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The Paul Butterfield Blues Band
(1965)
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The Paul Butterfield Blues Band
Even after his death, Paul Butterfield's music didn't receive the accolades that were so deserved. Outputting styles adopted from Howlin' Wolf and Muddy Waters among other blues greats, Butterfield became one of the first white singers to rekindle blues music through the course of the mid-'60s. His debut album, The Paul Butterfield Blues Band, saw ...
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East-West
(1966)
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The Paul Butterfield Blues Band
The second Butterfield album had an even greater effect on music history, paving the way for experimentation that is still being explored today. This came in the form of an extended blues-rock solo (some 13 minutes) -- a real fusion of jazz and blues inspired by the Indian raga. This groundbreaking instrumental was the first of its kind and marks ...
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The Resurrection of Pigboy Crabshaw
(1967)
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The Paul Butterfield Blues Band
In his third album, Butterfield adds a horn section and the direction of the group has started to veer away from straight Chicago-style blues toward a sound more influenced by R&B. By this time, Bloomfield has left the group and Elvin Bishop (aka Pigboy Crabshaw) takes over on lead guitar. A lot of great tunes here, like "Driftin' and Driftin." ...
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Blues Masters, Vol. 4: Harmonica Classics
(1992)
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Various Artists
Vol. 4: Harmonica Classics is a typically ace installment of the Blues Masters series has examples par excellence from most of the major electric blues harmonica geniuses, including Little Walter, Junior Wells, Sonny Boy Williamson, James Cotton, Paul Butterfield, Billy Boy Arnold, Lazy Lester, and Jimmy Reed. And while there are a few expected ...
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Greatest Folksingers of the '60s
(1972)
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Various Artists
Not only was Maynard Solomon's Vanguard Records one of the major folk labels of the 60s (having the prescience to pick up Joan Baez early on, and then recording the cream of the singer/songwriters thereafter), but it also had the rights to record and release material from the Newport Folk Festival, giving it access to several artists who were not ...
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Woodstock: Three Days of Peace & Music [25th Anniversary]
(1995)
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Various Artists
This four-disc box set was released commemorating the 25th anniversary of the original Woodstock festival that took place in August 1969, and combined both of the Woodstock albums released in 1970 and 1971 with previously unreleased material. It's a well-known part of the festival's history that many of the participants played self-confessed ...
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It All Comes Back
(1973)
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Paul Butterfield
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In My Own Dream
(1968)
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The Paul Butterfield Blues Band
Sometimes, one has to wonder whether the youth of the 1960s were really as open to new ideas and new sounds as their press would make you believe. Take the album at hand, In My Own Dream by the Paul Butterfield Blues Band -- their fourth official release (though two others have since gone into their discography at earlier points), it marked the ...
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Sometimes I Just Feel Like Smilin'
(1971)
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The Paul Butterfield Blues Band
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An Anthology: The Elektra Years
(1997)
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The Paul Butterfield Blues Band
An Anthology -- The Elektra Years is a double-disc, 33-song set that offers a comprehensive overview of Paul Butterfield's eight years with the label. His first two albums, Paul Butterfield Blues Band and East-West, were seminal, groundbreaking records that blurred the boundaries between blues, jazz and rock, suggesting everything from blues-rock ...
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Better Days
(1973)
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The Paul Butterfield Blues Band
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Newport Folk Festival: Best of the Blues 1959-1968
(2001)
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Various Artists
Newport Folk Festival: Best of the Blues 1959-1968 presents live performances from many of the top blues players of the era. From Skip James to Mance Lipscomb to Memphis Slim, these musicians play mostly acoustic blues before an appreciative audience. From the first disc, Mississippi John Hurt's six-song set is a standout. Piedmont fingerpicking ...
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Blues Masters, Vol. 15: Slide Guitar Classics
(1993)
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Various Artists
Blues Masters, Vol. 15: Slide Guitar Classics features seminal and classic tracks from Elmore James ("Dust My Broom"), Muddy Waters ("Honey Bee"), and Hound Dog Taylor to modern-day disciples like Johnny Winter and Ry Cooder. Blind Willie Johnson's "Dark Was the Night, Cold Was the Ground" is worth the price of admission alone. Cub Koda, All ...
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The Monterey International Pop Festival, June 16-17-18, 1967
(1997)
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Various Artists
A sumptuous, four-CD box set with all the deluxe trimmings celebrating the grandaddy of all outdoor rock concerts. With legendary performances by Otis Redding, the Who, Jimi Hendrix, Janis Joplin, the Byrds, and Paul Butterfield all taken from the mobile-unit multi-track masters (not to mention an album-sized booklet that'll knock your eyes out), ...
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The Original Lost Elektra Sessions
(1964)
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The Paul Butterfield Blues Band
All but one of these 19 tracks were recorded in December, 1964, as Paul Butterfield Blues Band's projected first LP; the results were scrapped and replaced by their official self-titled debut, cut a few months later. With both Michael Bloomfield and Elvin Bishop already in tow, these sessions rank among the earliest blues-rock ever laid down. ...
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Blues Masters, Vol. 16: More Harmonica Classics
(1998)
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Various Artists
With such a wealth of great harmonica blues out there, and with such an outstanding track record on Rhino's part in general when it comes to historical compilations, it's no surprise that their second anthology of harmonica blues is just as good as the first. There are fine cuts by many big guns here, including Little Walter, both Sonny Boy ...
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Blow'n the Blues: Best of the Great Harp Players
(2000)
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Various Artists
Subtitled "best of the great harp players," this pulls tracks from various Vanguard releases from the 1960s. Kicking off with five tracks from Junior Wells and five more from James Cotton, the set moves to pick up performances of Big Walter Horton behind Johnny Shines and a duet with a very young Charlie Musselwhite. Musselwhite has four tracks as ...
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Put It in Your Ear
(1976)
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Paul Butterfield
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North South
(1981)
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Paul Butterfield
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Keep on Moving
(1969)
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The Paul Butterfield Blues Band
Released in 1969, Keep on Moving was the fifth Elektra release by the Paul Butterfield Blues Band. During a four-year span the group's namesake and leader was the only original member left from their first album in 1965. Morphing in a similar direction as Michael Bloomfield's Electric Flag, this edition of the Butterfield Blues Band prominently ...
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The Legendary Paul Butterfield Rides Again
(1986)
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Paul Butterfield
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Rare Chicago Blues
(1993)
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Various Artists
Recorded between 1962 and 1968 by Norman Dayron, Rare Chicago Blues is an enthralling collection of rare blues from artists like Otis Spann, Little Brother Montgomery, Big Joe Williams, Robert Pete Williams, as well as several others. Captured live in clubs and on the street, these tracks give a good taste of what real, gritty urban blues sounded ...
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Blues Harp Greats
(1997)
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Various Artists
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Resurrection of Pigboy Crabshaw/In My Own Dream
(2004)
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The Paul Butterfield Blues Band
This imported double CD from WEA's international division is a real conundrum for blues fans in general and fans of the Paul Butterfield Blues Band in particular. On the one hand, the first of its two discs is The Resurrection of Pigboy Crabshaw, the last of what are usually regarded as the classic albums by the band, and a glorious moment in the ...
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Hard Rock Cafe: Modern Blues
(1998)
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Various Artists
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