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The Very Best of Badfinger
(2000)
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Badfinger
The difference between 2000's The Very Best of Badfinger and 1995's Come and Get It: The Best of Badfinger is a simple one -- the 1995 collection concentrated on the group's Apple recordings, where the 2000 collection runs all the way until 1974's Wish You Were Here, the band's final album with Pete Ham. Not only does the collection benefit from ...
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Magic Christian Music
(1970)
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Badfinger
If Badfinger's debut album Magic Christian Music sounds patchy, there's a reason why: It was assembled from three different sources. Although the title suggests that the record is a soundtrack to The Magic Christian it isn't. It's a hodgepodge, containing the group's three contributions to the film, six highlights from the band's pre-Badfinger ...
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Straight Up
(1971)
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Badfinger
Straight Up winds up somewhat less dynamic than No Dice, largely because that record alternated its rockers, pop tunes, and ballads. Here, everything is at a similar level, as the ballads are made grander and the rockers have their melodic side emphasized. Consequently, the record sounds more unified than No Dice, which had a bit of a split ...
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No Dice
(1970)
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Badfinger
Badfinger's second album No Dice kicks off with "I Can't Take It," a rocker that signaled even if Badfinger still played pop and sang ballads, they considered themselves a rock band. What gave Badfinger character is they blended their desire to rock with their sensitive side instead of compartmentalizing. Even when they rock on No Dice, it's never ...
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Wish You Were Here
(1974)
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Badfinger
Wish You Were Here is a glistening, powerful rock record that stays true to power pop while sounding as contemporary as any mainstream rock band of the mid-'70s. It was the kind of record that could have been a hit, but due to a series of legal and managerial entanglements, it was pulled from stores before it had a chance to find its audience. ...
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7 Park Avenue
(1997)
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by
Pete Ham
Only two of these 18 tracks ("No Matter What" and "Matted Spam") were recorded by Badfinger. But the rest of these solo studio demos are quite up to scratch with Badfinger's usual standards: it's not nearly as good as Paul McCartney's late Beatles tracks, for instance, but it's actually better than McCartney's typical early solo material. Pete Ham ...
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Day After Day
(2007)
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Badfinger
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Day After Day: Live
(1990)
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Badfinger
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Badfinger
(1974)
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Badfinger
In many ways, Badfinger is a continuation of Straight Up -- an unabashed, concise pop album -- but there's one important difference: Todd Rundgren was a taskmaster on Straight Up. He may have not jelled with the band, but he brought out their best. Chris Thomas didn't work the same way, although he's equally skilled in the studio, and he made a ...
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The Concert for Bangladesh
(1971)
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George Harrison
Hands down, this epochal concert at New York's Madison Square Garden -- first issued on three LPs in a handsome orange-colored box -- was the crowning event of George Harrison's public life, a gesture of great goodwill that captured the moment in history and, not incidentally, produced some rousing music as a permanent legacy. Having been moved by ...
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Maybe Tomorrow
(1969)
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The Iveys
The story is well-known: north Wales pop group, the Iveys, are discovered by the Beatles' aide-de-camp Mal Evans, who not only signs them to Apple Records but produces their first sessions. Their first single, the glorious Bee Gees-like ballad "Maybe Tomorrow," is released in November 1968, yet it unaccountably stiffs. Disheartened, Apple shelves ...
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The Best of Badfinger
(1997)
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Badfinger
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Come and Get It
(2002)
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Badfinger
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Ass
(1973)
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Badfinger
Badfinger had seen genuine stardom slip out of its reach after Apple began to crumble, just as Straight Up and its singles "Baby Blue" and "Day After Day" scaled the charts. As a result, the band tried to recast themselves as blues-rockers on their final record for the label, perhaps in an attempt to compete with the burgeoning ranks of arena ...
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No Matter What You Are
(2007)
by
Badfinger
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Ass [Bonus Track]
(1996)
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Badfinger
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