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Tim

Tim (1985) more music like this

by The Replacements

Let It Be made the Replacements into college radio and critical favorites, leading the group to a major-label contract with Sire. The band's major-label debut, Tim, does represent a bit of a compromise of the group's garage punk sound. Producer Tommy Erdelyi (formerly of the Ramones) helped clean up the band's sound, primarily by harnessing the ...

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Don't You Know Who I Think I Was?: The Best of the Replacements

Don't You Know Who I Think I Was?: The Best of the Replacements (2006) more music like this

by The Replacements

Great as the Replacements were, it's a little difficult to recommend one of their great albums as an introduction to the band. Sure, it's easy to see Let It Be as a masterwork of the '80s underground, capturing the group's ragged humor and heart, but it doesn't quite illustrate the depth of Paul Westerberg's songwriting the way Tim did, even if ...

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Friends: Music from the TV Series

Friends: Music from the TV Series (1995) more music like this

by Various Artists

Friends successfully targets the same demographic of the television show -- twentysomethings that have grown too old for the noise and clutter of college life, yet reluctant to give up the commraderie (and, indeed, friendship) that stress creates. So, it's a collection of '80s college rock favorites (R.E.M., Paul Westerberg), '80s college rock ...

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14 Songs

14 Songs (1993) more music like this

by Paul Westerberg

Paul Westerberg's second solo LP (we all know the Replacements' final All Shook Down was really not a band LP) is a damn sight better than his first, with a batch of really nice tunes and some renewed enthusiasm (it's not as much of a downer); still, it's hard to resist the belief that he's capable of more than this. The fault is two-fold: One, ...

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Pleased to Meet Me

Pleased to Meet Me (1987) more music like this

by The Replacements

Bob Stinson was kicked out of the Replacements after Tim, allegedly because he was unwilling to make the musical leap forward necessary for Pleased to Meet Me. With Stinson left the band's hardcore roots, leaving behind the conflicting desires of Paul Westerberg's wish to be a serious singer/songwriter and for the group to become either the Faces ...

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All Shook Down

All Shook Down (1990) more music like this

by The Replacements

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Stink

Stink (1982) more music like this

by The Replacements

Almost as if they were aware that Sorry Ma, Forgot to Take Out the Trash was masquerading as a hardcore album, the Replacements designed their second record as a mean, lean, nasty, brutish affair, the opposite of the mirthfully messy Sorry Ma. Stink wasn't even a full-fledged album -- at eight tracks, it was labeled a mini-LP, maybe just a bit ...

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Sorry Ma, Forgot to Take Out the Trash

Sorry Ma, Forgot to Take Out the Trash (1981) more music like this

by The Replacements

Part of the Replacements' appeal always was that they didn't quite fit into any tidy category and nowhere was that truer than on their 1981 debut, Sorry Ma, Forgot to Take Out the Trash. Falling over themselves to fit into the Minneapolis hardcore scene, the 'Mats played fast and loose, which was part of the problem -- they were too loose, lacking ...

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Stereo

Stereo (2002) more music like this

by Paul Westerberg

Paul Westerberg's best work has always been about passion as much as craft, and that's been the biggest sticking point with his post-Replacements solo career. From a strictly technical standpoint, his work on 14 Songs and Eventually was superior to the stuff he wrote for Hootenanny or Sorry, Ma, Forgot to Take out the Trash, but there was a heart, ...

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Don't Tell a Soul

Don't Tell a Soul (1989) more music like this

by The Replacements

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Eventually (1996) more music like this

by Paul Westerberg

Paul Westerberg's second solo album, Eventually, delivered a full three years after his debut, 14 Songs, illustrates that he has problems telling the difference between maturity and stodginess. Eventually follows the same pattern as 14 Songs, as he balances up-tempo, Stonesy rockers with introspective, folky ballads. Generally, his slower numbers ...

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Open Season [Original Soundtrack] (2006) more music like this

by Paul Westerberg

Paul Westerberg has been many things over the years and he was once notorious for being juvenile, but nothing he's done -- not the prime years of leading the Replacements when they were notorious for being the drunkest band in the land, not the cleaned-up singer/songwriter shining up his tunes for the Singles soundtrack, not the aimless aging cult ...

