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Letter from Home
(1989)
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Pat Metheny Group
Picking up where Still Life (Talking) leaves off (instead of throwing listeners a curve ball like Song X), the equally triumphant Letter from Home stresses Brazilian elements with superb results. While a number of these treasures -- including "Beat 70," "Have You Heard," and "Every Summer Night" -- are light and accessible enough to have enjoyed ...
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Still Life (Talking)
(1987)
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Pat Metheny Group
While Brazilian music had captured Pat Metheny's attention since the '70s, he placed an especially strong emphasis on Brazilian elements in the late '80s. A master of uniting seemingly disparate elements as a cohesive whole, the imaginative guitarist effectively combines Brazilian-influenced harmonies and rhythm with jazz, folk, and pop elements ...
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Pat Metheny Group
(1978)
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Pat Metheny Group
The first recording by the Pat Metheny Group features the innovative guitarist along with keyboardist Lyle Mays, bassist Mark Egan, and drummer Dan Gottlieb. The music is quite distinctive, floating rather than swinging, electric but not rockish, and full of folkish melodies. The best known of these six Metheny-Mays originals are "Phase Dance" and ...
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Travels
(1982)
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Pat Metheny Group
Now well into its gliding Brazilian-tinged mode, the Pat Metheny Group hits the road, as this two-CD set catches the band live in Dallas, Philadelphia, Hartford, Sacramento, and Nacogdoches, TX. Percussionist NanĂ¡ Vasconcelos is still listed as a "special guest," but ever since Wichita Falls, he had not only been a part of the group, he was the ...
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We Live Here
(1994)
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Pat Metheny
The first Pat Metheny Group recording in five years is a bit unusual in two ways. The band uses "contemporary" pop rhythms on many of their selections but in creative ways and without watering down the popular group's musical identity. In addition Metheny for the first time in his recording career sounds a bit like his early influence Wes ...
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As Falls Wichita, So Falls Wichita Falls
(1980)
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Pat Metheny & Lyle Mays
The regrettable title aside, this joint solo effort by Metheny and regular pianist and collaborator Lyle Mays is an impressive outing. In the process of stretching out away from the confines of the quartet setting of prior albums, Metheny and Mays presage the sleeker and more ethereal sound of the band's Geffen years on portions of the title track ...
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Secret Story
(1992)
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Pat Metheny
Secret Story is among the more provocative recordings in Pat Metheny's oeuvre. Combining the relaxed groove of the early Pat Metheny Group recordings, it is full of odd sounds, exotic instrumentation, and the participation of members of the London Orchestra conducted by Jeremy Lubbock. Along with regular group members -- bassist Steve Rodby, ...
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Secret Story [Bonus Disc]
(2007)
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Pat Metheny
Secret Story is among the more provocative recordings in Pat Metheny's oeuvre. Combining the relaxed groove of the early Pat Metheny Group recordings, it is full of odd sounds, exotic instrumentation, and the participation of members of the London Orchestra conducted by Jeremy Lubbock. Along with regular group members -- bassist Steve Rodby, ...
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Offramp
(1981)
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Pat Metheny Group
If 1980's As Falls Wichita, So Falls Wichita Falls was defined by Pat Metheny's charisma, its less accessible but certainly rewarding successor, Offramp, finds him leaning more toward the abstract. But as cerebral as Metheny gets on such atmospheric pieces as "Are You Going with Me?" and "Au Lait," his playing remains decidedly lyrical and melodic ...
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American Garage
(1980)
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Pat Metheny Group
The back liner photo gives the impression of a grungy Midwestern garage band, but no, that doesn't describe this sophisticated jazz-rock quartet, which was simultaneously breaking into mass-market acceptance and away from the contemplative ECM stereotype. The arrangements are more structured, the playing often more intense and searching, with a ...
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Trio 99>00
(2000)
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Pat Metheny
Mixing up his pitches just to keep his fans off balance as always, Metheny returns to the strict jazz-guitar trio format for the first time in a decade, in league with a couple of combative, unintimidated partners. At the age of 45, Metheny leaves no doubt that he has become a masterful jazz player, thoroughly at home with even the most convoluted ...
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First Circle
(1984)
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Pat Metheny Group
In First Circle, the Pat Metheny Group settled into a lineup that lasted for quite a while -- with Metheny, keyboardist Lyle Mays, bassist Steve Rodby, and new drummer Paul Wertico forming the core quartet. The ever-restless Metheny also mixes up the music, not quite leaving the Brazilian glide behind but coming up with some fascinating ...
