Your search: Music » Artist: Pete Townshend
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Tommy
(1969)
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The Who
The full-blown rock opera about a deaf, dumb, and blind boy that launched the band to international superstardom, written almost entirely by Pete Townshend. Hailed as a breakthrough upon its release, its critical standing has diminished somewhat in the ensuing decades because of the occasional pretensions of the concept and because of the ...
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Quadrophenia
(1973)
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The Who
Pete Townshend revisited the rock opera concept with another double-album opus, this time built around the story of a young mod's struggle to come of age in the mid-'60s. If anything, this was a more ambitious project than Tommy, given added weight by the fact that the Who weren't devising some fantasy but were re-examining the roots of their own ...
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The Ultimate Collection [Bonus Disc]
(2002)
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The Who
Following in the footsteps not only of Universal's many Ultimate Collection, but also the Beatles 1 -- a groundbreaking collection in the sense that it proved that a collection that contains all the hits will actually sell on CD (thereby proving the cynical ploy of leaving hits off a compilation in order to sell catalog is flawed) -- the Who's ...
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The Who by Numbers
(1975)
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The Who
The Who by Numbers functions as Pete Townshend's confessional singer/songwriter album, as he chronicles his problems with alcohol ("However Much I Booze"), women ("Dreaming From the Waist" and "They Are All in Love"), and life in general. However, his introspective musings are rendered ineffective by Roger Daltrey's bluster and the cloying, ...
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The Who Sell Out
(1967)
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The Who
Pete Townshend originally planned The Who Sell Out as a concept album of sorts that would simultaneously mock and pay tribute to pirate radio stations, complete with fake jingles and commercials linking the tracks. For reasons that remain somewhat ill defined, the concept wasn't quite driven to completion, breaking down around the middle of side ...
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Who's Next [Bonus Tracks]
(2001)
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The Who
Much of Who's Next derives from Lifehouse, an ambitious sci-fi rock opera Pete Townshend abandoned after suffering a nervous breakdown, caused in part from working on the sequel to Tommy. There's no discernable theme behind these songs, yet this album is stronger than Tommy, falling just behind Who Sell Out as the finest record the Who ever cut. ...
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The Who Sings My Generation
(1965)
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The Who
An explosive debut, and the hardest mod pop recorded by anyone. At the time of its release, it also had the most ferociously powerful guitars and drums yet captured on a rock record. Pete Townshend's exhilarating chord crunches and guitar distortions threaten to leap off the grooves on "My Generation" and "Out in the Street"; Keith Moon attacks ...
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Who's Next
(1971)
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The Who
Much of Who's Next derives from Lifehouse, an ambitious sci-fi rock opera Pete Townshend abandoned after suffering a nervous breakdown, caused in part from working on the sequel to Tommy. There's no discernable theme behind these songs, yet this album is stronger than Tommy, falling just behind Who Sell Out as the finest record the Who ever cut. ...
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Thirty Years of Maximum R&B
(1994)
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The Who
This four-CD collection does include all of the Who's big hits and the lion's share of their key album tracks. Previously unreleased rarities include some interesting selections (the '60s outtakes "Early Morning Cold Taxi" and "Melancholia"), but these bits and pieces, which include some live versions, commercials, Keith Moon sketches, and the ...
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Live at Leeds [Bonus Tracks]
(1995)
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The Who
Rushed out in 1970 as a way to bide time as the Who toiled away on their sequel to Tommy, Live at Leeds wasn't intended to be the definitive Who live album and many collectors maintain that the band had better shows only available on bootlegs. But those shows weren't easily available whereas Live at Leeds was, and even if this show may not have ...
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Quick One (Happy Jack) [Bonus Tracks]
(2004)
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The Who
The Who's second album is a less impressive outing than their debut, primarily because, at the urging of their managers, all four members penned original material (though Pete Townshend wrote more than anyone else). The pure adrenaline of My Generation also subsided somewhat as the band began to grapple with more complex melodic and lyrical themes ...
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Tommy [Deluxe Edition]
(2003)
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The Who
The two-CD deluxe edition of the Who's masterpiece -- a hybrid playable on both SACD and standard CD players -- is bigger, but not necessarily better. Audiophiles with the appropriate equipment will welcome the chance to hear it as remastered and remixed by Pete Townshend himself, in both stereo and (with the exception of five Townshend solo demos ...
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Endless Wire [CD/DVD]
(2006)
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The Who
The Who retired following their 1982 farewell tour but like Frank Sinatra's frequent retreats from the stage, it was not a permanent goodbye. Seven years later, the band -- Pete Townshend, Roger Daltrey and John Entwistle; that is, Keith Moon's replacement Kenny Jones wasn't invited back -- embarked on a reunion tour, and ever since then the band ...