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Hootenanny (1983) more music like this

by The Replacements

Hootenanny is the place where the Replacements began to branch out from the breakneck punk that characterized their first two records -- which isn't quite the same thing as growing up, however. The brilliant thing about Hootenanny is that it teeters at the brink of maturity but never makes the dive into that deep pool. Paul Westerberg nevertheless ...

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All for Nothing/Nothing for All (1997) more music like this

by The Replacements

The Replacements were one of the three great American underground bands of the '80s (the other two were R.E.M. and Hüsker Dü), influencing a generation of alternative bands with their ramshackle, ragged rocking and Paul Westerberg's heart-tugging songs. In short, they were the band no one heard except for the young guitar-slingers inspired to form ...

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Besterberg: Best of Paul Westerberg (2005) more music like this

by Paul Westerberg

The Replacements were touted as the Next Big Thing for so long that when leader Paul Westerberg struck out for a solo career in 1992, that same sense of expectation carried over to the new phase of his career. Of course, 1992 was a very different time from 1984, when the 'Mats released their breakthrough Let It Be, or even 1989, when the heavily ...

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Come Feel Me Tremble (2003) more music like this

by Paul Westerberg

After the welcome and unexpected one-two punch of Stereo and Mono in spring 2002, Paul Westerberg was back in action and semi-productive again after a three-year recording layoff and an even longer spell away from the concert stage. With three albums and a documentary DVD due within a space of six months between fall 2003 and spring 2004, it is ...

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Let It Be (1984) more music like this

by The Replacements

Let It Be looms large among '80s rock albums, generally regarded as one of the greatest records of the decade. So large is its legend and so universal its acclaim that all the praise tends to give the impression that the Replacements' fourth album was designed as a major statement, intended to be something important when its genius, like so many ...

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Folker (2004) more music like this

by Paul Westerberg

Freed from the pressures of major-label record making and finally linked with a well-connected indie where he's allowed to follow his muse on his own terms, Paul Westerberg has been wildly prolific (at least by his standards) since hooking up with Vagrant Records in early 2002, releasing five albums (two as Grandpaboy) recorded in his home studio ...

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Suicaine Gratifaction (1999) more music like this

by Paul Westerberg

Former Replacements leader Paul Westerberg found himself in an awkward position throughout the '90s. Blessed with a songwriting gift that could have made him the next Springsteen, but saddled with a crippling fear of embracing the mainstream, since leaving his former band Westerberg had been faced with the unenviable task of trying to win a new ...

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Generation X [JCI Collection] (1994) more music like this

by Various Artists

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Sorry Ma, Forgot to Take Out the Trash [Deluxe Edition] (2008) more music like this

by The Replacements

Part of the Replacements' appeal always was that they didn't quite fit into any tidy category and nowhere was that truer than on their 1981 debut, Sorry Ma, Forgot to Take Out the Trash. Falling over themselves to fit into the Minneapolis hardcore scene, the 'Mats played fast and loose, which was part of the problem -- they were too loose, lacking ...

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Let It Be [Deluxe Edition] (2008) more music like this

by The Replacements

Let It Be looms large among '80s rock albums, generally regarded as one of the greatest records of the decade. So large is its legend and so universal its acclaim that all the praise tends to give the impression that the Replacements' fourth album was designed as a major statement, intended to be something important when its genius, like so many ...

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Stink [Deluxe Edition] (2008) more music like this

by The Replacements

Almost as if they were aware that Sorry Ma, Forgot to Take Out the Trash was masquerading as a hardcore album, the Replacements designed their second record as a mean, lean, nasty, brutish affair, the opposite of the mirthfully messy Sorry Ma. Stink wasn't even a full-fledged album -- at eight tracks, it was labeled a mini-LP, maybe just a bit ...

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Hootenanny [Deluxe Edition] (2008) more music like this

by The Replacements

Hootenanny is the place where the Replacements began to branch out from the breakneck punk that characterized their first two records -- which isn't quite the same thing as growing up, however. The brilliant thing about Hootenanny is that it teeters at the brink of maturity but never makes the dive into that deep pool. Paul Westerberg nevertheless ...

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Tim [Expanded Edition] (2008) more music like this

by The Replacements

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