Your search: Music » Artist: Paul Burch
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Tools in the Dryer: A Rarities Compilation
(2001)
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Lambchop
The Nashville-based Lambchop "is and has been" almost two-dozen different members with a discography that boasts something like 23 cassettes, singles, EPs, and full-lengths, as well as numerous one-off appearances on compilations, best-of collections, and the like. It's fairly safe to say, then, that Tools in the Dryer -- unlike most odds-and-ends ...
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What Another Man Spills
(1998)
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Lambchop
It's a safe bet to expect the unexpected in regards to any new Lambchop effort, but the cryptically titled (and beautifully packaged) What Another Man Spills is the band's most consistently surprising and deliriously eclectic outing to date, with new twists around every corner. While it's their loveliest record since How I Quit Smoking, that album ...
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Fool for Love
(2003)
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Paul Burch
Paul Burch makes a good first impression on Fool for Love. There's a strange ambience to "Lovesick Blues Boy" -- the opener -- that creates a strong undercurrent. The bass-heavy production is simple but insistent, providing a dark underpinning for Burch's rich vocals. "Bad Girl She Used to Be" sounds like a '50s tune channeled through the Velvet ...
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East to West
(2006)
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Paul Burch
Paul Burch is not usually named in discussions of alternative country or, saints forbid, Americana. He is not that scene's most well-known identity, nor, should he be. He's been banging around Nash Vegas playing clubs and doing tours whenever he can for the last decade or so. Burch is a country artist in the purist sense of the word. He may hang ...
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Wire to Wire
(1998)
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Paul Burch & the WPA Ballclub
Much like his occasional collaborators in the brilliant Lambchop, Paul Burch claims his own highly personal take on country music, but unlike Lambchop, he lays off the irony -- Wire to Wire is an honest, straightforward record with a sharp sense of atmosphere which in its way recalls the purity of Nashville's golden era. Jason Ankeny, All Music ...
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Last of My Kind
(2001)
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Paul Burch
Last of My Kind may be the first ever soundtrack to a book. Nashville musician Paul Burch wrote the gritty folk tunes on the album as an accompaniment to his friend Tony Earley's Depression-era coming-of-age novel, Jim the Boy. Like Earley's universal Mark Twain-esque story, Burch's songs come right from Americans' subconscious, from the ...
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The Decline of Country & Western Civilization, Pt. 2: The Woodwind Years
(2006)
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Lambchop
Lambchop is a group that takes an obvious pride in working on a grand scale -- this is a band that's swelled to as many as 16 members at times and in 2004 released two full-length albums on the same day -- so it should come as no surprise that they've come up with more worthwhile material than they've found room for on their LPs. The Decline of ...
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Thriller
(1997)
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Lambchop
Following in the tradition of the brilliant "Cigaretiquette" single, which immediately preceded it, Thriller moves Lambchop sharply away from their signature alt-countrypolitan sound, pushing instead toward a punchier, noisier aesthetic; borrowing its title from the best-selling album of all time and devoting no less than three of its eight tracks ...
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Hank
(1996)
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Lambchop
In hindsight, the seven-track Hank EP would seem to herald the conclusion of Lambchop's "straight" country period -- assuming, of course, that songs with titles like "Poor Bastard" and "I Sucked My Boss' Dick" could ever be considered pure country in the first place. The impossibly lush production which buoys tracks like "I'm a Stranger Here" and ...
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Up with People
(2000)
by
Lambchop
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Pan-American Flash
(1998)
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Paul Burch & the WPA Ballclub
Burch croons honky-tonk ballads with a Jimmy Buffet inflection. The result is easy to appreciate, individual and very authentic. Guitars that stay in the background, tasteful ornamentation from Paul Niehaus' lap steel guitar and a consistent locomotive-slow chug from the drum and upright bass rhythm section make for a traditional, warm sound. This ...
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OH (Ohio) [Limited Edition]
(2008)
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Lambchop
Lambchop may have begun life as "Nashville's most fucked up country band," but with the passage of time the group's country leanings have slowly but surely faded away, and they've grown into perhaps the most singularly pleasurable pop band of their day, mastering a sound that embraces the broad sonic palate of chamber pop and the ambitious ...
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