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This Fire
(1996)
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Paula Cole
Paula Cole's songwriting and musical skills sharpened considerably on her second album, This Fire. Occasionally, she flirts a little too closely with Sarah McLachlan territory, but Cole has developed her own, subtly mature style, equally informed by textured electronics, light worldbeat influences, and soul-baring lyrics. "Where Have All the ...
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Amen
(1999)
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by
Paula Cole Band
Thanks to Paula Cole's appearance on the first Lilith Fair and "Where Have All the Cowboys Gone?," This Fire didn't really take off until nearly a year after its 1996 release; plus, its closer "I Don't Want to Wait" became nearly omnipresent in 1998. So, the gap between This Fire and its sequel, Amen, didn't feel all that long, but a cursory ...
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Harbinger
(1994)
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Paula Cole
Paula Cole wanted to produce her debut 14 track opus herself, but was "led by the hand" of her record company toward quietly unsung genius Kevin Killen. Harbinger opens with the remorseful yet poppy "Happy Home" and the acoustic breeze of "I Am So Ordinary." Cole is strong melodically and vocally, soaring high and low. She also plays it correctly ...
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Lilith Fair: A Celebration of Women in Music
(1998)
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by
Various Artists
Sarah McLachlan unexpectedly hit the financial jackpot when she launched Lilith Fair in 1997. McLachlan conceived the package tour as a way to spotlight female musicians, particularly those that were from either the alt-pop or folk genres. It worked better than anyone expected, as Lilith Fair became the hippest and most successful package tour of ...
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Live on Letterman: Music from the Late Show
(1997)
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by
Various Artists
David Letterman's The Late Show always had a long tradition of excellent musical performances -- indeed, it's one of the few places on American network television where live music thrives -- so the question that surrounds the 1997 release of Live on Letterman: Music from the Late Show isn't why, but why did it take so long? There have been enough ...
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Women & Songs [WEA]
(1998)
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by
Various Artists
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1998 Grammy Nominees
(1998)
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by
Various Artists
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Courage
(2007)
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by
Paula Cole
Once ubiquitous, as her "Where Have All the Cowboys Gone" was a staple on adult alternative radio and "I Don't Wanna Wait" served as the soundtrack to turn of the millennium teen soap Dawson's Creek, Paula Cole suddenly disappeared after her third album, Amen, failed to live up to the commercial expectations set by her 1996 breakthrough, This Fire ...
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The Best of Hard Rock Cafe Live
(2000)
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Various Artists
This album presents some of the best Hard Rock Live performances, including "Middle of the Road" by the Pretenders, "Outta Site, Outta Mind" by Wilco, as well as fine tracks from Ani DiFranco, Ben Folds Five, and Lou Reed, among others. Stacia Proefrock, All Music Guide
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Billboard Top Hits of the 90's
(2001)
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by
Various Artists
Like most first attempts at chronicling musical eras, Rhino's Billboard Top Hits of the '90s could hardly be called definitive and even as a sampler there are many songs missing. This, of course, is partially due to licensing reasons, but it's also true that it's hard to have a perspective on a decade that was a year and a half old at the time of ...
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Greatest Hits: Postcards from East Oceanside
(2006)
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by
Paula Cole
M.I.A. from the charts since the turn of the century, it would seem that Paula Cole was, in fact, due for a greatest-hits album -- if she had actually placed more than two singles, one album track, and two albums on those charts during her brief run in the '90s. With the exception of two previously unreleased tracks -- "Tomorrow I Will Be Yours" ...
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Club Mix '98
(1997)
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by
Various Artists
With 24 tracks across two discs, Club Mix '98 includes a few radio hits, from Paula Cole, R. Kelly and No Mercy, plus club hits from LaBouche, Kristine W., Snap, the Backstreet Boys and Jocelyn Enriquez. Every track is closer to a pop song than anything else, but the album is a good mid-price acquisition for anyone wanting over two hours of ...
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Where Have All the Cowboys Gone [US #1]
(1997)
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by
Paula Cole
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Where Have All the Cowboys Gone [US #2]
(1997)
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Paula Cole
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I Don't Want to Wait [CD/Cassette Single]
(1997)
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by
Paula Cole
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Double Shot: Pop Alternative
(2000)
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by
Various Artists
Alternative pop/rock is as vague and far-reaching a term as new wave was in the late '70s and early '80s. In the 1990s, the term was used to describe everyone from No Doubt, Liz Phair, and Chumbawamba to Beck, Veruca Salt, Material Issue, and Ben Folds Five. A two-CD set that K-Tel put out in early 2000, Double Shot: Pop Alternative doesn't ...
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The Live from Mountain Stage, Vol. 8
(1995)
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by
Various Artists
Volume eight in the Live From Mountain Stage series continues in the admirably eclectic tradition of its predecessors; opening with a typically impassioned performance by Ani DiFranco ("Buildings and Bridges"), the set also spotlights tracks from John Gorka ("The Gypsy Life") and an outstanding Graham Parker reading of his "Howlin' Wind." Jason ...
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Casey Kasem: America's Top 10 Through Years - The 90's
(2001)
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by
Various Artists
The '90s installment of Casey Kasem's America's Top 10 series sticks firmly to pop favorites of the decade. But that actually makes it stronger, since it would be hard to sync up, say, Amy Grant's bouncy "Baby Baby" with most of the grunge or alternative movements' heavy hitters. Instead, the comp moves through an engaging mix of adult pop, light ...
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New Millennium Love Songs
(2001)
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by
Various Artists
Though it features some songs by relatively contemporary artists -- Paula Cole's "I Don't Want to Wait" and Edwin McCain's "I'll Be" chief among them -- New Millennium Love Songs features too many selections from the '80s to truly live up to its title. While Peabo Bryson & Roberta Flack's "Tonight I Celebrate My Love," Linda Ronstadt & Aaron ...
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I Believe in Love [US CD5/Cassette Single]
(1999)
by
Paula Cole Band
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Women & Songs 2 [WEA]
(1998)
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by
Various Artists
Released in 1998, this Canadian compilation (and the second in a by now well-established series) takes tracks from 19 different female artists, many of whom happen to be Canadian. This was during the height of the Lilith Fair craze, where chick rock was played on the radio frequently, and artists like Sheryl Crow, Lilith-founder Sarah McLachlan, ...
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Climb Against the Odds
(1999)
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by
Various Artists
This soundtrack to a PBS documentary about a group of breast-cancer survivors who climb Mount McKinley consists largely of previously released tracks by popular female recording artists including Mary Chapin Carpenter, Paula Cole, Celine Dion, Nanci Griffith, k.d. lang, and Indigo Girls, several of which roughly relate to the film's plot (such as ...
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I Am So Ordinary
(1994)
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by
Paula Cole
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The Best of Club Mix
(2000)
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by
Various Artists
Best of Club Mix is a well-assembled 24-track collection which spotlights dancefloor blockbusters ranging in vintage from the late '80s to the late '90s. The disc offers a solid historical perspective spanning from M/A/R/R/S' landmark "Pump Up the Volume" to Moby's latter-day crossover smash "Bodyrock"; it's also heavy on one-hit wonders like ...
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Captured Live on Mountain Stage, Vol. 2
(1995)
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by
Various Artists
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