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Hold to a Dream

Hold to a Dream (1987) more music like this

by New Grass Revival

The band who originated the term "newgrass" continued their progressive bluegrass stylings on Hold to a Dream. As their work grew, the band explored new textures and instrumentation, including the use of fretless bass on Bela Fleck's jazz-inspired "Metric Lips" and the sea shanty roll of Pat Flynn's "I'll Take Tomorrow." Lead singer John Cowan is ...

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Grass Roots: The Best of New Grass Revival

Grass Roots: The Best of New Grass Revival (2005) more music like this

by New Grass Revival

Unlike the single-disc sets New Grass Anthology (1990) and The Best of New Grass Revival (1994), the double-CD Grass Roots: The Best of New Grass Revival does not restrict itself to the group's major-label catalog of EMI/Capitol recordings, circa 1986-1989, but instead also licenses tracks dating back to the band's first recordings in 1972. There ...

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On the Boulevard

On the Boulevard (1984) more music like this

by New Grass Revival

An overlooked CD with a couple of standout tracks. Played beginning to end, this one will leave you fulfilled. Chip Renner, All Music Guide

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New Grass Revival

New Grass Revival (1986) more music like this

by New Grass Revival

Brightly directed by legendary Nashville producer Garth Fundis (his fourth with the band), the simply titled New Grass Revival is another in their strong line of progressive bluegrass recordings. The instrumental prowess of Bela Fleck and Sam Bush take center stage on many songs, including Fleck's signature banjo piece "Seven by Seven." The Grammy ...

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Friday Night in America

Friday Night in America (1989) more music like this

by New Grass Revival

On what would turn out to be New Grass Revival's final album, Friday Night in America, the band advanced their sound beyond their own previous pioneering. Their genre-busting brand of rocked-out progressive bluegrass is at its most rockin' -- almost bordering on hair metal with banjos. John Cowan's emotive vocals soar above the delicate picking of ...

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The Best of New Grass Revival

The Best of New Grass Revival (1994) more music like this

by New Grass Revival

The Best of New Grass Revival is a first-rate, 18-track collection of the band's output from the late '80s, when the lineup included innovative banjo player Béla Fleck. Among the highlights are "Unconditional Love," "Can't Stop Now," "Callin' Baton Rouge," "You Plant Your Fields," and they even cover the Beatles' "I'm Down." This is a nearly ...

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Revision

Revision (2007) more music like this

by Pat Flynn

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reQuest

reQuest (2004) more music like this

by Pat Flynn

Pat Flynn earned his stripes as part of New Grass Revival, and he can certainly play that guitar like ringing a bell, although for much of this album he hides that light under the bushel of singing and rhythm work. Still, if you listen to his solo on "In the Middle of the Night" you get an idea of what he can do when he lets loose, and "Mother ...

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New Grass Anthology (1990) more music like this

by New Grass Revival

Culling tracks from the first three New Grass Revival discs cut for Capitol Records, Anthology has all the highlights, including "Callin' Baton Rouge," later made world famous by one Garth Brooks. It also includes one unreleased cut, "Reach" which adds to Anthology's charm. Good compile. James Chrispell, All Music Guide

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Live

Live (1984) more music like this

by New Grass Revival

Live captures a boisterous, lively performance from the New Grass Revival, as they tear through their best material. The new additions to the band -- banjoist Bela Fleck and guitarist Pat Flynn -- have energized the band, and vocalist John Cowan helps spur the band on to truly remarkable performances. Thom Owens, All Music Guide

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Most Precious Blood (2000) more music like this

by Indecision

The addition of second guitarist Rachel Susannah to Indecision's lineup gives the band a lively, dimensional sound that was missing on Unorthodox. Most Precious Blood is also better produced than its predecessor, and boasts a stronger grasp on layering and dynamics -- qualities that help to separate Indecision from the hardcore pack. Lyrically, ...

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Release the Cure

Release the Cure (1999) more music like this

by Indecision

Indecision is an interesting name for this Brooklyn thrash/hardcore band, for Release the Cure hardly sounds indecisive or hesitant. In fact, this extremely sociopolitical CD is as focused as it is intense. The music itself sounds quite angry -- Indecision's amelodic songs have a dense, claustrophobic quality, and even if you didn't understand a ...

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Merciless [Bonus Track] (2005) more music like this

by Most Precious Blood

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Our Lady of Annihilation [Bonus Track] (2005)

by Most Precious Blood

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