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Richard Marx

Richard Marx (1987) more music like this

by Richard Marx

Richard Marx's self-titled debut album was a finely crafted record of mainstream pop/rock. Marx understood how the melodies of up-tempo rockers like "Don't Mean Nothin'" are driven by thick power chords, and how arrangements are as important as melody in ballads like "Hold On to the Nights." Filled with carefully constructed radio-ready tracks, it ...

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Repeat Offender

Repeat Offender (1989) more music like this

by Richard Marx

Richard Marx's second album is almost as strong as his first, even if it shows that his songwriting has a tendency to slip into sappy, saccharine clichés. Nevertheless, it contains some major hit singles -- "Satisfied," "Right Here Waiting," "Angelia," "Children of the Night," and "Too Late to Say Goodbye." Stephen Thomas Erlewine, All Music ...

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Paid Vacation

Paid Vacation (1994) more music like this

by Richard Marx

With 1993's Paid Vacation, Richard Marx's career was steered from more rock-leaning territory to the softer and friendlier landscape of adult contemporary, and the resulting album was much warmer and organic than his previous releases, most notably 1991's dark and brooding Rush Street. Paid Vacation's lead single, the acoustic ballad "Now and ...

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Rush Street

Rush Street (1991) more music like this

by Richard Marx

Richard Marx's 1991 release, Rush Street, is a varied album that was billed as "the dark side of Richard Marx," and was also his last true rock & roll album (subsequent releases found him venturing almost exclusively into the adult contemporary domain). Rush Street explores different musical territories, with almost each song emerging as a ...

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My Own Best Enemy

My Own Best Enemy (2004) more music like this

by Richard Marx

My Own Best Enemy arrives in the midst of Richard Marx's thriving career as a producer and songwriter, and in particular his Song of the Year Grammy with Luther Vandross for "Dance With My Father." You'd think these successes would sour him on another solo outing, especially since 1997's Flesh & Bone and the 2000 self-released LP Days in Avalon ...

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Billboard Top Hits: 1994

Billboard Top Hits: 1994 (2000) more music like this

by Various Artists

Billboard Top Hits: 1994 collects ten of the year's biggest singles, including US3's "Cantaloop," Crash Test Dummies' "Mmm, Mmm, Mmm, Mmm," Ini Kamoze's "Here Come the Hotstepper," and Ace of Base's "The Sign." Jon Secada's "If You Go" and R. Kelly's "Bump N' Grind" are some of the other highlights from this somewhat scattered compilation of pop, ...

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Rock On: 1988

Rock On: 1988 (1996) more music like this

by Various Artists

Volume 19 in Madacy's year-by-year overview of the biggest hits of the '70s and '80s is the best of the series' late-period collections -- smashes like the Church's "Under the Milky Way," Ziggy Marley & the Melody Makers' "Tomorrow People" and INXS' "New Sensation" still pack a punch that many other hits of the era fail to deliver. Chuck Donkers ...

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Billboard Top Hits: 1988

Billboard Top Hits: 1988 (1988) more music like this

by Various Artists

If there's anything the Billboard Top Hits compilations documenting 1985 through 1989 indicate, it's that the period covered wasn't exactly pop music's most glorious era. Not only was there a lot of rock music being made that aged almost instantly; the mainstream had yet to fully embrace rap music, and a lot of the production qualities ...

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Until I Find You Again

Until I Find You Again (1997) more music like this

by Richard Marx

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Tapestry Revisited: A Tribute to Carole King

Tapestry Revisited: A Tribute to Carole King (1995) more music like this

by Various Artists

Carole King's 1971 album Tapestry was one of the best-selling LPs of the early '70s and has had a lasting influence on pop singer/songwriters ever since. The idea of this tribute album was to re-create the album track-for-track using other artists. Since King had begun her career as a songwriter, with songs such as "Will You Love Me Tomorrow?" and ...

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At the Beginning (1997) more music like this

by Donna Lewis & Richard Marx

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For Our Children Too (1996) more music like this

by Various Artists

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Flesh & Bone (1997) more music like this

by Richard Marx

Flesh & Bone is an improvement from Paid Vacation, mainly because Richard Marx isn't trying as hard to be contemporary. Marx has accepted, more or less, that he isn't fighting for a position in the Top 40 and has resigned himself to the adult contemporary charts. While that means Flesh & Blood doesn't even rock as hard as, say, "Don't Mean Nothin' ...

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Kuschelrock, Vol. 7 (1999) more music like this

by Various Artists

Distributed in Europe, the Kuschelrock series is often uneven in its attempts to throw pop hits of all stripes together in one package, taking little consideration into the fact that most people don't have wildly diverse taste in music. The seventh volume of the series is quite scattershot, bounding from early-'80s arena rock to ultrahumble '90s ...

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It Stands for All (1996) more music like this

by Various Artists

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Friends for Life [Lightyear] (1996) more music like this

by Various Artists

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Keep Coming Back (1991) more music like this

by Richard Marx

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Superstars of Christmas 1995 (1995) more music like this

by Various Artists

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Way She Loves Me/Now & Forever (1994) more music like this

by Richard Marx

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Soft Love [2000 2CD] (2000) more music like this

by Various Artists

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Pure Love (2000) more music like this

by Various Artists

Pure Love gathers 17 of the most romantic songs of the '70s, '80s, and '90s, from R&B ballads like Marvin Gaye's "Let's Get It On" and Brian McKnight's "Anytime" to Lillith Fair love songs like Sheryl Crow's "Strong Enough" and Paula Cole's "I Don't Want to Wait." Highlights include Rod Stewart's "Reason to Believe," the Commodores' "Still," the ...

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Wedding Album, Vol. 2 (1997) more music like this

by Various Artists

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Now & Forever (1994) more music like this

by Richard Marx

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When You're Gone/Right Here Waiting (2004) more music like this

by Richard Marx

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Billboard Top Hits: 1989 (1989) more music like this

by Various Artists

Rock and generic pop dueled for supremacy on the charts in 1989, while R&B was completely shut out except for the light urban influence displayed by New Kids On The Block. Martika, Donny Osmond, and Debbie Gibson represented the non-threatening hit brigade, while Bad English, Tears For Fears, and Warrant checked in for the rockers, and The Bangles ...

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