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The Platinum Collection, Vol. 1-3
(2001)
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by
Queen
Queen's The Platinum Collection collection places the group's three previously released Greatest Hits albums into one box set -- colored platinum, of course. Although this doesn't serve much use for fans that already have all three collections -- or all of the albums, for that matter -- it is useful for listeners that want to get all three discs ...
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Classic Queen
(1992)
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by
Queen
Essentially, this 17-track album is a second-volume Queen's Greatest Hits, picking up the story from that album's 1981 release and taking it to the end of Queen's career. But the album also contains a few tracks -- "Bohemian Rhapsody," "Keep Yourself Alive," and "Under Pressure" -- that appeared on that first set, as well as a couple -- "Stone ...
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Greatest Hits [Hollywood]
(1992)
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by
Queen
This is going to take a little explaining. In 1981, when it was contracted to Elektra Records in the U.S., Queen released an album called Greatest Hits (Elektra 564), which contained 14 songs that chronicled singles from 1973 to 1981. In 1990, Hollywood Records acquired CD rights to Queen's catalog, by which time the Elektra Greatest Hits had gone ...
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A Night at the Opera [Bonus Tracks]
(1975)
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by
Queen
Queen were straining at the boundaries of hard rock and heavy metal on Sheer Heart Attack, but they broke down all the barricades on A Night at the Opera, a self-consciously ridiculous and overblown hard rock masterpiece. Using the multi-layered guitars of its predecessor as a foundation, A Night at the Opera encompasses metal ("Death on Two Legs, ...
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Greatest Hits, Vols. 1 & 2
(1995)
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by
Queen
Queen's greatest-hits collections have contained different track listings throughout the world. In the band's native England they scored more hits than anywhere else, hence their compilations are usually more extensive. When Hollywood Records purchased the U.S. Queen catalog in the early '90s, the label reissued the long out of print Greatest Hits ...
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Zydeco [Putumayo]
(2000)
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by
Various Artists
Zydeco is the favored social and dance music of Louisiana's Creole population, who are the descendants of African and Afro-Caribbean slaves and free people of color. The related Cajun style occupies a similar place in the lives of a nearby white community, whose ancestors were a colony of French settlers called Acadians. Creoles are proud of their ...
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Made in Heaven
(1995)
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by
Queen
During the 1980s, Queen ceased to be a big record seller in the U.S., but maintained its superstar status at home. In the '90s, following the death of Freddie Mercury, there was a brief resurgence of interest in America triggered by the inclusion of "Bohemian Rhapsody" in the movie Wayne's World. But in 1995, when the surviving members got around ...
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Greatest Hits [We Will Rock You Edition]
(2000)
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by
Queen
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A Kind of Magic [Bonus Track] [Hollywood]
(1986)
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by
Queen
By the release of 1986's A Kind of Magic, Queen's stature as a prominent rock band in the U.S. had slipped considerably, while in all other parts of the world (especially Europe), they remained superstar hitmakers. A Kind of Magic was their biggest album yet in England, where it reached number one, remained on the charts for 63 weeks, and spawned ...
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News of the World [Bonus Tracks]
(1977)
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by
Queen
If Day at the Races was a sleek, streamlined album, its 1977 successor, News of the World, was its polar opposite, an explosion of styles that didn't seem to hold to any particular center. It's front-loaded with two of Queen's biggest anthems -- the stomping, stadium-filling chant "We Will Rock You" and its triumphant companion, "We Are the ...
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Instant Party Disc: Regular Strength
(1999)
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by
Various Artists
The idea behind Rhino's Instant Party Disc series is that any compilation bearing the label Instant Party Disc is guaranteed to turn the lamest gathering into a rip-roaring bash. Which is why there's nothing but party favorites here, regardless of style, genre or decade -- "Celebration," "We Are Family," "Tequila," "Rock This Town," "Mickey," ...
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Trav'lin' Light
(2007)
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by
Queen Latifah
Trav'lin' Light, Queen Latifah's follow-up to her first collection of pop standards, The Dana Owens Album (2004), is, if anything, even better than that Grammy-nominated set. Contemporary performers often get into trouble when they take on music of the pre-rock era, but this one, who is by now so far removed from her origins that she probably ...
