Kiss Them for Me," Big Audio Dynamite 2's "Rush," Divinyls' "I Touch Myself," Kirsty MacColl's "Walking Down Madison," They Might Be Giant's "Birdhouse In Your Soul," Cocteau Twins' "Heaven or Las Vegas" ...
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Voices on the Air: The Peel Sessions
(2006)
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Siouxsie and the Banshees
Siouxsie & the Banshees were still unsigned and, according to the U.K. music industry, unsignable , when they visited the BBC studios for the first time; an absurd state of affairs that so wholly belied the band's live and critical acclaim that, for a time, there was talk of the BBC itself releasing their first single, a straightforward rendering ...
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Gold
(2005)
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Siouxsie and the Banshees
Ah well then, the sticker says "definitive." Let's see. The sound is pristine, pretty much as fine as a standard CD can get. There are 15 cuts on disc one with all familiar hits such as "Peek-a-Boo," "Hong Kong Garden," "Dear Prudence," "Spellbound," "Arabian Knights," "Cities in Dust," "Christine," "Israel," "Kiss Them for Me," and "Happy House." ...
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Rock She Said: Guitars & Attitudes
(1998)
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by
Various Artists
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CMJ the Year in Alternative Music 1981
(1998)
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Various Artists
The third volume in CMJ magazine's series documenting the roots of alternative rock spotlights the increasing diffusion of college radio playlists -- while tracks like X's "We're Desperate" and Black Flag's "Rise Above" continued carrying the flag for American punk and hardcore, in Britain the new trend was the emergence of synth-pop, with groups ...
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Now: 1983 [2 CD]
(1999)
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Various Artists
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Complete Punk Collection: Cash from Chaos
(2002)
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by
Various Artists
Starting with the proto-punk bands who came across Europe in the early '70s and ending with the last death throws of the genre's first incarnation in the early '80s, this is an excellent collection of classic punk music from a European point of view. The first disc concentrates on Europe's first exposure to the genre, beginning with the sloppy ...
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Billboard Top Modern Rock Tracks 1991
(1991)
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Various Artists
Considerably more uneven and unfocused than its predecessor, Billboard Top Modern Rock Tracks: 1991 contains the last gasp of the pre-grunge/pre-dance era of alternative rock. While Primal Scream's "Movin' On Up" points in the direction that English alternative rock would follow over the course of the decade, most of the record is comprised of ...
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D.I.Y.: The Modern World: UK Punk II (1977-78)
(1993)
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Various Artists
Picking up where the first volume of D.I.Y.: U.K. Punk left off, D.I.Y.: The Modern World: UK Punk II (1977-78) captures the moment when punk began to fracture into post-punk, hardcore, and new wave. There are still some straightforward punk anthems from the Jam ("The Modern World"), the Buzzcocks ("What Do I Get?"), the Rezillos ("[My Baby Does] ...
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The Best of Siouxsie and the Banshees [2-CD]
(2002)
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Siouxsie and the Banshees
The Best of Siouxsie and the Banshees is a decent look into the eclectic world of Siouxsie Sioux. The band, however, really didn't need to release another hits collection. Once Upon a Time: The Singles (1981) and Twice Upon a Time: The Singles (1992) are comprehensive enough to stand alone. Universal aimed to make this a stylish set with glossy ...
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Twice Upon a Time: The Singles
(1981)
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Siouxsie and the Banshees
Siouxsie Sioux has always maintained that it was not her intention to create the goth rock movement. While that lofty statement may be a little self-serving, it's partly right. The Banshees' post-1982 singles (documented in entirety on Twice Upon a Time) have a lush and expansive sound that directly influenced the goth sound. From the opening of ...
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Through the Looking Glass
(1987)
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Siouxsie and the Banshees
Following Tinderbox's success but still not working as well with John Valentine Carruthers as they could have, Siouxsie and the Banshees kept him on for one further album -- a covers collection, much in the vein of band inspiration David Bowie's Pin-Ups. Through the Looking Glass is more than a time killer but less than a total success -- if ...
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