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Bright Size Life
(1975)
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Pat Metheny
Pat Metheny's debut studio album is a good one, a trio date that finds him already laying down the distinctively cottony, slightly withdrawn tone and asymmetrical phrasing that would serve him well through most of the swerves in direction ahead. His original material, all of it lovely, bears the bracing air of his Midwestern upbringing, with ...
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Watercolors
(1977)
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Pat Metheny
Pat Metheny emerges on his second album, Watercolors, as an ECM impressionist, generally conforming to the label's overall sound while still asserting his own personality. As the title suggests, there are several mood pieces here that are suspended in the air without rhythmic underpinning, a harbinger for the new age invasion still in the future. ...
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Trio Live
(2000)
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Pat Metheny Trio
This two-disc release documents performances from the 2000 world tour of the Pat Metheny Trio, featuring Larry Grenadier on bass and Bill Stewart on drums. Like the trio's spectacular studio release earlier the same year, the live album draws on material that spans Metheny's career. The opener, in fact, is "Bright Size Life," the first track from ...
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New Chautauqua
(1979)
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Pat Metheny
Among his formative albums: he was still trying to find the right blend of rock, pop, fusion, and jazz elements. Ron Wynn, All Music Guide
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Imaginary Day
(1997)
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Pat Metheny
More than ever, the Pat Metheny Group is into creating thick, exotic, electronic sonic landscapes, and Imaginary Day goes even further out on the cutting edges of technology and global influences than its predecessors. The floating Metheny group signature is often present but with radically reworked textures, and Brazil seems to be off his ...
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Rarum, Vol. 9: Selected Recordings
(2004)
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Pat Metheny
The Rarum series on the ECM label is unique in that it issues "best-of" compilations picked by the artists themselves. While this can be a double-edged sword (oftentimes what an artist and his or her own fans enjoy are two different things), in this case it turns out to be a blessing. Metheny is obviously a fine judge of his own work, both from ...
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The Way Up
(2005)
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Pat Metheny Group
The Way Up is the Pat Metheny Group's debut offering for Nonesuch Records. Comprised of a single, sprawling, 68-minute composition by Metheny and Lyle Mays -- divided into four sections on CD -- it is an unprecedented new direction for the band. The lineup is the same as on the live Speak of Now from 2003 -- Metheny and Mays on keyboards, bassist ...
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I Can See Your House from Here
(1993)
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John Scofield/Pat Metheny
Guitar giants John Scofield and Pat Metheny teamed up for the first time on records for this CD. The collaboration does take awhile to get going and it is not until the fourth cut, the bluish "Everybody's Party," that the sparks begin to fly; fortunately the momentum does not let up much throughout the remainder of the CD. All of the selections ...
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The Road to You: Recorded Live in Europe
(1993)
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Pat Metheny Group
When Metheny celebrates his cerebral side, he usually follows up with something more accessible. After his difficult yet rewarding collaboration with John Scofield, I Can See Your House from Here, Metheny stresses accessibility with this captivating live album. The primary focus is on his Brazilian-influenced material from Still Life (Talking) and ...
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Rejoicing
(1983)
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Pat Metheny with Charlie Haden and Billy Higgins
Pat Metheny takes a vacation from his Group and performs advanced material with bassist Charlie Haden and drummer Billy Higgins. In addition to Horace Silver's "Lonely Woman," Haden's "Blues for Pat," and three Ornette Coleman tunes, the guitarist plays three of his originals here, including "The Calling," a lengthy exploration of sounds with his ...
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One Quiet Night
(2003)
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Pat Metheny
Pat Metheny by himself with an acoustic guitar -- for longtime fans it might not get any better. Always interested in blending jazz with folk and pop, the guitarist does just that, focusing heavily on the folk end of things on One Quiet Night. Featuring a nice afterglow interpretation of Norah Jones' hit "Don't Know Why" and an unexpected ...
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Metheny Mehldau
(2006)
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Pat Metheny/Brad Mehldau
The collaboration between Pat Metheny and Brad Mehldau is something that must have been written in the stars. Fans of both men have wondered if it would ever take place, and the end result on the Nonesuch release of Metheny Mehldau is the confirmation that it was destined. Hyperbole? Put it on and listen before you offer that remark seriously. Of ...
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Speaking of Now
(2002)
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Pat Metheny Group
Speaking of Now finds guitarist Metheny leading a retooled Pat Metheny Group; in addition to longtime core members, keyboardist Lyle Mays and bassist Steve Rodby, the Group now includes drummer Antonio Sanchez, trumpeter/vocalist Cuong Vu, and Richard Bona, who's best known as a bassist, but who functions primarily as the Group's percussionist ...
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