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Significant Other
(1999)
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Limp Bizkit
Limp Bizkit made their reputation through hard work, touring the hell out of their debut album Three Dollar Bill Y'All and thereby elevating themselves to the popularity status of their similarly rap-inflected, alt-metal mentors Korn. With their second album, Significant Other, they come close to reaching Korn's artistic level; at the very least, ...
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Chocolate Starfish and the Hotdog Flavored Water
(2000)
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by
Limp Bizkit
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Results May Vary
(2003)
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by
Limp Bizkit
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Contours [Blue Note Connoisseur]
(1965)
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by
Sam Rivers
On Contours, his second Blue Note album, tenor saxophonist Sam Rivers fully embraced the avant-garde, but presented his music in a way that wouldn't be upsetting or confusing to hard bop loyalists. Rivers leads a quintet featuring trumpeter Freddie Hubbard, pianist Herbie Hancock, bassist Ron Carter, and drummer Joe Chambers through a set of ...
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Inspiration
(1999)
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by
Sam Rivers & the Rivbea All-Star Orchestra
Prior to Inspiration, Sam Rivers hadn't recorded for a major label in nearly 20 years, and he hadn't cut a studio session in two decades. That doesn't mean he was inactive; he was teaching, playing, and giving concerts but never recording. Aware that many of Rivers' big-band compositions -- not only his recent material, but some earlier works as ...
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Take a Look Around, Pt. 1 [UK CD]
(2000)
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by
Limp Bizkit
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Significant Other [Clean]
(1999)
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by
Limp Bizkit
Limp Bizkit made their reputation through hard work, touring the hell out of their debut album Three Dollar Bill Y'All, and thereby elevating themselves to the popularity status of their similarly rap-inflected, alt-metal mentors, Korn. With their second album, Significant Other, they come close to reaching Korn's artistic level; at the very least ...
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Three Dollar Bill Y'all [Clean]
(1998)
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by
Limp Bizkit
With their major-label debut, Three Dollar Bill Y'All, Limp Bizkit quickly rose to the top of the alt-metal subgenre known as "rapcore." Part of the reason the band stood out from their peers was their kinetic, frenzied energy. They might not have many original ideas -- they are largely an outgrowth of Korn, Faith No More, and the Red Hot Chili ...
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My Generation [Flip CD Single]
(2000)
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by
Limp Bizkit
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Celebration
(2004)
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by
Sam Rivers
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Take a Look Around [France CD #2]
(2000)
by
Limp Bizkit
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Violet Violets
(2005)
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by
Sam Rivers
Recorded during the same sessions as Purple Violets, Violet Violets features veteran reed player Sam Rivers, bassist Ben Street, and drummer Kresten Osgood, though vibraphonist Bryan Carrott is omitted from these tracks. The lack of a keyboard makes little difference as the trio explores its adventurous music, an aggressive form of post-bop ...
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Results May Vary [Japan Bonus Tracks]
(2003)
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by
Limp Bizkit
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Re Arranged [Import CD Single]
(2000)
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by
Limp Bizkit
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My Way [Import CD #2]
(2001)
by
Limp Bizkit
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Official Interview CD
(2000)
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by
Limp Bizkit
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Behind Blue Eyes [UK CD]
(2003)
by
Limp Bizkit
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Maximum Bizkit
(2000)
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by
Limp Bizkit
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Contours
(1965)
more music like this
by
Sam Rivers
On Contours, his second Blue Note album, tenor saxophonist Sam Rivers fully embraced the avant-garde, but presented his music in a way that wouldn't be upsetting or confusing to hard bop loyalists. Rivers leads a quintet featuring trumpeter Freddie Hubbard, pianist Herbie Hancock, bassist Ron Carter, and drummer Joe Chambers through a set of ...
see all copies from $14.70!
new only from $14.70!
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Rollin'
(2000)
by
Limp Bizkit
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My Generation, Pt. 1
(2000)
by
Limp Bizkit
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Streams
(1973)
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by
Sam Rivers
Since his final Blue Note session in 1967, Sam Rivers' music got freer and freer, as audiences were able to hear when he signed to Impulse at the beginning of the '70s. Streams was the recorded apex of his early-'70s move into full-fledged free jazz, a continuous 50-minute trio improvisation recorded live at the 1973 Montreux Jazz Festival. The ...
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The Collection
(2008)
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by
Limp Bizkit
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Purple Violets
(2005)
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by
Sam Rivers
Danish drummer Kresten Osgood was pleased with his small-group Purple Violets, but the young musician needed an added catalyst, so he recruited octogenarian Sam Rivers to travel from Florida to New York for these remarkable studio sessions. Joined by vibraphonist Bryan Carrott and bassist Ben Street, they open with a stimulating remake of Rivers' ...
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City of Neighbourhoods
(2005)
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by
Nojo/Sam Rivers
If proof were ever needed that avant-garde jazz can be fun, witty, and colorful, one listen to "The Human Blockhead" from this CD would be perfect evidence. Nojo, a superb nonet organized by guitarist Michael Occhipinti and keyboardist Paul Neufeld (the band's two arranger-composers), is versatile enough to play modern mainstream jazz as well as ...
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