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Live at Leeds [Deluxe Edition]
(2001)
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The Who
This two-disc set should be the final word regarding the Who's February 14, 1970, performance at Leeds University. The main impetus for consumers -- who may have repurchased this title in its various formats -- is having the entire Tommy rock opera intact. While impressive, that performance merely scratches the surface of the multifaceted sonic ...
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Who's Next [Deluxe Edition]
(2003)
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The Who
The Who's catalog was revamped in the mid-'90s, with every title (except My Generation, due to legal entanglements with producer Shel Talmy) receiving new remastering and bonus tracks. Nearly eight years later, Who's Next, one of the group's most beloved albums, was given another remastered/expanded treatment as part of Universal Chronicles' ...
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Face Dances [1997 Remaster]
(1997)
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The Who
Without Keith Moon, the Who may have lacked the restless firepower that distinguished their earlier albums, but Face Dances had some of Pete Townshend's best, most incisive compositions since Quadrophenia. "Don't Let Go the Coat" was one of his better odes to Meher Baba, "You Better You Bet" was a driving rocker, as was the rueful "Cache Cache," ...
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Like, Omigod! The '80s Pop Culture Box (Totally)
(2002)
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Various Artists
Rock criticism has two schools of thought regarding the '80s. One complains that it was all crass, commercial crap, breathing a sigh of relief that we made it through that dreck (thanks to IRS, SST, jangle pop, college rock, and hardcore punk, of course). The other celebrates the album as "cheesy" fun, full of naïve, silly singles; bad haircuts; ...
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Empty Glass [Bonus Tracks]
(2006)
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Pete Townshend
Pete Townshend was heading toward collapse as the '70s turned into the '80s. He had battled a number of personal demons throughout the '70s, but he started spiraling downward after Keith Moon's death, questioning more than ever why he did what he did (and this is a songwriter who always asked questions). Signs of that crept out on Face Dances, but ...
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White City [Bonus Track]
(2006)
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Pete Townshend
After the experimental All the Best Cowboys Have Chinese Eyes, Pete Townshend returned to a more traditional form of concept album with White City. Built around a loose narrative concerning urban despair, the album doesn't work very well conceptually, yet a handful of the individual songs are among his finest solo work, including the punchy "Face ...
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Who's Greatest Hits
(1983)
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The Who
Following their "farewell tour," MCA released yet another Who collection, the first one ever titled Greatest Hits. The compilers don't take the title literally. Sure, many of the group's biggest hits ("Substitute," "My Generation," "Magic Bus," "Pinball Wizard," "Won't Get Fooled Again," "Love, Reign O'er Me," "Squeeze Box," "Who Are You") are ...
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Odds & Sods
(1974)
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The Who
Odds & Sods, a compilation of outtakes and rarities from the Who's first decade, is a rather jumpy listen that harbors few songs that could be termed top of the line. Also, since its 1974 release, several of the tracks have been issued on other compilations, or as bonus tracks to CD reissues of legitimate Who albums. Setting your expectations at ...
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Empty Glass
(1980)
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Pete Townshend
Pete Townshend was heading toward collapse as the '70s turned into the '80s. He had battled a number of personal demons throughout the '70s, but he started spiraling downward after Keith Moon's death, questioning more than ever why he did what he did (and this is a songwriter who always asked questions). Signs of that crept out on Face Dances, but ...
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Meaty Beaty Big and Bouncy
(1971)
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The Who
Meaty Beaty Big and Bouncy has the distinction of being the first in a long line of Who compilations. It also has the distinction of being the best. Part of the reason why it is so successful is that it has an actual purpose. Meaty was designed as a collection of the group's singles, many of which never appeared on albums. The Who recorded their ...
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Another Scoop
(1987)
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Pete Townshend
Like its predecessor, Another Scoop is a collection of 27 demos Pete Townshend recorded for the Who, and if anything, it surpasses the first volume in terms of quality. Another Scoop has a greater percentage of familiar Who classics -- including "You Better You Bet," "Pinball Wizard," "Happy Jack," "Substitute," "Long Live Rock," "Pictures of Lily ...
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20th Century Masters - The Millennium Collection: The Best of The Who
(1999)
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The Who
Like any record company worth their salt, MCA knows a good gimmick when they see it, and when the millennium came around -- well, the 20th Century Masters -- The Millennium Collection wasn't too far behind. Supposedly, the millennium is a momentous occasion, but it's hard to feel that way when it's used as another excuse to turn out a budget-line ...
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