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The Crown Jewels
(1998)
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by
Queen
The eight-CD Queen box set The Crown Jewels boasts remastered versions of the band's first eight studio albums (from 1973-1980) and a booklet that contains an essay by MTV VJ Matt Pinfield and images from the original record inserts. Each of the CD jewel cases have been made to look like replicas of the original records (with cardboard embossed ...
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The Edge of Christmas
(1995)
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by
Various Artists
There's nothing dangerous about The Edge of Christmas, rather it's a collection of contemporary Christmas songs suitable for play at even the most conservative family gathering-save for one punky number by the Ramones. Bookended by Queen's gorgeous anthem, "Thank God It's Christmas" and the Waitresses' new wave rap, "Christmas Wrapping," the ...
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Lilith Fair, Vol. 2
(1999)
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by
Various Artists
The souvenir soundtrack from the first Lilith Fair tour was a weighty double-disc set that attempted to capture the epic scope of the traveling festival. The second Lilith Fair -- which roamed the U.S. in 1998 -- was a little more carefully constructed, as Sarah McLachlan and her colleagues knew their demographic and expertly fulfilled their ...
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A Day at the Races
(1976)
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by
Queen
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Flash Gordon
(1981)
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by
Queen
While writing and recording The Game, Queen were asked by renowned movie director Dino DeLaurentis to provide the soundtrack for his upcoming sci-fi epic Flash Gordon. The band accepted and promptly began working on both albums simultaneously. Although at first many fans criticized Flash Gordon since it was issued as an official Queen release ...
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Black Reign
(1993)
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by
Queen Latifah
Black Reign marked Latifah's move to Motown, and was also a return to the tough-talking, lyrically frank, frequently controversial material that established her as arguably the finest female rapper. "Coochie Bang" and "Weekend Love" were harsh and explicit attacks on would-be hit-and-run lovers, while "Just Another Day" and "I Can't Understand" ...
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Harley Davidson Road Songs, Vol. 2
(1998)
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by
Various Artists
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Live Magic
(1986)
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by
Queen
As Queen's second live album, Live Magic might appear to be a bit unnecessary, but a closer look reveals that it's a better record than the previous Live Killers. Culled from a variety of dates from the 1986 Kind of Magic tour but concentrating on the final show at Knebworth, Live Magic captures Queen, and Freddie Mercury in particular, at the ...
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Innuendo
(1991)
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by
Queen
Unbeknownst to the public, Freddie Mercury had been diagnosed with the AIDS virus in the late '80s. Although his health weakened by the '90s, Mercury insisted that the band work on music until the very end; their final album turned out to be 1991's Innuendo. Although it didn't receive the same critical praise as its predecessor, 1989's The Miracle ...
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Ain't Nuthin' But a She Thing
(1995)
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by
Various Artists
Surprising fact: less than 5% of all philanthropic dollars annually in the U.S. are granted specifically to women and girls, and virtually all clinical trials are done on men. This realization, sparked by the breast cancer death of a well-respected executive at Sire Records, prompted colleagues to start The Shirley Divers Foundation for Women, the ...
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Jock Rock, Vol. 2
(1995)
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by
Various Artists
Tommy Boy and ESPN were reunited in 1995, when Tommy Boy released Vol. 2 of its Jock Rock series. Like its predecessor, Vol. 2 focuses on a variety of well known rock and R&B smashes that have been used at American sporting events and creates a sports-like ambiance through the use of organ riffs, crowd applause and other devices. Exuberance was a ...
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Return of the Champions
(2005)
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by
Queen/Paul Rodgers
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The Good, the Bad & the Queen
(2007)
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by
The Good, the Bad & the Queen
Around the turn of the millennium -- just after the release of Blur's moody sixth album, 13 -- Damon Albarn began to quietly back away from the very concept of fronting a rock band, turning his attention to a series of collaborative projects that soon overshadowed his main gig. First there was the electro-bubblegum group Gorillaz, which afforded ...
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