Your search: Music » Artist: Robert King
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In the Court of the Crimson King
(1969)
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King Crimson
This reissue of King Crimson's debut, In the Court of the Crimson King (1969), renders all previous pressings obsolete. In the late '90s, Robert Fripp remastered the entire Crimson catalog for inclusion in a 30th anniversary edition. Nowhere was the upgrade more deserved (or necessary) than on this rock & roll cornerstone. Initially, King Crimson ...
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Red
(1974)
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King Crimson
King Crimson fell apart once more, seemingly for the last time, as David Cross walked away during the making of this album. It became Robert Fripp's last thoughts on this version of the band, a bit noiser overall but with some surprising sounds featured, mostly out of the group's past -- Mel Collins' and Ian McDonald's saxes, Marc Charig's cornet, ...
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Lizard
(1970)
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King Crimson
Lizard is very consciously jazz-oriented -- the influence of Miles Davis (particularly Sketches of Spain) being especially prominent -- and very progressive, even compared with the two preceding albums. The pieces are longer and have extensive developmental sections, reminiscent of classical music, and the lyrics are more ornate, while the subject ...
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Larks' Tongues in Aspic
(1973)
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King Crimson
King Crimson reborn yet again -- the newly configured band makes its debut with a violin (courtesy of David Cross) sharing center stage with Robert Fripp's guitars and his Mellotron, which is pushed into the background. The music is the most experimental of Fripp's career up to this time -- though some of it actually dated (in embryonic form) back ...
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The Power to Believe
(2003)
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King Crimson
The Power to Believe (2003) marks the return of King Crimson for the group's first full-length studio release since ConstruKction of Light (2000). While it draws upon material featured on the live Level Five (2001) and studio Happy with What You Have to Be Happy With (2002) extended-play discs, there are also several new sonic sculptures included. ...
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The Collectable King Crimson, Vol. 1 [Discipline]
(2006)
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King Crimson
Out of all the many King Crimson line-ups over the years, one of the hardest rocking was undoubtedly one from the early '70s (comprised of Robert Fripp, John Wetton, Bill Bruford, and David Cross) -- especially when they hit the concert stage. And this is proven once again by the release of the 2006 double-disc set The Collectable King Crimson, ...
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The Great Deceiver, Vol. 2
(2007)
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King Crimson
It may not be in the same form but at the very least it is available again. In 1992, Robert Fripp, in association with Caroline Records, released The Great Deceiver (Live 1973-1974). It was a lavish four-CD box, packaged in a long box with an amazing book that exceeded all previous efforts to document their live offerings. In contrast, the ...
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Discipline [30th Anniversary Edition] [Bonus Track]
(2005)
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King Crimson
When King Crimson leader Robert Fripp decided to assemble a new version of the band in the early '80s, prog rock fans rejoiced, and most new wave fans frowned. But after hearing this new unit's first release, 1981's Discipline, all the elements that made other arty new wave rockers (i.e., Talking Heads, Pere Ubu, the Police, etc.) successful were ...
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Starless and Bible Black [30th Anniversary Edition]
(2005)
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King Crimson
Starless and Bible Black is even more powerful and daring than its predecessor, Larks' Tongues in Aspic, with jarring tempo shifts, explosive guitar riffs, and soaring, elegant, and delicate violin and Mellotron parts scattered throughout its 41 minutes, often all in the same songs. The album was on the outer fringes of accessible progressive rock ...
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Earthbound
(2002)
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King Crimson
The most obscure of the original King Crimson's LPs and the last to get reissued on CD, Earthbound is an anomaly in the group's output. Recorded along the final tour of the Robert Fripp/Boz Burrell/Ian Wallace/Mel Collins lineup in the late winter of 1972, the album was always notorious for its abysmal sound and for showcasing a band that was in ...
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Starless and Bible Black
(1974)
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by
King Crimson
Starless and Bible Black is even more powerful and daring than its predecessor, Larks' Tongues in Aspic, with jarring tempo shifts, explosive guitar riffs, and soaring, elegant, and delicate violin and Mellotron parts scattered throughout its 41 minutes, often all in the same songs. The album was on the outer fringes of accessible progressive rock ...
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In the Wake of Poseidon
(1970)
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King Crimson
King Crimson opened 1970 scarcely in existence as a band, having lost two key members (Ian McDonald and Michael Giles), with a third (Greg Lake) about to leave. Their second album -- largely composed of Robert Fripp's songwriting and material salvaged from their stage repertory ("Pictures of a City" and "The Devil's Triangle") -- is actually ...
