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Easter
(1978)
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Patti Smith Group
Patti Smith came back from the year-and-a-half break caused by her fall from a stage in January 1977 without having resolved the art-versus-commerce argument that had marred her second album, Radio Ethiopia. In fact, that argument was in some ways the theme of her third. Easter, produced by Bruce Springsteen associate Jimmy Iovine, was Smith's ...
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Radio Ethiopia
(1976)
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Patti Smith Group
After the success of Horses, Patti Smith had something to prove to reviewers and to the industry, and Radio Ethiopia aimed at both. Producer Jack Douglas gave "the Patti Smith Group," as it was now billed, a hard rock sound, notably on the side-opening "Ask the Angels" and "Pumping (My Heart)," songs that seemed aimed at album-oriented rock radio. ...
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Wave
(1979)
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Patti Smith Group
The Patti Smith Group's most conventional album, Wave was given a bright pop/rock sound by producer Todd Rundgren. It was the last album Smith made before marrying and retiring from record-making for nine years, and it can be heard as a farewell to the music business, from "Frederick," the love song to her husband-to-be, Fred "Sonic" Smith, that ...
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Stolen Roses: Songs of the Grateful Dead
(2000)
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Various Artists
A fascinating listen born from an interesting idea, Stolen Roses culled existing live Grateful Dead covers from a diverse expanse of sources. The musical styles represented include everything from newgrass and a cappella to old-school punk, and even a high school marching band pays tribute to one of the Dead's more recognized songs. Bay area ...
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D.I.Y.: Blank Generation: The New York Scene (1975-78)
(1993)
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Various Artists
From the outset, New York punk rock had more subgenres and styles than its British counterparts. Even the Ramones, who were seemingly the most straightforward band on the scene, had a distinctly arty conceit behind their fusion of garage-rock, bubblegum, and pop-culture kitsch. Most of their contemporaries had similar attitudes, whether it was ...
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Best of King Biscuit Live, Vol. 2
(1991)
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Various Artists
An odd assortment including The Stray Cats, Elton John, Foghat, and Iggy Pop, all recorded live for vintage radio broadcasts. Jeff Tamarkin, All Music Guide
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Cover Me: Songs by Springsteen
(1984)
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Various Artists
Cover Me: Songs by Springsteen gathers famous and obscure renditions of Springsteen's songs, ranging from Patti Smith's revamped "Because the Night" to the Pointer Sisters' sensual version of "Fire." Southside Johnny & the Asbury Jukes, a group already closely associated with Springsteen, turn in gritty versions of "The Fever," "Love on the Wrong ...
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An Elpee's Worth of Productions
(1992)
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Various Artists
Todd Rundgren may be best known for his eclectic work as a solo artist and as a member of Utopia, but he's also produced some of the most acclaimed, influential, and successful rock releases since the early '70s. As with his own music career, Rundgren has never been afraid to take on a wide variety of musical styles, and he applies the same rule ...
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Sedated in the Eighties, Vol. 2
(1994)
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Various Artists
Of all the volumes in the Sedated in the Eighties series, volume two attempts to cast the widest net. On that level it functions as an effective sampler of the decade's new wave and underground groups -- even if, like almost all one-disc compilations that try and distill an entire decade -- it leaves a lot out. But by focusing on some of the ...
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A Woman's Voice [Polygram]
(2000)
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Various Artists
A Woman's Voice celebrates women in rock, pop, and R&B, and features anthems like Gloria Gaynor's "I Will Survive." Patti Smith's "Because the Night" and k.d.lang's "Constant Craving" are among the performances from pioneering female artists, while Pat Benatar's "We Belong," Oleta Adams' "Get Here," and Joan Osborne's "St. Teresa" reflect the ...
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Guitar Rock: Power Ballads
(2001)
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Various Artists
The power ballad is a true art form that receives little respect, even from the populace (consumers) who adore its each and every note. Anyone brave enough to keep his copy of Guitar Rock: Power Ballads on full display has truly earned the right to play each one of its sugary cuts as loud as he damn well pleases -- and at all times of the day. One ...
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Sedated in the Eighties, Vol. 5
(1998)
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Various Artists
Capitol resumed their Sedated in the 80's series in 1998 with Vol. 5 Almost all of the tracks on the collection are licensed from the EMI vaults, which is a mixed blessing. There are certainly a large number of really good songs here, but there are a few weak cuts here, since it relies on only one vault. Nevertheless, it's an entertaining listen, ...
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CMJ the Year in Alternative Music 1979
(1998)
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Various Artists
The first volume in CMJ magazine's series documenting the roots of alternative rock is arguably the strongest of the bunch -- cuts like Elvis Costello & the Attractions' "Accidents Will Happen," Blondie's "Heart of Glass," the Buzzcocks' "Everybody's Happy Nowadays" and XTC's "Life Begins at the Hop" are all undeniable classics, and even if tracks ...
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