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The Early Years
(2000)
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by
Phil Ochs
This is actually an expanded version of the Vanguard CD Live at Newport, although it isn't billed as such. It includes all 13 songs from that album, prefacing them with seven studio tracks that Ochs did for the 1964 Vanguard compilation LP The Original New Folks, Vol. 2. Even if you think you own everything by Ochs, you'll need this if you're a ...
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All the News That's Fit to Sing
(1964)
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by
Phil Ochs
Early on in his career, someone described Phil Ochs as a "singing journalist," and his first album, All the News That's Fit to Sing, represented the state of the art in topical songs in 1964. That presents a bit of a problem when listening to it today; Ochs's debut is so much a product of its time and place that it just sounds perplexing a few ...
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I Ain't Marching Anymore
(1965)
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by
Phil Ochs
What a difference a year made for Phil Ochs -- his 1964 debut, All the News That's Fit to Sing, gained him a reputation as the most promising songwriter to come out of the Greenwich Village folk scene since Bob Dylan, and 1965's I Ain't Marching Anymore proved he was every bit as good as his press clippings said. Ochs had grown by leaps and bounds ...
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Songs of Protest
(1991)
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by
Various Artists
Of course there are too many noteworthy songs of protest to fit onto one collection, even (or especially) if you're limiting yourself to the '60s, as Rhino does on this compilation. Still, it does a good job of mixing monster hits by Barry McGuire, Sonny Bono, Dion, the Kingston Trio, the Temptations, and Edwin Starr with more obscure cuts. ...
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There and Now: Live in Vancouver
(1990)
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by
Phil Ochs
This is the definitive Phil Ochs live album, found in a search of tape vaults 21 years after the fact. A "lost" 1968 concert, with poet Allen Ginsberg playing the bells on (you guessed it!) "The Bells," and featuring the best parts of his concert repertory, old and new, from "The Highwayman" through "William Butler Yeats Visits Lincoln Park and ...
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Tape From California
(1968)
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by
Phil Ochs
On his fourth album, Pleasures of the Harbor, Phil Ochs broke from both his topical songwriting style and his acoustic folk music approach for an album of long, poetic songs set to elaborate, eclectic arrangements. For its follow-up, Tape From California, he combined his earlier and more recent styles, addressing such issues as war and union ...
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Live at Newport
(1996)
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by
Phil Ochs
Live at Newport features a dozen songs from Phil Ochs' performances at the 1963, 1964, and 1966 Newport Folk Festival. Four of these cuts were previously available on the Newport Broadside 1963 and Evening Concerts, Vol. 1 anthologies, but the rest were previously unreleased. While all of these songs are available on his studio albums, Ochs was in ...
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Greatest Folksingers of the '60s
(1972)
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by
Various Artists
Not only was Maynard Solomon's Vanguard Records one of the major folk labels of the 60s (having the prescience to pick up Joan Baez early on, and then recording the cream of the singer/songwriters thereafter), but it also had the rights to record and release material from the Newport Folk Festival, giving it access to several artists who were not ...
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Newport Folk Festival
(1991)
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by
Various Artists
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Freedom Is a Constant Struggle (Songs of the Mississippi Civil Rights Movement
(1994)
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by
Various Artists
Developed by Washington, DC, based Cultural Center For Social Change, this collection single-mindedly presents the music of that special historical summer. Artists who have contributed include Bob Dylan, Judy Collins, Peter, Paul & Mary, Odetta, Tom Paxton, the SNCC Freedom Singers, Sweet Honey in the Rock, Phil Ochs, and many others. The 40 songs ...
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Chords of Fame
(1976)
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by
Phil Ochs
Compiled by noted music archivist Michael Ochs (who was also Phil Ochs' brother and manager), Chords of Fame is a peerless overview of Phil Ochs' career in music, from his early days as a "singing journalist" penning topical numbers like "Draft Dodger Rag" and "I Ain't Marchin' Anymore" to the deeply personal introspection of his later work, as ...
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Troubadours of the Folk Era, Vol. 2
(1992)
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by
Various Artists
Here are some of the performers and their signature songs on which the '60s folk revival were based. Pete Seeger's rendition of "Turn, Turn, Turn" and Tim Hardin's "Reason to Believe" remind the listener that contemporary performances have a vital history. Other strong cuts are "There but for Fortune;" Phil Ochs, "Who Knows Where the Time Goes," ...
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Folk Hits
(1998)
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by
Various Artists
A vibrant sampler of tracks and artists from the late-'60s Vanguard Records catalog, Folk Hits includes Ian & Sylvia's fine rendition of Gordon Lightfoot's "Early Morning Rain," Phil Ochs delivering one of his finest songs, "There But for Fortune," Eric Andersen's ornate and poetic "Violets of Dawn," an elegant version by Pete Seeger of his "Where ...
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The Broadside Tapes 1
(1989)
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by
Phil Ochs
Phil Ochs left behind dozens of demos, primarily songs that he put down on tape at the West 104th Street Manhattan offices of Broadside magazine. These aren't really "demos" in the sense of showcasing the songs for possible recording; he was recording these so that Broadside's editors could print the lyrics. Thus, there are choruses left out, and ...
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The War Is Over: The Best of Phil Ochs
(1988)
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Phil Ochs
Not his best by a longshot, but a cross section of his better A&M recordings. Bruce Eder, All Music Guide
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Men and Songs
(1998)
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by
Various Artists
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Folk [Friedman]
(1994)
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by
Various Artists
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The Original New Folks
(1993)
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by
Various Artists
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Rehearsals for Retirement
(1969)
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by
Phil Ochs
On Rehearsals for Retirement, Ochs retained his poetic sense, but his songs were imbued with the conflicts of the times. The leadoff track, "Pretty Smart on My Part," the hardest-rocking number Ochs had yet recorded, is sung in the persona of a violent right-wing extremist who fantasizes about running over hitchhikers, whipping women, and finally ...
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Family Portrait
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by
Various Artists
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Vanguard Collector's Edition
(1997)
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by
Various Artists
This four-CD set isn't quite as comprehensive as it might have been. All of the major bases are covered, from Paul Robeson, the Weavers, and Count Basie to Alison Brown and John McEuen, and even Circus Maximus ("Oops -- I Can Dance") is here, with cuts by the Frost ("Sweet Lady Love") and the Third Power ("Gettin' Together"). But there's no Sandy ...
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Phil Ochs in Concert
(1966)
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by
Phil Ochs
During much of the career of this great performer, this so-called live album was the only recording that supposedly represented Phil Ochs as he was heard in concert -- in other words, solo. While his major studio albums concentrated on orchestral productions, sometimes bordering on unlistenable pretension or slightly uncomfortable band tracks, his ...
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There But for Fortune
(1989)
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by
Phil Ochs
It's often difficult to create a compilation album that does a musician justice when they recorded for more than one label, and this is certainly the case with Phil Ochs. Ochs' first three albums for Elektra were the work of a gifted but earnest topical songwriter armed with an acoustic guitar, while the five albums that followed for A&M found ...
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The Ultimate Power of Songwriters
(2002)
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by
Various Artists
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Songs from the Heart [Music Club International]
(2002)
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by
Various Artists
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