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Islands
(1971)
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King Crimson
The weakest Crimson studio album from their first era is only a real disappointment in relation to the extraordinarily high quality of the group's earlier efforts. The songs are somewhat uneven and draw from three years of inspiration. "The Letter" is an adaptation of "Drop In," a group composition that was featured in the early set of the ...
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Discipline
(1981)
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King Crimson
When King Crimson leader Robert Fripp decided to assemble a new version of the band in the early '80s, prog rock fans rejoiced, and most new wave fans frowned. But after hearing this new unit's first release, 1981's Discipline, all the elements that made other arty new wave rockers (i.e., Talking Heads, Pere Ubu, the Police, etc.) successful were ...
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Beat
(1982)
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King Crimson
Beat is not as good as its predecessor (1981's Discipline), but it's not too shabby, either. The '80s version of King Crimson (Robert Fripp, guitar; Adrian Belew, vocals/guitar; Tony Levin, bass; and Bill Bruford, drums) retains the then-modern new wave sound introduced on Discipline. The band's performances are still inspired, but the songwriting ...
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THRAK
(1995)
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King Crimson
The only progressive rock band from the '60s to be making new, vital, progressive music in the '90s, King Crimson returned from a ten-year exile in 1995 with THRAK, their first album since 1984's 3 of a Perfect Pair. As with the '80s band, guitarist/ringleader Robert Fripp recruited singer/guitarist Adrian Belew, bassist Tony Levin, and drummer ...
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The Condensed 21st Century Guide to King Crimson: 1969-2003
(2006)
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King Crimson
King Crimson is a decidedly unwieldy band. Spanning more than 35 years (as of this writing) and at least seven distinct lineups, and complicated by the studio vs. live dichotomy (not to mention no hits to speak of), this is a band that almost refuses to be anthologized. Anything less than a box set doesn't really do the band justice, but anything ...
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The ConstruKction of Light
(2000)
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King Crimson
King Crimson, one of the few first-generation progressive rock bands to remain nearly consistent in the quality of their output throughout their career, fall flat with The ConstruKction of Light, the band's 12th studio album. Unable to shed the weight of their oft-brilliant history, the most promising moments of ConstruKction are crushed ...
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VROOOM
(1994)
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King Crimson
To reward longtime King Crimson fanatics who waited ten long years (1984-1994) for new studio material, the band issued this EP of six tracks that would (for the most part) later appear on the full-length THRAK. The band is caught at its rawest and most passionate, erasing any doubts that may have surfaced concerning whether the regrouped KC could ...
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Pure Blues
(2001)
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by
Various Artists
The "pure" in the Pure series initially suggested the unadulterated, soothing dulcet tones of new age in the Pure Moods discs, but as the series took off, Universal Music realized they had a real marketable brand name here, so they decided to use it for different genres. The one thing that all the collections shared was that they were exceptional ...
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The Great Deceiver, Vol. 1
(2007)
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King Crimson
It may not be in the same form but at the very least it is available again. In 1992, Robert Fripp, in association with Caroline Records, released The Great Deceiver (Live 1973-1974). It was a lavish four-CD box, packaged in a long box with an amazing book that exceeded all previous efforts to document their live offerings. In contrast, the ...
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Night Watch
(1998)
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King Crimson
The Night Watch is a terrific live album capturing the third incarnation of King Crimson -- featuring Robert Fripp, John Wetton, Bill Bruford, and David Cross -- at the Amsterdam Covertgebouw on November 23, 1973. Some Crimson fans consider this lineup to be the most musically adept in the band's history, and the dense, yet dexterous, playing will ...
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Chess Blues
(1992)
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Various Artists
Chess Blues is a superlative four-CD box set featuring important tracks by all the main stars of the label (Muddy Waters, Howlin' Wolf, Little Walter, Sonny Boy Williamson), as well as much previously unreleased material. A well-done retrospective of Chicago blues in its heyday, as recorded by America's greatest blues label, Chess. Cub Koda, All ...
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USA: 30th Anniversary Edition [Bonus Tracks]
(2002)
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King Crimson
USA (1974) is a single-disc concert package documenting King Crimson during the quartet's most concurrent swing through North America. As with its predecessor, USA was also issued as a sonic cenotaph of the concurrently defunct Krim. So insistent that the band would not be resurrected, Robert Fripp at the time concluded the LP's liner notes with ...
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Vrooom Vrooom
(2001)
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King Crimson
This is a two-CD collection capturing King Crimson during a pair of multi-night stands at The Longacre Theater in New York City (November 20-25, 1995) and The Metropolitan Theater in Mexico City (August 2-6, 1996). This double-trio lineup includes the talents of: Robert Fripp (guitar, soundscapes), Adrian Belew (guitar, vocals), Trey Gunn (touch ...
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